How film promo teams lost half a campaign's content to the 24-hour clock

BY JITU JANGIR

WWE Raw is set to return tonight, August 17, 2026, from KeyBank Center in Buffalo, New York, with a loaded lineup featuring several matches and a major confrontation involving Roman Reigns, Solo Sikoa and Jey Uso. The show will take place tonight and will air live on Netflix at 8 p.m. ET/5 p.m. PT. WWE's official preview confirms the five announced matches and segments for the episode. The night's biggest storyline will see Jey Uso deliver Solo Sikoa to World Heavyweight Champion Roman Reigns after defeating Sikoa under controversial circumstances last week. Chad Gable will also put the Intercontinental Championship on the line against Rey Mysterio, while Rey Fenix faces El Fiscal and Dragon Lee takes on El Hijo de Dr. Wagner Jr. in the first round of the World Heavyweight Championship No. 1 Contender's Tournament. The tournament will determine who challenges Reigns when Raw heads to Mexico City on September 14. Sol Ruca will also go one-on-one with Lyra Valkyria following their confrontation last week. Monday Night Raw Results August 17, 2026 Date: Monday, August 17, 2026 Location: — KeyBank Center in Buffalo, New York Start Time: 8 p.m. ET / 5 p.m. PT Where to Watch: Netflix The WWE Raw results will be updated live throughout the show. We will start the full results and match-by-match coverage once Monday Night Raw starts, so check back here for the latest results.

BY SACNILK TEAM

A Hindi release in 2026 ran its entire final promo push through Instagram stories. Cast reactions from the trailer launch, a choreographer walking through a hook step, three days of city-by-city footage, a producer's voice note the morning tickets opened. Roughly forty story frames across eight accounts. None of it survived the week. Stories expire in 24 hours, and whoever was supposed to archive them was busy running the campaign. This is now a routine problem for anyone who tracks film publicity, runs a fan account, or writes about box office and needs the promo trail intact after the fact. Why highlights do not solve it Highlights look like the answer. Save a story to a highlight and it stays on the profile indefinitely. Two things break that. First, only the account owner can create a highlight, so a fan page or a trade writer has no control over what gets kept. Second, highlights get pruned. Publicity teams routinely clear them out between releases so a profile does not carry last film's campaign into the next one's. Content that sat in a highlight for three months can vanish in an afternoon. The archiving habit that works Pull the frames the day they go up. Not the week they go up, the day. An instagram story saver takes a username, loads whatever stories are currently live on that profile, and lets you save the frames as files. Video comes down as MP4, stills as JPG. No login involved, which matters if you are monitoring twenty accounts and have no business signing into any of them. Three tools handle this. Ranked by how little they get in the way: 1. FastDL. Loads the full current set on one screen, saves at whatever resolution was uploaded, no account prompt. 2. iGram. Works, though it wants the link pasted a second time often enough to notice across a long session. 3. StoriesIG. Gets the frames, then spends your patience on redirect tabs. The ordering matters less than the habit. Any of them beats discovering on Thursday that Monday's content is gone. What the resolution actually depends on The file you get back matches what was uploaded. Instagram stories cap at 1080 by 1920 pixels, and a lot of promo content lands well below that because it was exported for speed on a launch day. If a frame came out of a phone editing app at 720p, that is what saves. Worth knowing before you blame the tool. Nothing reconstructs pixels that were never uploaded. The line that matters for anyone publishing Archiving a public story for reference is one thing. Republishing it is another, and which tool pulled the file makes no difference to that distinction. Promo material is usually intended to travel, which is why studios put it on Instagram in the first place. That still is not a licence to lift a frame and post it as original content. Credit the account. And if you are using footage rather than a still, check what is playing underneath it: a promo clip cut over a released track carries the label's rights as well as the studio's, and the label is the party that files complaints. This trips up fan pages more than trade coverage, because fan pages are the ones reposting video. A still frame with a credit line rarely causes anyone trouble. A 15-second clip with a chart single over it can. Restricted profiles sit outside all of this. Where an account has closed its audience, those stories are not served to outsiders at all, and any site advertising otherwise wants your password rather than your traffic. What to actually set up If you cover releases regularly, the workflow is dull and takes four minutes a day. Open the saver, run through your list of tracked accounts, pull anything new, drop it in a folder named for the film. By release week you have the entire promo trail sitting locally while everyone else is searching for a reel that expired on Tuesday. Two details make the difference between a folder that helps later and one that does not. Name files by date and account at the moment you save them, not afterwards. A folder of forty clips called video_1 through video_40 is almost as useless as no folder. Two seconds of typing while the download completes turns it into something searchable in six months. And pull the whole set, including the frames that look like nothing. Story sequences make sense as sequences: the frame that seemed like filler on Monday often turns out to be the first time a release date appeared on screen. Storage is cheap and judgment on launch day is bad. The accounts that keep this discipline end up with better archives than the studios whose campaigns they are tracking, which says something about how the industry treats its own material.

BY JITU JANGIR

Blake Monroe has opened up about the time she spent wrestling in Japan and explained how the experience changed both her career and her life before she made her way to WWE. Before becoming a WWE Superstar, Monroe built her experience on the independent scene and eventually traveled to Japan to continue developing as a wrestler. What was supposed to be a short trip turned into a much longer stay after she quickly became attached to the country and its wrestling culture. “I went to Japan and I was meant to go for like a month and I ended up moving there. So I only had like two or three suitcases. And it was in my first week and I was like, ‘I'll stay.,'" Monroe said during her appearance on The Nikki & Brie Show. Monroe explained she trained at the dojo and spent a lot of time wrestling and improving her skills. Her schedule could become demanding, especially during tournaments and busier stretches of the year. “It wasn't every day, but it went through phases. So, we wrestled at least twice a week. Sometimes in the summer like we had tournaments and like we'd be on the road. Like we'd be on this bus. Like you do your match, you take the ring down, shower if you can, the bus.” Monroe was around 23 at the time and felt she needed to spend some time away from home. Living in another country forced her to become more independent, and she said she found herself during that period. “I just fell in love. It's called the Dojo. We just trained all the time and I loved Japan and I feel like at that time in my life I must have been like 23 or something. I needed that. I needed to be by myself. I needed to be independent and I just found myself and I loved Japan.” Monroe couldn't speak Japanese when she first arrived, which meant she couldn't rely on long promos to connect with the audience. Instead, she had to find other ways to communicate her personality. That eventually became an important part of her development as a character. “I couldn't speak. And as we know, promos, especially in WWE, is the biggest part of like how you're going to make people like you. Wrestling is one thing, but I feel like you have to have something where people hate you, like you, relate to you, whatever it is. I couldn't do that in Japan. So, I had to learn how to exude that in my body, in the way I dressed, in all my mannerisms, and it really made me dial up to like a hundred.” She compared developing a wrestling character to training in the gym. The more she worked on it, the more she learned what connected with an audience. “I feel like it's developed. It's the same way you like train in the gym and you train at wrestling. I feel like you also train your character. But you just kind of learn what works, what doesn't, where you need the crowd, where you might need to like show out to them.” After making her mark in NXT, she's moved on to SmackDown and has made it clear that she wants to become more than someone who simply wins championships. She wants to create stories that fans remember. Monroe recalled eating raw chicken with friends before a major match against Giulia. She initially worried that the unusual meal was responsible for the knots in her stomach, only to realize she was simply nervous about the match. “I ate raw chicken. And I was fine. But it was the night before like a really big match with Giulia actually. And I really wanted to wrestle her... I had started my period so I had cramps. But in my head I'm like it's the chicken. It's raw chicken but it wasn't. I was just really nervous so like my stomach was in knots.”

BY JITU JANGIR

Blake Monroe has revealed that she was approached to appear on Love Island twice but ultimately decided against joining the reality show because becoming a WWE Superstar was always her bigger ambition. The WWE star discussed the opportunity during her appearance on The Nikki & Brie Show, where she opened up about her life before wrestling and explained why she believed appearing on Love Island could have taken her down a different path. Monroe revealed that the first offer came when she was just 18 or 19 years old. At the time, the British version of Love Island was still relatively unfiltered, and Monroe did not believe the show aligned with the career she wanted to build. “I got asked to be on Love Island when I was like 19, the British one, 18 or 19. And back then, though, that was when it was very unfiltered. And I just didn't do it because I really, really wanted to be a WWE Superstar and I don't think this is a good idea.” Monroe explained that she was particularly conscious of how appearing on the reality series could affect her future, especially because some of the situations portrayed on the show were not something she wanted associated with her career. This time, however, Monroe admitted that she was more conflicted about the decision. “And then a couple years ago I was already in America and they had reached out again about it. And everyone's like, ‘Yeah, you could do it.’ And I was torn because I'm insane.” There was another reason behind her decision the second time around: she had fallen in love. “And then I fell in love. Couldn't go on to Love Island because I found it myself.” That journey has now brought her to WWE, where she has moved from NXT to SmackDown and is beginning what she described as an even bigger chapter of her career.

BY JITU JANGIR

Santino Marella has recalled a wild night from his WWE days that ended with him bleeding from the head after a joke involving John Cena and a broken plate. Marella shared the story during his appearance on What Do You Wanna Talk About? with Cody Rhodes, while discussing his “Fun Time Tony” persona and some of the memorable moments from his time traveling with WWE. According to Marella, the incident took place during a European tour. WWE talent had a room blocked off at a bar, where the group was drinking and enjoying themselves. What started as a joke over food eventually resulted in Marella suffering a cut to his head. Marella explained that someone noticed Cena had apparently ordered food for himself rather than the rest of the group. Cena then took a single french fry from the plate, which prompted Marella to smash the plate. “So Cena, and he knows exactly what he's doing. We were on a European tour. We had the room blocked off, we're drinking. And he just leans over and it was Percy Watson, Nick McNeil, goes ‘Did he just order food for himself and nobody else?’ And you know, I'm like, ‘What? Where is he?’ So he took one french fry. The plate just came. One fry." Marella added, "And I took the plate and I smashed the plate and he was just left with one french fry like... Like he looked forward to that meal so bad. So Cena, not realizing how sharp the shards were of the plate, took one and went ting to my head. And all of a sudden it's just drip, drip, drip, drip. And he's like, ‘Oops.’ And he goes, ‘Oh, well’ and he did it himself too. So we have to call Doc Amann to come down, little crazy glue.” The injury also made Marella's appearance particularly memorable. He said he was wearing a white tank top at the time, which ended up covered in blood. “And I was wearing a white tank top, which by the end of the night looked like I had been involved in, you know, a murder. It was just, it was horrible, it was very, very bloody.” Despite the injury, the night did not immediately come to an end. Marella recalled that the group continued drinking at the bar until around six or seven in the morning. Eventually, he decided it was time to return to his hotel room. Marella saw the elevator doors closing and rushed to get inside. When he entered, an elderly couple was already there after apparently finishing breakfast. The couple, however, had no idea what had happened to Marella. All they saw was a man covered in blood, staggering inside the elevator early in the morning. “There's an elderly couple, seven AM, just, you know, finished breakfast. And I'm just sitting there bloody, just staggering, like swaying. And they're just absolutely terrified. Like they don't know what happened, why am I bloody?” Marella eventually reached his floor and walked out, leaving the couple behind. He imagined that they were probably relieved once the elevator doors closed again. “And my door opens to my floor and I just walk off and they must have just had this huge sigh of relief. I mean, you know, it wasn't as bad as it looked, but it looked pretty bad.”

BY JITU JANGIR

AJ Styles believes LA Knight is ready for another opportunity at the top of WWE, insisting that “The Megastar” has all the qualities needed to become a world champion. Styles discussed Knight's current position in WWE during the latest episode of The AJ Styles Show, where he was asked about the possibility of Knight eventually facing Roman Reigns again. While Styles did not confirm that WWE has plans for another match between the two, he made it clear that he believes Knight is more than prepared for a world championship opportunity. Styles has previously shared the ring with both men, giving his assessment of Knight's potential some added weight. The former WWE Champion believes Knight has reached a point in his career where he should be seriously considered for the company's biggest championship. “I’ve never seen anybody more ready to be a champion right now than LA Knight,” Styles said. “I know I keep harping on this, but I can’t be the only one that thinks this way. He’s got all the tools. Give him the opportunity.” According to Styles, Knight understands what would be expected of him if he were to become a world champion. That includes not only defending the championship but also representing WWE outside the ring. “He knows what comes with being a champion. He’s got it. And I’m not just talking about holding the heavyweight championship around your waist,” Styles explained. “When it comes to interviews and what you got to do to represent the WWE, he has those tools to be able to get it done and I think he’d do it flawlessly.” Knight has also already experienced what it is like to challenge Roman Reigns for a world championship. The two faced each other at Crown Jewel in 2023, with Reigns retaining the Undisputed WWE Universal Championship after interference from The Bloodline. The match helped establish Knight as a legitimate main-event performer, even though he ultimately failed to capture the championship. Now, the possibility of another encounter has become interesting again. Reigns is currently the World Heavyweight Champion, while Knight remains involved in WWE's world championship picture. Recent WWE storylines have also kept the two names in the same conversation, with Knight's championship ambitions continuing to be part of his character.

BY JITU JANGIR

Zilla Fatu made an immediate impression during his arrival on WWE NXT, and AJ Styles was among those impressed by what the young star brought to the show. Fatu made his WWE debut on the August 11 episode of NXT, interrupting the match between Grayson Waller and Cruz Montana. The contest was set to determine the next challenger for Tony D’Angelo’s NXT Championship, but Fatu's arrival changed everything as he attacked both competitors. Styles had a close look at the segment because he was involved in producing the match between Waller and Montana. Speaking on The AJ Styles Show, he first praised both wrestlers for the way they handled the bout, explaining that he did not have to heavily guide them because of their experience. “There’s not a lot you have to do in this because you got two pros who’ve been on television. They know what they’re doing. I had no worries that they’d get it done in the time that they needed to. Total pros.” Styles also singled out Waller for praise, saying he feels the former NXT star is underrated in his current role. “Grayson Waller is very underrated. I think it’s very good, the heel work that he’s doing right now. He’s the pissed-off, ‘I’m going to tell you what I think and if you don’t like it, come do something about it.’ I kind of like that.” The match itself also left an impression on Styles. He pointed out that Waller and Montana were not holding back and appeared to have genuinely put themselves through a physical contest. “It wasn’t that they just went out there and, I don’t know if you saw them both at the end of their match, but there was bruises on their chest. Like these guys, there was a boot mark on Cruz’s face. They got after it. There was some very real stuff that was going on.” After watching the two wrestlers deliver a hard-hitting match, Styles said he was impressed by what happened when Fatu entered the picture. The son of the late Umaga made his presence felt immediately, taking the fight to both Waller and Montana. For Styles, it was not simply the attack itself that stood out. He was particularly impressed by Fatu's overall presence. “He looks like a star. Just his presence. It’s a very intimidating presence.” Styles also pointed out a detail that made Fatu's attack look even more painful. The WWE Hall of Famer noted that Fatu delivered his splashes without wearing knee pads. “And if you don’t know how scary he is, he did those splashes without knee pads. If you knew that, right? Come on, it kind of sucks.” The NXT crowd also reacted strongly to Fatu's arrival, something Styles noticed while discussing the moment. “The fans went crazy in NXT. So, yeah, it was a really cool moment.” Fatu's arrival has generated considerable attention since his WWE debut. He is the son of Umaga and part of the wider Anoa’i-Fatu wrestling family, which includes several major WWE stars. His debut also came at an important point for NXT, with the brand introducing a number of new faces to its men's division.

BY SUNIT JANGIR

Mumbai, August 17 - The Independence Day 2026 weekend turned out to be a competitive one at the Indian box office, with multiple major releases fighting for audience attention. Emraan Hashmi's Awarapan 2 emerged as the clear winner among the new releases, while Suriya's Vishwanath & Sons delivered an impressive opening weekend in the South. On the other hand, Sunny Deol's Batwara 1947 struggled to convert the massive Independence Day opportunity into a major box office result. (adsbygoogle = window.adsbygoogle || []).push({}) 1. Awarapan 2 – 98 crore India gross Awarapan 2 dominated the Independence Day weekend and finished its first three days with around 100 crore India gross, including 31.25 crore gross on Sunday. Its India net stood at around 81.75 crore, while the film also added 19 crore from overseas markets. The Emraan Hashmi-led sequel topped 117 crore worldwide, which is the biggest opening weekend ever for an Emraan Hashmi-starrer. 2. Vishwanath & Sons – 67.25 crore India gross Suriya's Vishwanath & Sons was another major winner during the holiday frame. The family drama collected 67.25 crore India gross in its opening weekend, with the film maintaining strong momentum across its key markets. Its overseas performance was particularly impressive, with the film collecting an estimated 43 crore from international markets by the end of Sunday, with its worldwide gross reaching 110 crore after the 3-day weekend. (adsbygoogle = window.adsbygoogle || []).push({}) 3. Batwara 1947 – 31.50 crore India gross Batwara 1947 had perhaps the most disappointing weekend among the major new releases. The Sunny Deol-led period drama managed 26.50 crore India net, translating into around 31.50 crore India gross over its first three days. After opening at 5.75 crore net, the film jumped strongly to 13.50 crore on Independence Day but dropped sharply to 7.25 crore on Sunday. The film's worldwide gross stood at approximately 37 crore by the end of the opening weekend. 4. Spider-Man: Brand New Day – Strong hold in Week 3 Spider-Man: Brand New Day continued to remain a major contributor to the Indian box office despite entering its third week. The Tom Holland-led Marvel film faced fresh competition from Awarapan 2 and other Independence Day releases but continued to attract substantial audiences by collecting around 27.50+ crore gross, pushing its total India gross to 558+ crores in 18 days. (adsbygoogle = window.adsbygoogle || []).push({}) 5. DC Movie – Continues to contribute to the market The fifth spot was occupied by Lokesh Kanagaraj's acting debut DC Movie, which continued to add to the Indian theatrical business during the holiday weekend. While its numbers were nowhere close to the two major new releases, it benefited from the overall surge in theatrical footfalls during the Independence Day period, collecting approximately 15 crores gross in its second weekend, pushing its total India gross to around 63 crores and worldwide to 84 crore in 10 days. The biggest takeaway from the Independence Day weekend is the contrasting fortunes of Awarapan 2 and Batwara 1947. The former has completely seized the box office momentum, registering a near-100 crore India gross in only three days, while the latter has struggled despite Sunny Deol's star power and the massive holiday advantage. Meanwhile, Vishwanath & Sons has also emerged as the other major winner, particularly in the South and overseas markets.

BY CHRISTA LINCY

Awarapan 2 has successfully taken the franchise to a global level, proving that Emraan Hashmi's pull remains significant even years after the original film. The sequel has not only resonated with the domestic audience but has also shown impressive legs in international markets. For a film that carried high expectations of nostalgia mixed with modern action, these numbers serve as a strong validation of the actor's global reach. According to a report by veteran trade analyst Taran Adarsh, Awarapan 2 has grossed approximately US$ 2.02 million, which translates to roughly ₹19.31 Cr, in its opening weekend overseas. This performance is a major personal milestone for the lead star, as it has emerged as the highest-grossing solo Emraan Hashmi film in international markets during its opening window. (adsbygoogle = window.adsbygoogle || []).push({}) A look at the regional breakdown shows that the UAE-GCC market has been the primary driver of this international success. This region alone contributed US$ 1 million, accounting for nearly 50 percent of the film's total overseas business. This kind of dominance in the Middle East is a clear indicator of the actor's strong fanbase in that territory. Other western markets also saw healthy traction, with the USA bringing in US$ 255k and Canada recording CA$ 225k. (adsbygoogle = window.adsbygoogle || []).push({}) In Europe and Oceania, the film maintained a steady pace. The UK market recorded £ 200k, while Australia contributed A$ 180k. The rest of the world collectively added another US$ 200k to the total. Seeing such a wide distribution of collections suggests that the film’s theme has successfully captured the interest of the diaspora across different continents. The dominance of the Middle East market is a logical trend for Bollywood thrillers of this nature, but the steady numbers in the USA and UK provide a robust cushion for the film's overall global collections. As Awarapan 2 moves into the weekdays, these international figures will be vital in pushing the film toward higher worldwide milestones.

BY CHRISTA LINCY

OTT Releases This Week (August 17 to August 23, 2026) August 17 to August 23, 2026, marks a significant week for streaming enthusiasts as platforms transition from mid-August holiday specials to a fresh wave of highly anticipated sequels and regional heavyweights. The digital landscape is currently dominated by two major players, JioHotstar and Netflix, who are competing for eyeballs with a mix of superhero epics, reality TV, and long-awaited season returns. Following the massive box office activity we saw earlier this month, the shift toward home viewing is expected to spike this weekend with several theatrical hits making their digital debuts. Here's a complete breakdown of all the movies and shows releasing on OTT between August 17 and August 23, 2026. August 21, 2026 Snapshot Cast & Crew Videos JanaNayagan Political Thriller ZEE5 Language:Tamil, Telugu, Malayalam, and Kannada Running Time:3h 3m IMDB Rating:5.5/10 View Box Office Collection → Ideological enemies-one populist, one authoritarian-meet again when a child's fear awakens old conflicts, pulling an ex-cop into a struggle beyond vengeance. JanaNayagan Cast and Crew Joseph VijayActor Pooja HegdeActor Bobby DeolActor Mamitha BaijuActor H.VinothDirector JanaNayagan Trailer August 21, 2026 Snapshot Cast & Crew Videos Welcome To The Jungle Action, Adventure JioHotstar Language:Hindi Running Time:2hr 50m IMDB Rating:5.6/10 View Box Office Collection → The story follows a group of quirky characters who get stuck in a dangerous, wild jungle during a chaotic mission. They must deal with intense confusion, unusual criminals, and over-the-top situations. The team has to put aside their differences and work together to survive the madness and escape. Welcome To The Jungle Cast & Crew Akshay KumarActor Suniel ShettyActor Paresh RawalActor Disha PataniActor Ahmed KhanDirector Welcome To The Jungle Trailer (adsbygoogle = window.adsbygoogle || []).push({})   August 21, 2026 Snapshot Cast & Crew Videos Pyaar Prema Kalyanam Romantic Comedy Netflix Language:Malayalam Running Time:N/A IMDB Rating:N/A Direct OTT release Influencer Pavi refuses to leave her family home after marriage, so husband Elan moves in instead. Culture clashes and family chaos ensue as the newlyweds navigate their unconventional setup and challenge who defines their happiness. Pyaar Prema Kalyanam Cast & Crew ElanActor Saanve MegghanaActor Radikaa SarathkumarActor Yogi BabuActor ElanDirector Pyaar Prema Kalyanam Trailer August 19, 2026 Snapshot Cast & Crew Videos Freefall: A Reckoning for Boeing Documentary Netflix Language:English Running Time:1h 33m IMDB Rating:6.2/10 Direct OTT Release The documentary serves as an urgent follow-up to the 2022 film Downfall: The Case Against Boeing. It focuses heavily on the corporate crisis and safety culture at the aviation giant following the tragic and highly publicised death of whistleblower John Barnett. The story reveals startling new allegations and inside voices showing how a culture of cost-cutting and cover-ups continued to cause critical aviation safety failures. Freefall: A Reckoning for Boeing Cast & Crew Rory KennedyDirector Freefall: A Reckoning for Boeing Trailer (adsbygoogle = window.adsbygoogle || []).push({})   August 21, 2026 Snapshot Cast & Crew Videos Facing El Chapo Crime, Thriller Netflix Language:Tamil Running Time:N/A IMDB Rating:N/A Direct OTT Release Inspired by real-world events, the story follows two dedicated federal police officers, Arturo Carmona and Héctor Rosales. During a routine traffic stop for a stolen car, they unexpectedly capture the world's most wanted drug cartel boss, Joaquín "El Chapo" Guzmán. Trapped in a safehouse inside cartel territory, the two officers must survive a nightmarish shift. They must guard the drug lord while resisting massive bribes and fighting off waves of heavily armed cartel hitmen sent to rescue him. Facing El Chapo Cast & Crew Alfonso HerreraActor Noé HernándezActor Juan Pablo Cruz GarcíaActor Héctor KotsifakisActor Chava CartasDirector Facing El Chapo Trailer August 17, 2026 Snapshot Cast & Crew Videos Lanterns Action, Thriller JioHotstar Series:Lanterns Language:English No Of Episodes:8 The story follows legendary but veteran Green Lantern Hal Jordan and a brilliant new recruit, John Stewart. Acting as intergalactic cops on Earth, they get drawn into a dark, terrestrial-based mystery. While investigating a bizarre murder in the American heartland, the two find themselves uncovering a massive, terrifying cosmic conspiracy. Lanterns Cast and Crew James HawesDirector Stephen WilliamsDirector Geeta Vasant PatelDirector Alik SakharovDirector Kyle ChandlerActor Lanterns Trailer (adsbygoogle = window.adsbygoogle || []).push({})   August 20, 2026 Snapshot Cast & Crew Videos Outer Banks Season 5 Action,Romantic Netflix Series:Outer Banks Season 5 Language:English No Of Episodes:10 Stranded far from home in Morocco following the tragic death of JJ, the remaining Pogues face their ultimate breaking point. Without the Blue Crown, they form an uneasy alliance with Rafe to fight off Dalia's Corsairs. They must rely on their raw instincts to avenge their best friend in this final season race. Outer Banks Season 5 Cast and Crew Chase StokesActor Madison BaileyActor Madelyn ClineActor Drew StarkeyActor Jonas PateActor Outer Banks Season 5 Trailer Official Trailer Coming Soon! August 19, 2026 Snapshot Cast & Crew Videos Average Joe Season 2 Dark Comedy Netflix Series:Average Joe Season 2 Language:English No Of Episodes:10 After uncovering his late father's secret life and millions stolen from the mob, blue-collar plumber Joe Washington faces a new onslaught of danger. Organized crime syndicates put his family directly at risk. This forces Joe and his crew to seek answers across multiple continents to survive. Average Joe Season 2 Cast and Crew Deon ColeActor Tammy TownsendActor Malcolm BarrettActor Harold CronkDirector Eric Dean SeatonDirector Average Joe Season 2 Trailer Official Trailer Coming Soon! (adsbygoogle = window.adsbygoogle || []).push({})   August 18, 2026 Snapshot Cast & Crew Videos It's Always Sunny in Philadelphia Season 18 Crime Drama JioHotstar Series:It's Always Sunny in Philadelphia Season 18 Language:English No Of Episodes:8 The narcissistic, self-centered gang continues to mismanage Paddy’s Pub in South Philadelphia. They trigger absolute chaos through convoluted schemes. In the premiere, the guys try to fix Frank's cold feet ahead of his absurd wedding, while Dennis and Dee deal with unexpected medical diagnoses. It's Always Sunny in Philadelphia Season 18 Cast and Crew Charlie DayActor GlennHowertonActor Rob McElhenneyActor Nina PedradActor Rob McElhenneyDirector It's Always Sunny in Philadelphia Season 18 Trailer Official Trailer Coming Soon! (adsbygoogle = window.adsbygoogle || []).push({})   Frequently Asked Questions: OTT Releases (August 17 – August 23, 2026) When is the DC series 'Lanterns' releasing in India? The highly anticipated DC Universe series 'Lanterns' is set to premiere on JioHotstar on August 17, 2026. This project is one of the cornerstone releases for the platform this month, bringing the iconic intergalactic police force to the small screen with a gritty, detective-style narrative that has already generated massive global buzz. Where can I stream the Tamil blockbuster 'Jana Nayagan' online? After a successful run at the ticket windows, the Tamil action-drama 'Jana Nayagan' is scheduled for its digital debut on Zee5 on August 21, 2026. This film has been a major talking point in the South Indian market, and its move to OTT is expected to drive significant subscription growth for the platform among regional audiences. What is the release date for 'Outer Banks' Season 5 on Netflix? Fans of the Pogues can mark their calendars for August 20, 2026, when 'Outer Banks' Season 5 officially arrives on Netflix. This season is one of the most awaited international returns this week, following the trend of young-adult dramas that consistently dominate the global top ten charts upon release. When does the comedy sequel 'Welcome To The Jungle' arrive on OTT? The multi-starrer Bollywood comedy 'Welcome To The Jungle' is slated to premiere on JioHotstar on August 21, 2026. Given the film’s massive ensemble cast and its roots in a popular franchise, the digital release is strategically timed to capture the weekend audience looking for light-hearted family entertainment. Is 'Average Joe' Season 2 coming to Netflix this week? Yes, the dark comedy-drama 'Average Joe' Season 2 is set to debut on Netflix on August 19, 2026. The first season saw a steady rise in viewership through word-of-mouth, and this new installment is expected to capitalize on that momentum as the story of the blue-collar plumber-turned-accidental-criminal continues. What are the other major Netflix originals releasing this week? Netflix has a packed schedule starting with 'It’s Always Sunny in Philadelphia' Season 18 on August 18. On August 19, viewers can watch the investigative documentary 'Freefall: A Reckoning for Boeing' and the reality hit 'Love is Blind: UK' Season 3. 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BY SUNIT JANGIR

Mumbai, August 17 - Christopher Nolan has officially conquered IMAX as his epic The Odyssey has become the first film in history to cross the $300 million mark from IMAX screenings worldwide, with its IMAX haul now standing at a staggering $346.4 million. The film added another $37 million from IMAX screens during its fifth weekend, including an impressive $13 million from China alone. (adsbygoogle = window.adsbygoogle || []).push({}) The milestone puts The Odyssey in a league of its own. Its $346.4 million IMAX gross is around $75 million ahead of Avatar's entire IMAX run, ending a record that James Cameron's 2009 blockbuster had held for more than 15 years. The Odyssey has now become the highest-grossing IMAX film of all time, with the Christopher Nolan-directed epic setting a new benchmark that could prove extremely difficult to beat. The IMAX record is particularly fitting for Nolan because The Odyssey was shot entirely using IMAX 70mm film cameras, making it the first feature ever produced entirely in that format. IMAX had already reported a record-breaking $52 million worldwide opening for the film, with the format accounting for an extraordinary 20% of its global debut. Overall, The Odyssey has now crossed approximately $1.30 billion globally, putting it firmly among the biggest blockbusters of 2026. In North America, it has grossed $505 million while international cume tops $786 million. India, it has grossed around 213 crores so far, which is already the highest-grossing film for Nolan.

BY CHRISTA LINCY

DC (Tamil) is showing impressive resilience as it completes its second weekend at the box office. For a project led by a debutant actor, the ability to maintain a consistent audience volume after the initial hype is a significant indicator of success. The collaboration between director Arun Matheswaran and Lokesh Kanagaraj has clearly resonated with the public, helping the film cross the 50 crore net milestone in India. When you look at the audience trajectory, it is evident that the film is not just relying on its opening momentum but is benefiting from steady word of mouth across the southern circuits. The strength of this hold is best reflected in the tracked footfall data for the Tamil version. During the first weekend, the film recorded approximately 588,000 tracked online footfalls, excluding blocked seats. It is quite rare for a newcomer's film to retain such a large portion of its audience, but the second weekend saw a very healthy 408,000 tracked online footfalls on the same basis. Retaining nearly 70 percent of the opening weekend audience volume during the second weekend confirms that the movie has successfully transitioned from a curiosity-driven start to a sustained run. (adsbygoogle = window.adsbygoogle || []).push({}) As of its tenth day, DC (Tamil) has achieved a worldwide gross collection of ₹84.31 Cr. The domestic market has contributed ₹63.06 Cr to this total, while overseas territories have added ₹21.25 Cr. The film officially crossed the ₹50 Cr net milestone in India during this period, reaching a cumulative net of ₹54.76 Cr. This is a commendable feat, particularly given the competitive landscape of August releases. The movie has successfully maintained a high show volume, running across 36,688 shows globally so far. The second weekend started with a quiet Friday but saw an explosive growth of over 92 percent on Saturday. This surge was expected given the national holiday, but the Sunday performance confirmed that the film has genuine legs at the box office. Let us look at the day-wise net collections for the second weekend. DC (Tamil) - 2nd Weekend India Gross CollectionDayGross CollectionDay 8 (Friday)₹ 3.29 CrDay 9 (Saturday)₹ 6.38 CrDay 10 (Sunday)₹ 5.21 CrTotal (2nd Weekend)₹ 14.88 Cr (adsbygoogle = window.adsbygoogle || []).push({}) One of the most surprising aspects of this box office run is the regional contribution. It is quite rare for a film led by a newcomer to witness nearly identical collection figures across three major southern states. Tamil Nadu, Kerala, and the Andhra Pradesh-Telangana (APTG) regions have all contributed close numbers, suggesting that director Arun Matheswaran’s gritty storytelling has bypassed traditional regional barriers. Specifically, the total gross from Tamil Nadu stands at ₹19.18 Cr, while Kerala and APTG followed very closely with ₹16.03 Cr and ₹16.75 Cr respectively. This level of parity is a strong indicator of the film's universal appeal in the southern circuits. In terms of theater metrics, Sunday saw the film running with 2,216 shows across India. Occupancy levels remained healthy, particularly in the Tamil version, which recorded an overall turnout of 60.51 percent on Sunday. Key cities like Chennai led with 67.8 percent occupancy, followed by Bengaluru at 59 percent and Kochi at 57.5 percent. The Telugu dubbed version also saw decent traction in centers like Hyderabad and Vijayawada, maintaining an overall occupancy of roughly 33.6 percent on its tenth day. • Tamil Nadu Gross: ₹ 19.18 Cr • APTG Gross: ₹ 16.75 Cr • Kerala Gross: ₹ 16.03 Cr • Karnataka Gross: ₹ 7.74 Cr • Rest of India Gross: ₹ 3.36 Cr (adsbygoogle = window.adsbygoogle || []).push({}) The performance over the second weekend highlights how the film has successfully maintained its reach across different linguistic markets. The weekend started on Friday with a net collection of 2.86 Cr across 2,062 shows, maintaining an average occupancy of 32.1 percent. Saturday witnessed a massive surge, coinciding with the Independence Day holiday, where collections jumped to 5.50 Cr. On this peak day, the show count increased to 2,154 and occupancy hit a weekend high of 50.1 percent, with the Tamil version alone contributing over 4 Cr to the daily net. The momentum continued into Sunday with 2,216 shows, the highest count for the weekend. The film added another 4.50 Cr to its total with an average occupancy of 42.2 percent. Looking at the linguistic split, the Tamil version remained the primary driver, contributing a cumulative 9.40 Cr over these three days. However, the Telugu dubbed version showed remarkable stability, adding 3.40 Cr to the weekend total. Even the Hindi version saw minor activity across its limited shows. This collective effort brought the three-day weekend total to 12.86 Cr, ensuring the film remains on a firm footing as it enters its second full week. (adsbygoogle = window.adsbygoogle || []).push({}) When looking at the total India net collections so far, the Tamil version remains the primary contributor with a total of ₹38.00 Cr. The Telugu dubbed version has also shown impressive strength for a debutant-led project, reaching a cumulative net of ₹14.35 Cr. The Hindi version currently stands at a total net of ₹2.41 Cr. These figures bring the overall India net collection to ₹54.76 Cr, confirming that while the film is rooted in Tamil cinema, it has managed to find a receptive and consistent audience in the Telugu-speaking regions as well. In the national multiplex chains, the film saw consistent activity through its second weekend. On Sunday alone, chains like PVR, INOX, and Cinepolis sold roughly 27,000 tickets, generating a gross of about ₹56 Lakh. PVR led this segment by moving approximately 17,500 tickets with an occupancy rate of nearly 40 percent. INOX and Cinepolis contributed another 7,000 and 2,500 tickets respectively. This stable performance in the premium chains, especially after the holiday surge on Saturday, suggests that the urban audience is continuing to support the film as it heads into its next set of weekdays.