Ram Pothineni Joins Rajinikanth's Dharman as the Deadly Doctor in a High-Stakes Father-in-Law vs Son-in-Law Face-Off

BY CHRISTA LINCY

The scale of the upcoming cinematic retelling of the Ramayana is reaching new heights as the makers aim for a truly global theatrical experience. In an exclusive update reported by Bollywood Hungama, Prime Focus Studios founder Namit Malhotra has announced a major partnership with CJ 4DPLEX to bring Ramayana: Part 1 to life in premium immersive formats. This collaboration ensures that the film will be released in both ScreenX and 4DX, marking a significant first for Indian cinema on the world stage. Namit Malhotra has shared that from its very inception, the project was designed to be more than just a regular movie. He believes that the partnership allows the team to match the massive scope and vision of the story with innovative technology. ScreenX is a unique format that expands the movie onto the side walls of the theater, providing a 270-degree panoramic view, while 4DX adds a multisensory layer with motion seats and environmental effects like wind, water, and scents. Together, these formats are meant to invite the audience to step directly into the world of the epic. (adsbygoogle = window.adsbygoogle || []).push({}) According to the executives at CJ 4DPLEX, Ramayana is the exact type of event-level spectacle that these formats were created for. The film is expected to release across more than 1,200 ScreenX and 4DX auditoriums globally. This move is particularly historic because Ramayana: Part 1 will be the first Indian film to debut in ScreenX worldwide. The industry is already seeing a growing appetite for such experiences in India, especially after the recent success of titles like Spider-Man: Brand New Day in similar premium formats. The distribution strategy also reflects the film's global ambitions. While Dharma Productions will handle the release across North India, Sony Pictures International is set to take the film to theaters across the globe. This ensures that the retelling of the ancient epic reaches a massive international audience simultaneously during its Diwali 2026 release window. The project is being seen as a milestone that could redefine how Indian stories are presented to the world. (adsbygoogle = window.adsbygoogle || []).push({}) Directed by Nitesh Tiwari, the film features a powerhouse cast including Ranbir Kapoor as Ram, Yash as Ravana, and Sai Pallavi as Sita. The ensemble also includes Sunny Deol and Ravie Dubey in pivotal roles. With the first part scheduled for Diwali 2026 and the second installment already in production for a 2027 release, the team is leaving no stone unturned in ensuring that Ramayana becomes one of the most visually stunning and technologically advanced projects in Indian history.

BY CHRISTA LINCY

After a successful run that lasted over a month, Dhamaal 4 is finally approaching the end of its theatrical journey. The film has been a significant contributor to the box office in 2026, but the latest numbers indicate that it is now reaching a point of exhaustion. With new releases like Awarapan 2 and Batwara 1947 taking over the majority of screens, the space for this comedy sequel has shrunk considerably. While it has performed admirably, the current pace suggests it will not be able to hit any further major milestones, likely settling just shy of the 170 crore net mark. The drop in show counts tells the story of its final phase. Just a few days ago, around Day 35, the film was still running across 1,670 shows. however, by its sixth week, that number has plummeted to double digits, with Day 40 recording only 84 shows across India. On its 40th day, a Tuesday, the film earned a meager 0.02 crore net, bringing the total India net collection to 167.62 crore. While the film saw a small jump over its sixth weekend, the weekday collections have now fallen to the level of a few lakhs, signifying that the movie has almost entirely completed its run in theaters. (adsbygoogle = window.adsbygoogle || []).push({}) Despite the current slow pace, the lifetime achievements of Dhamaal 4 are impressive. It has officially locked its place as the 4th highest-grossing Bollywood film of 2026, comfortably outperforming other major comedy rivals like Welcome To The Jungle. On the global stage, the film has achieved a worldwide gross collection of 229.88 crore. This is supported by an India gross of 199.03 crore and a respectable overseas contribution of 30.85 crore. For a franchise that relies on ensemble comedy, reaching these heights after 40 days is a clear win for the makers. The film has also been a personal success for Ajay Devgn. In terms of lifetime ticket sales on BookMyShow, Dhamaal 4 has recorded 2.89 million tickets sold, making it the 4th highest-selling film in the actor's career on the platform. It sits just behind his other major hits like Singham Again, which leads with 3.77 million tickets, followed by Shaitaan at 2.97 million and Raid 2 at 2.91 million. However, it significantly outperforms titles like De De Pyaar De 2, which recorded 1.11 million tickets. This high volume of ticket sales highlights the initial pull the film had across both multiplexes and single screens before the competitive wave of new big-budget releases took over. (adsbygoogle = window.adsbygoogle || []).push({}) While Dhamaal 4 is fading out of theaters with over 202,714 shows under its belt, it leaves the box office as one of the standout successes of the year. The transition to digital platforms is the next logical step as it reaches theatrical exhaustion, and industry insiders are already speculating that the film will arrive on OTT by September 4. This move will allow the comedy to reach a wider audience at home now that the theater space is dominated by newer releases.

BY CHRISTA LINCY

There are very few actors who can maintain their position at the top for half a century, but Rajinikanth continues to prove that his superstardom is in a league of its own. As fans eagerly wait for the return of Tiger Muthuvel Pandian in the upcoming sequel Jailer 2, the film has already started rewriting the history books of Indian cinema. Directed by Nelson Dilipkumar, the sequel carries the massive responsibility of following up on the 2023 cult classic, which famously collected over 604 crore at the worldwide box office. The momentum behind this second installment is now being felt in the business circles, where the film has just set an unprecedented record. According to an exclusive report by Bollywood Hungama, Jailer 2 has officially secured the biggest non-theatrical deal for any Tamil film to date. Sources close to the development have revealed that the streaming rights for the film have been sold to a major OTT partner for a staggering 160 crore. This figure is significant because it not only surpasses the previous record held by Vijay's Leo but also reportedly exceeds the digital deals for other upcoming big-budget films like Shah Rukh Khan's King. It appears that streaming platforms are willing to pay a heavy premium to secure the Rajinikanth-led saga, viewing it as the most high-profile acquisition of 2026. (adsbygoogle = window.adsbygoogle || []).push({}) The marketing machinery for the film is also beginning to move at a rapid pace. Production house Sun Pictures is reportedly planning to release the first single from the movie on August 21, 2026. Given the massive impact Anirudh Ravichander’s music had on the first film, especially with the viral hit Hukum, there is immense pressure on the composer to deliver another chartbuster. There is also significant buzz regarding a grand audio launch tentatively scheduled for October 2. While Rajinikanth's landmark events are traditionally hosted at the Nehru Stadium in Chennai, the official venue for this sequel is yet to be confirmed. Regardless of the location, the launch is expected to be a massive celebration of the superstar's journey, with a planned television broadcast on Sun TV likely set for October 9. While industry chatter had suggested a potential push to the Diwali weekend due to post-production delays, Sun Pictures has confirmed that Jailer 2 will release on its original scheduled date, effectively ending speculation about a potential delay. This confirmation is seen as a strategic move by industry experts who were concerned about a box office clash with the pan-Indian film Ramayana during Diwali. By sticking to the October window, the film is expected to secure a better screen count and a solo run, providing the necessary space for its large ensemble cast to draw audiences across India without immediate competition. (adsbygoogle = window.adsbygoogle || []).push({}) The return of the character Tiger Muthuvel has created a level of anticipation that is rarely seen even for major sequels. With a record-breaking OTT deal already in the bag and a promotion schedule that looks to build a fever pitch over the next two months, Jailer 2 is positioned to be a commercial juggernaut. If the film manages to replicate the word of mouth of its predecessor, it could very well challenge the all-time records of the Tamil film industry.

BY CHRISTA LINCY

The cinematic journey of Vishwanath and Sons has been one of the most discussed topics in the industry lately, especially given the massive expectations riding on Suriya's shoulders. As a family drama with a high emotional core, the film was expected to dominate the Southern box office. While the movie is performing exceptionally well in several territories, a very unusual trend is emerging as it completes its first five days in theaters. Usually, a Suriya starrer sees its highest numbers coming from his home state of Tamil Nadu, but the data suggests that the film is finding even more love in the Telugu-speaking states. On its first Tuesday, Vishwanath and Sons achieved a strong India gross of 7.33 crore. This indicates a steady hold during the weekdays, showing resilience despite the natural drop from its Monday performance. A closer look at the regional contribution reveals a very interesting narrative; the film is seeing an incredible response in the Telugu market that is currently outpacing its home base. On Tuesday alone, the Andhra Pradesh and Telangana regions contributed a gross of 3.50 crore, while the territory of Tamil Nadu brought in 2.35 crore. This continued momentum across all southern states has pushed the total India gross collection to an impressive 83.60 crore in just five days. (adsbygoogle = window.adsbygoogle || []).push({}) In terms of ticket sales, the film is still holding a spot among the heavyweights. On Tuesday, BookMyShow recorded 118,800 tickets sold for the film. To put this into perspective, this performance places Vishwanath and Sons at the 8th spot on the all-time list for the highest first Tuesday ticket sales on the platform, sitting just behind films like The GOAT and ahead of Jana Nayagan. In national multiplex chains, the support remains firm. On Tuesday alone, PVR saw around 14,700 tickets sold, while INOX and Cinepolis contributed roughly 6,800 and 2,000 tickets respectively. The occupancy in these premium chains for the day averaged around 12 percent for PVR, showing that the urban audience is still turning up. The state-wise gross report highlights a fascinating shift in demographics. Currently, the Andhra Pradesh and Telangana (APTG) region has surpassed Tamil Nadu in terms of total gross. APTG has contributed 33.75 crore to the total gross, while Tamil Nadu stands at 32.85 crore. Other Southern states are also chipping in significantly, with Karnataka contributing 9.68 crore and Kerala adding 6.00 crore. This has led to industry speculation that while the film might become a certified blockbuster in almost every other center, it may end up as an average performer in Suriya's home state of Tamil Nadu. There are even murmurs that the film will not be able to cross the massive benchmarks set by a hit like Karuppu, particularly in the Tamil market. (adsbygoogle = window.adsbygoogle || []).push({}) Internationally, the film continues to draw a global audience, adding 2.00 crore to its overseas gross on Day 5. This brings the total international gross to 45.00 crore. In the lucrative North America market, the film is doing remarkably well. According to data shared by Venky, the film earned 128,000 dollars on Monday alone, pushing its total North American gross to a solid 1.72 million dollars. The worldwide gross for Vishwanath and Sons now stands at 128.60 crore. While the domestic home-state performance remains a point of debate, there is no denying that the film has achieved a massive global footprint in less than a week.

BY CHRISTA LINCY

When Batwara 1947 was first announced, it carried the weight of high expectations. A period drama centered around the partition of India usually attracts a massive audience due to its emotional and patriotic appeal. However, despite the grand scale, a reported high production budget, and a cast meant to draw in the crowds, the film is currently struggling to find its footing at the box office. The initial buzz has unfortunately not translated into the kind of numbers required for a film of this magnitude to be considered a success. As it stands, the movie is significantly underperforming, and the word of mouth appears to be quite mixed, primarily citing a slow narrative as a major hurdle. Looking at the fifth-day performance, there is a small silver lining. On Tuesday, the film earned 2.25 crore net in India, which is a 12.5 percent growth compared to Monday's 2.00 crore. This slight uptick is largely due to the discounted ticket prices typical of mid-week promotions, which often help struggling films see a minor surge. However, for a film that has only managed to collect a total India net of 30.75 crore after five days, this growth is likely too little, too late. The total India gross stands at 36.54 crore, which is a disappointing figure given the thousands of shows allocated to it across the country. (adsbygoogle = window.adsbygoogle || []).push({}) The harsh reality of the box office is currently playing out through a significant screen crunch for the film. Exhibitors have started redistributing shows based on demand, which has hit Batwara 1947 particularly hard. While the movie started its journey with over 8,700 shows on Friday, that number has steadily declined to just 6,608 shows by Tuesday. In sharp contrast, Awarapan 2, which is riding a massive wave of success, has seen its show count climb from an initial 9,033 to a whopping 11,060 in the same period. This trend of theater owners pulling screens from a high-budget period drama to accommodate a thriving sequel is a clear sign that the audience has made its choice, leaving Batwara 1947 with very little room to recover. The performance in national chains further highlights the uphill battle the film is facing. On Tuesday, PVR recorded approximately 8,700 tickets sold with a gross of around 13.7 lakh. INOX and Cinepolis followed with roughly 4,800 and 2,300 tickets respectively. Across these major players, the total ticket sales for the day hovered around the 16,000 mark. While these numbers contribute to the 480,000 total tickets booked on BookMyShow so far, they remain far below the benchmarks set by other big-budget releases this year. In total, the film ran across 6,608 shows on its fifth day, contributing to a cumulative total of over 37,410 shows since its release. (adsbygoogle = window.adsbygoogle || []).push({}) Regional occupancy data provides a clearer picture of where the film is finding some resonance and where it is failing. Given the historical context of the partition, the National Capital Region (NCR) has emerged as the strongest market. With 673 shows, NCR saw an occupancy of 26 percent. This is expected as themes related to the 1947 era often have a deeper cultural connection in the North. In contrast, markets like Mumbai and Ahmedabad, which are usually strongholds for big Hindi releases, are underperforming. Mumbai recorded a 17.5 percent occupancy across 389 shows, while Ahmedabad sat at 15 percent with 358 shows. The numbers in the South and other parts of the West are even more concerning, with Bengaluru and Surat struggling to cross the 11 percent occupancy mark. On the international front, the story remains much the same. Batwara 1947 collected 0.50 crore overseas on Tuesday, taking its total international gross to 6.75 crore. When combined with the domestic earnings, the worldwide gross collection stands at 43.29 crore. For a film produced on a high scale with an aim for a global audience, these numbers point toward a commercial failure. Unless there is a miraculous turnaround in the coming weekend, the film is unlikely to recover its substantial investment, marking it as one of the more notable box office disappointments of the season.

BY CHRISTA LINCY

It is not every day that we see a sequel managed with such balance, but Awarapan 2 seems to have struck a chord with the audience that goes beyond just nostalgia. While the first film remains a cult classic for its soul-stirring music and Emraan Hashmi’s brooding performance, this second installment has successfully modernized the appeal. The buzz on social media, no major movies to compete and strong word of mouth suggest that the viewers are appreciating the gritty narrative and the emotional depth brought back to the screen. It is this organic interest that has helped the film maintain its momentum well past the opening weekend. The big story today is that Awarapan 2 has officially entered the 100 Crore Club on its day 5. By crossing this milestone in just five days, the film has placed itself alongside some of the biggest blockbusters in Indian cinema history. To give you some context, achieving this feat in five days puts the movie in the same league as hits like Kabir Singh, RRR (Hindi), and Sooryavanshi. It has also matched the pace of other massive entertainers like Simmba and Mission Mangal, which similarly crossed the century mark on their fifth day of release. Joining such a list is a clear indicator that the film is not just a weekend wonder but a genuine box office hit. (adsbygoogle = window.adsbygoogle || []).push({}) If we look at the Tuesday performance, the numbers tell an interesting story of growth. Usually, films see a bit of a dip during the weekdays, but Awarapan 2 actually saw its collections rise. On Day 5, the film earned 9.75 crore net, which is a 5.4 percent increase from the previous day. Much of this can be attributed to the discounted ticket offers available on Tuesdays, which encouraged many viewers to head to the theaters. This brings the total India net collection to a solid 100.75 crore, while the India gross stands at 120.33 crore. When we break down the performance in national chains, the support from major multiplexes remains firm. On Tuesday alone, PVR saw around 34,000 tickets sold, while INOX and Cinepolis contributed roughly 18,000 and 9,000 tickets respectively. This brings the total ticket sales across these three major chains to approximately 61,000 for the day. This steady flow of audience in the premium chains is complemented by a massive response on booking platforms, with BookMyShow recording over 1.94 million tickets sold so far since the release. (adsbygoogle = window.adsbygoogle || []).push({}) What is particularly fascinating is how the film is performing across different regions. Historically, Emraan Hashmi has enjoyed a very loyal fan base in the Mumbai circuit and mass-heavy regions like Maharashtra and Gujarat. While Mumbai is doing respectable business with 876 shows and an overall occupancy of 28 percent, it is actually the National Capital Region (NCR) that is leading the way. With a massive 1,149 shows, NCR recorded an impressive 44.3 percent occupancy. It is quite a shift to see the North performing even better than the actor's traditional stronghold in the West, indicating that the film's theme has found a much wider, pan-India acceptance. Even Tier 2 and Tier 3 centers are showing high night-show occupancies, often touching 43 percent, which is a sign of long-term stability. The success is not just limited to the domestic market either. Overseas, the film added another 2 crore on its fifth day, pushing the total international gross to 23.80 crore. When you combine the domestic and international numbers, the worldwide gross for Awarapan 2 now stands at 144.13 crore. With no major competition in sight for the coming days, the film looks set to continue its strong run at the box office, proving that a well-made sequel with the right emotional hook can still bring the masses back to the big screen.

BY CHRISTA LINCY

Superstar Rajinikanth is currently filming for his upcoming project, Dharman, produced by Kamal Haasan under the Raaj Kamal Films International (RKFI) banner. Directed by Ashwath Marimuthu, the movie has transitioned into its second shooting schedule in Chennai. The collaboration has generated interest due to the combination of a veteran lead and a relatively new director known for his work on Oh My Kadavule. As filming progresses, more details regarding the ensemble cast and the film's core premise have begun to emerge. The most significant development according to recent industry reports is the casting of Telugu star Ram Pothineni in a pivotal role. In a move that is being seen as a masterstroke for the film's pan-Indian appeal, Ram Pothineni is reportedly set to play the antagonist against Rajinikanth. The dynamic between the two is said to be a intense father-in-law versus son-in-law conflict. Ram, often referred to as the Energetic Star in the Telugu industry, will reportedly portray a character dubbed as the Deadly Doctor. This role marks a significant departure for the actor and suggests a medical thriller angle woven into what is otherwise described as a pakka family entertainer. (adsbygoogle = window.adsbygoogle || []).push({}) The supporting cast adds further weight to the production. Veteran actress Simran is rumored to be playing the mother-in-law, reuniting with Rajinikanth after their successful pairing in Petta. Additionally, Raashii Khanna has joined the ensemble, reportedly playing the role of the daughter in the film. This combination of established veterans and popular young stars indicates that the makers are aiming for a broad demographic. By casting a prominent face like Ram Pothineni, the production team is also ensuring that the film finds a massive footing in the Andhra Pradesh and Telangana markets, where Rajinikanth already enjoys a legendary status. Technically, Dharman is shaping up to be a high-profile venture. The film features music by Anirudh Ravichander, who has become a staple for Rajinikanth's recent blockbusters, providing high-energy background scores that define the superstar's modern screen presence. The action sequences are being handled by the renowned duo Anbariv, known for their gritty and impactful choreography in films like KGF and Vikram. The second schedule, which is currently underway in Chennai, is expected to involve major portions featuring the lead cast, as the director looks to balance the emotional family beats with the high-stakes thriller elements of the script. (adsbygoogle = window.adsbygoogle || []).push({}) While the project is still in its production phase, the level of detail regarding the character arcs has already set a high benchmark for expectations. The collaboration between Rajinikanth and Kamal Haasan's production house is being treated as a historic event in the industry. As more official updates regarding the teaser and release date are awaited, the current focus remains on the intriguing face-off between the veteran superstar and the young Telugu powerhouse. Dharman is clearly positioning itself to be more than just a typical commercial film, aiming instead to be a well-crafted genre-blender that could dominate the box office across multiple languages.

BY SUNIT JANGIR

Hyderabad, August 19 - Sankranthi 2027 is shaping up to be one of the most competitive festive seasons for South Indian cinema, particularly Telugu cinema. With several big-ticket projects targeting January 2027, the festival window is already packed with action spectacles, family entertainers and star-driven commercial films. While some dates are officially locked, a few major projects are still targeting only the Sankranthi period and could shift as production progresses. The festivities will begin with Maha Kali, which is scheduled to arrive on January 8, 2027. The film is part of director Prasanth Varma's Cinematic Universe (PVCU) and is directed by Puja Aparna Kolluru. Sambarala Yeti Gattu will follow it on January 12. The Sai Durgha Tej-starrer is being mounted as a major pan-Indian action spectacle and will release worldwide in Telugu, Tamil, Hindi, Kannada and Malayalam. The film is produced by PrimeShow Entertainment. (adsbygoogle = window.adsbygoogle || []).push({}) The next confirmed major release is George Krish, starring Sharwanand and directed by Sreenu Vaitla. The commercial entertainer is backed by AK Entertainments and is locked for January 14, 2027. Sharwanand has previously enjoyed success during the Sankranthi season, making this another interesting festival outing for the actor. The three films currently give the early Sankranthi calendar releases on January 8, January 12 and January 14, respectively. Among the biggest projects associated with the festival is Venky Anil 5, which reunites Venkatesh and director Anil Ravipudi. The film also features Nandamuri Kalyan Ram and is being produced by Shine Screens, with the makers announcing a Sankranthi 2027 theatrical release. The combination of Venkatesh and Anil Ravipudi is particularly significant after the success of F2, F3 and Sankranthiki Vasthunam. (adsbygoogle = window.adsbygoogle || []).push({}) Megastar Chiranjeevi's Mega 158 is arguably the biggest addition to the festival race. The film is directed by Bobby, who previously delivered Waltair Veerayya with the megastar. The makers are reportedly preparing a major update around August 22, Chiranjeevi's birthday, and the Sankranthi release is now firmly being targeted. The date, however, is yet to be locked. The crowded lineup could become even bigger. Balakrishna's NBK 111 remains a potential Sankranthi entrant after production delays, while Prabhas' Fauzi could theoretically enter the race if its currently planned December 2026 release is postponed. However, both remain less certain than the films with confirmed or strongly reported festival plans. Nagarjun's 100th film, tentatively called King 100, is also targeting the same festive window, but official confirmation is yet to be made.

BY SACNILK TEAM

Educationist, philanthropist, actor, and producer Mrs Geetha Priya, whose work is driven by a lifelong commitment to social transformation championing the cause of women and the underprivileged, has produced and sung her maiden Hindi track 'Bahu Ko Kyun', released on Crescendo Music. (adsbygoogle = window.adsbygoogle || []).push({}) The track showcases a realistic and thought-provoking portrayal of the dynamics in many Indian households where mothers-in-law often dominate the lives of their sons and daughters-in-law. Through a compelling visual narrative that moves between rural and urban settings, the music video throws light on the emotional struggles that thousands of women go through. The narrative especially focuses on women who aspire to build their own careers, nurture their talents, and pursue personal growth, yet continue to face resistance within the family structure. (adsbygoogle = window.adsbygoogle || []).push({}) The track has been penned by Alok Ranjan Jha, while Santosh R Nair has been credited with composing it. Directed by Eliezer Sircar, Bahuon Ko kyun tells a story that will resonate with millions of women, making it one of the most socially relevant tracks to come out in recent times. Speaking about the track, Mrs Geetha Priya, Vice Chairperson and Co-Founder of the Krupanidhi Group of Institutions and the Amara Films banner, says, "The track 'Bahuon ko kyun' is a mirror that shows practices that are prevalent in today’s society across rural and urban India. It stems from cases I have personally witnessed, and it's always about a woman’s right to hold on to her individuality. I wanted the song to spark introspection within families and encourage empathy, respect and partnership in every home." (adsbygoogle = window.adsbygoogle || []).push({})

BY CHRISTA LINCY

Ravi Teja's upcoming release, Irumudi, is carrying significant anticipation as it marks the actor's first solo-led film since the 2022 success of Dhamaka. It has been nearly three years since his last major theatrical hit, making this project a key release for the actor. The gap in commercial success over the last few years has led to a focused interest in how this new collaboration with director Shiva Nirvana will perform at the box office. The film's marketing has gained significant traction through its music, especially after the initial trailer received a lukewarm response from the audience. While the trailer failed to generate major excitement, the song Mallepoola Pallaki has helped build the buzz that the film lacked earlier. Composed by G.V. Prakash Kumar, the track accumulated over 9 million views within 24 hours and is currently trending at number one on YouTube. This positive reception to the music suggests that the film’s melodic elements are connecting with the audience more effectively than the earlier promotional footage. (adsbygoogle = window.adsbygoogle || []).push({}) The updated ticket sales data highlights a strong trajectory in the international market, with Irumudi significantly outperforming Ravi Teja's traditional overseas benchmarks. According to latest reports from distributor Prathyangira Cinemas, pre-sales in North America have now surged past the 150,000 dollar mark. This performance is particularly striking when compared to his recent solo ventures; the film has already tripled the final advance sales of projects like BMW and Mr Bachchan, which stood at approximately 45,000 and 44,000 dollars respectively. Even Eagle, which finished its advance run at 41,000 dollars, and the more recent MassJathara at 29,000 dollars, have been left far behind by this current momentum. With the premiere set for August 20 across more than 112 Cinemark locations, Irumudi is on track to deliver one of the most successful North American openings of the actor's career. The reason for this surge in interest seems to be the film’s unique premise. Irumudi marks the very first collaboration between Ravi Teja and director Shiva Nirvana, who is known for his emotional storytelling. Moving away from his regular loud comedy, Ravi Teja plays an intense role as an alcohol-addicted auto driver with a violent past. The story centers on his attempt to change his life for the sake of his young daughter, played by Baby Nakshathra. The plot involves him taking the spiritual Ayyappa Deeksha vow solely to fulfill a heartfelt promise made to her. This shift into a serious emotional drama is drawing in a much wider family audience, especially those who appreciate the father-daughter bond and the spiritual themes. (adsbygoogle = window.adsbygoogle || []).push({}) Exhibitors across the Telugu states are also reporting an immense surge in offline booking queries, with single screens and multiplexes bracing for packed opening-day crowds. The brand power of Mythri Movie Makers, combined with the presence of Priya Bhavani Shankar as the female lead, has ensured that the film gets a wide and prestigious release. Trade experts believe that the spiritual Ayyappa theme will hold massive appeal in smaller towns and rural areas, where family audiences often turn up in large numbers for films with a religious or emotional core.

BY CHRISTA LINCY

Yash's Toxic has officially crossed the 120,000 dollar mark in USA advance bookings, with seven days still to go before its premiere. According to the latest data from Venky Box Office, the film has grossed 121,258 dollars across 204 locations and 589 shows. So far, over 5,550 tickets have been sold in the North American market, with the film currently adding about 10,000 dollars in sales every day. A look at the state-wise breakdown reveals that Texas is leading the charge by a substantial margin, accounting for nearly 47,000 dollars from approximately 1,984 tickets sold across 157 shows. California follows as the second strongest market with 19,244 dollars from 888 tickets. Other regions such as Georgia, Washington, and New Jersey are also showing steady movement, with each contributing over 4,000 dollars to the total. In terms of theater chains, Cinemark is currently dominating the advance bookings, representing 98,128 dollars of the overall gross. The top-performing venue so far is the Cinemark Pflugerville 20 and XD in Texas, which alone has recorded over 9,000 dollars in sales. (adsbygoogle = window.adsbygoogle || []).push({}) A closer look at the language breakdown in the US shows an interesting trend. The Telugu version is currently doing the heavy lifting with 66,896 dollars in gross from 3,052 tickets. The Kannada version is following closely with 54,363 dollars from 2,498 tickets. This indicates that Yash has managed to maintain the broad audience base he built with the KGF franchise. Outside of North America, the film is also receiving a positive response in Australia and New Zealand, suggesting a strong interest across different international markets as Yash looks to move from a Pan-India star to a global one. Back in India, the strategy for the release is becoming clear, specifically in Andhra Pradesh. Reports suggest that the team is going for a significant ticket price hike. The 6 AM special shows are expected to have a flat price between 500 and 600 rupees. For the regular shows during the first five days, a hike of 50 to 100 rupees is reportedly planned. While the international bookings are already live, the nationwide advance bookings in India are reportedly scheduled to open on August 21, 2026, giving fans a five-day window before the official release on August 26. (adsbygoogle = window.adsbygoogle || []).push({}) There is a lot of industry talk regarding a potential record for Yash with this release. If Toxic manages to open above 100 crore worldwide, Yash will be on his way to completing a rare hat-trick of 100 crore plus worldwide openers, especially with Ramayana following in his lineup. Currently, Prabhas is the only actor in Indian cinema to have achieved a hat-trick of 100 crore openers. Prabhas actually stands alone with a total of six such openers, including his recent streak with Adipurush, Salaar, Kalki 2898 AD, and The Raja Saab.

BY CHRISTA LINCY

Tom Holland is set to receive one of the largest paydays in superhero movie history for his work in Spider-Man: Brand New Day. Reports indicate that the actor will earn over 100 million dollars from this single project. This massive figure is broken down into a 20 million dollar base salary, with the remainder coming from lucrative box office bonuses. These performance-based incentives were triggered after the film officially crossed the 2 billion dollar mark at the global box office, solidifying its place as a massive commercial success. The domestic performance in the United States has been equally record-breaking. The film is expected to become the fastest in history to cross the 800 million dollar mark in the US today. This comes after a very strong third Monday where it grossed 7.5 million dollars. To put that into perspective, it outperformed the third Monday totals of Avengers: Endgame, which earned 4.7 million, and Deadpool & Wolverine, which brought in 5.9 million. This puts the film in elite company, ranking as the third biggest third Monday ever for a July release, trailing only behind The Odyssey and Barbie. (adsbygoogle = window.adsbygoogle || []).push({}) After just 18 days in theaters, the movie has reached a domestic total of 794 million dollars. This currently puts it nearly 66 million dollars ahead of where Avengers: Endgame was at the same point in its run. By Thursday, it is expected to surpass Spider-Man: No Way Home as the highest-grossing Spider-Man film in the US market. If it continues at this pace, it will also become the third highest-grossing film of all time in the United States, overtaking several long-standing records. The long-term projections for the film are even more ambitious. Trade analysts are eyeing a final domestic run between 910 million and 960 million dollars. If the movie reaches the higher end of that range, it would become only the second film in history to cross the 900 million dollar domestic mark. More importantly, it gives the film a realistic chance of challenging the eleven-year-old record held by Star Wars: The Force Awakens as the highest-grossing film of all time in the US. With such strong momentum, the film is rewriting the record books for the Spider-Man franchise.