BY SACNILK

Here is the Telugu movie DC (Tamil) box office collection which is a Action Crime Romantic film. This film is directed by Arun Matheshwaran and produced by . ## DC (Tamil) stars , Lokesh Kanagaraj, Wamiqa Gabbi, Avinash Raghudevan, Kasthuri Raja in key roles. ## DC (Tamil) Review ## DC (Tamil) Review: What Public Has To Say About This Movie ## DC (Tamil) Box Office Collection Day Wise | All Language DayIndia Net Collection Day 1 [1st Friday] ₹ - Cr * may earn Total ₹ - Cr ## India Net Collection ₹ - Cr ## Worldwide Collection ₹ - Cr ## Overseas Collection ₹ - Cr ## India Gross Collection ₹ - Cr ## DC (Tamil) Budget: ₹ 1 Cr * Approx ## DC (Tamil) Verdict: Coming Soon ## DC (Tamil) Screen count ## India: - * expected ## Overseas: - * expected ## Worldwide total: - ## Release Date: 7th August 2026 ## For more and the latest news about Tollywood Box Office Collection, Stay tuned to us.

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Chennai, August 5 - Thalapathy Vijay's Jana Nayagan has reportedly locked its OTT release date after its theatrical run is slowing down. Directed by H. Vinoth, the political action drama is set to debut on digital platforms later this month, giving fans another opportunity to watch the superstar's final film. According to the latest update, Jana Nayagan will stream on ZEE5 starting August 21, 2026. The film was initially expected to arrive on Amazon Prime Video after reports of a lucrative digital rights deal. However, those plans reportedly changed following multiple release delays and other factors, with ZEE5 eventually acquiring the streaming rights. (adsbygoogle = window.adsbygoogle || []).push({}) Released in theatres on July 23, Jana Nayagan opened to huge anticipation but received largely negative reviews from critics and audiences. Despite the poor word of mouth, the film managed to cross the 300 crore mark worldwide, driven primarily by Vijay's massive fan following. However, the collection was well below the expectations associated with the superstar's final film and is widely regarded as a disappointing theatrical performer. Produced by KVN Productions, Jana Nayagan stars Thalapathy Vijay alongside Pooja Hegde, Bobby Deol, Prakash Raj, Gautham Vasudev Menon, Priyamani, Mamitha Baiju, and Narain in pivotal roles. With its OTT premiere now confirmed, the film will look to find a wider audience on streaming after an underwhelming run in cinemas. (adsbygoogle = window.adsbygoogle || []).push({})

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Yash Raj Films has officially stepped into the independent music scene with the launch of Raah Records. This new label and artist incubator is designed to discover and develop original Indian music talent specifically outside the realm of film soundtracks. For a studio that has defined the sound of Bollywood for over five decades, this move represents a logical expansion into the booming non-film music ecosystem. The label is starting its journey with the release of Jaadugari, a debut single by singer-songwriter Aman, which is scheduled to drop across major streaming platforms on August 5th. What makes this launch interesting is the approach behind it. Rather than a quick commercial release, Aman has reportedly spent nearly a year within the YRF incubator system. This allowed the artist to refine his sound and songwriting with professional support before facing the public, highlighting the label's commitment to quality over speed. (adsbygoogle = window.adsbygoogle || []).push({}) Akshaye Widhani, the CEO of Yash Raj Films, has emphasized that Raah Records is built on the philosophy of nurturing careers rather than just launching marketing campaigns. He noted that as the independent music space in India grows, artists need a foundation built on trust and time. By providing a structured environment that includes world-class production and strategic marketing, the studio intends to give emerging musicians a creative home where they can grow into their authentic selves without the pressure of cinematic requirements. The venture is being led by Nakul Sharma, who serves as the Senior General Manager of Music Management at YRF. Sharma has been a key figure in developing the incubator model, which focuses on every step of the artistic journey, from the initial songwriting phase to the final creative direction. He believes that standing beside an artist throughout their development is essential for long-term success. This artist-first approach is expected to define the label's roster as it expands in the coming months. (adsbygoogle = window.adsbygoogle || []).push({}) This initiative places YRF at the forefront of the evolving digital landscape in India. As streaming platforms continue to democratize music consumption, the demand for high-quality independent tracks is at an all-time high. By leveraging its vast industry experience and infrastructure, YRF is positioning Raah Records as a serious competitor in the non-film music space, offering a professional platform for a new generation of Indian voices.

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The silent war for India's cinematic real estate has shifted from the ticket counter to the negotiation table as OTT giants issue a high-stakes ultimatum to Bollywood. While South Indian cinema has long embraced a lean 28-day theatrical-to-digital cycle, the Hindi film industry remains tethered to a rigid eight-week mandate. Now, streaming heavyweights like Netflix and Amazon are turning up the heat, essentially telling Hindi producers to cut the theatrical window in half or prepare to see their lucrative digital checks vanish. It is a fiscal standoff that is quickly redefining the financial architecture of the industry. The latest case study in this digital-first strategy is the Tamil romantic drama Idhayam Murali. Starring Atharvaa, Kayadu Lohar, and Preity Mukhundhan, the film is slated for a Netflix premiere on August 7, 2026, marking a precise 28-day transition from its theatrical debut. This four-week pivot serves as a vital recovery mechanism for projects that find themselves squeezed by relentless competitive pressure; the film's theatrical momentum was notably disrupted when the arrival of Jana Nayagan caused its screen count to shrink drastically. For Idhayam Murali, which was produced on a budget hovering between 25 crore and 26 crore rupees, the digital safety net has effectively supplanted the box office as its most bankable asset. (adsbygoogle = window.adsbygoogle || []).push({}) A deep dive into the box office numbers reveals why these OTT deals are now the lifeblood of mid-budget cinema. During its theatrical run, Idhayam Murali achieved a worldwide gross collection of 31.80 crore rupees, supported by an overseas contribution of 8.25 crore rupees. Domestically, the film managed an India gross of 23.55 crore rupees and an India net of 20.36 crore rupees. However, with a theatrical break-even target set at 25 crore rupees, the film fell approximately 4.64 crore short of its domestic target. While categorized as an average performer on the big screen, the film is expected to find its second wind on the streaming platform, where it will debut in Tamil along with dubbed versions in Telugu, Malayalam, Kannada, and Hindi. This trend highlights the growing friction in the North. OTT giants are no longer willing to pay premium prices for content that has been sitting in theaters for two months, arguing that the marketing heat cools off significantly after the first 30 days. The demand is simple: adapt to the South model or forget the big money. For Hindi producers, this creates a dizzying dilemma. Shortening the window risks the ire of multiplex chains that rely on exclusivity to drive footfalls, but holding out for eight weeks threatens to devalue their digital rights in an era where streaming revenue often dictates a project's profitability. (adsbygoogle = window.adsbygoogle || []).push({}) Idhayam Murali's journey from a modest theatrical run to a massive five-language global rollout on Netflix serves as a harbinger of things to come. As the lines between the big screen and the living room continue to blur, the eight-week window is starting to look like a relic of a bygone era. Whether Bollywood will blink first remains to be seen.

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Rashmika Mandanna is learning the hard way that even the National Crush has a breaking point. After a series of back-to-back freak accidents, the actress took to social media to reveal a significant setback sustained on the sets of her upcoming project, Mysaa. The injury, which involves a detached tendon on her right hip, occurred during an intense dance shoot for what she describes as the most aggressive film of her career. The medical reality of the situation is quite technical, as Mandanna explained that one of the four tendons connecting her hip to her leg has detached and requires time to reattach naturally. This forced hiatus is a rare moment of stillness for an actress who famously treats her body like a machine, training and running like a beast to maintain her peak physical form. While she is currently trading the gym for puzzles and joking about her transition into a dessert monster, the industry is eyeing the recovery timeline closely given her packed professional calendar. (adsbygoogle = window.adsbygoogle || []).push({}) The film at the center of this incident, Mysaa, has been generating significant underground buzz as a high-octane venture that pushes Mandanna into a new territory of performance. Directed by Rawindra Pulle, the project is rumored to be a gritty, performance-oriented drama that demands both emotional depth and physical rigour. The aggressive nature of the shoot mentioned by the actress suggests that Mysaa will be a stark departure from her more traditional commercial outings, positioning her as a versatile lead capable of carrying intense, action-oriented narratives. This injury comes at a high-stakes juncture in Mandanna's career, as she navigates a post-Pushpa 2 landscape where her status as a pan-Indian A-lister is already cemented. With the global frenzy of Srivalli now a part of box office history following the film's massive 2024 release, her focus has shifted to a slate that is as diverse as it is demanding. Topping the current buzz is Mysaa, the very project that pushed her to this physical breaking point. Described as her most aggressive venture to date, Mysaa is expected to unveil a grittier, more physically taxing side of the actress that audiences have not yet witnessed. Also appearing on her professional timeline is Ranabaali, a period action epic that carries its own set of high expectations. The film features a powerhouse ensemble, headlined by her husband Vijay Deverakonda alongside international veteran Arnold Vosloo, whose presence adds a significant layer of commercial weight and global energy to the production. (adsbygoogle = window.adsbygoogle || []).push({}) Hie guyssss!🥰❤️Injuries suck.. 😩 and I was really hoping that no one will get to know.. but well 🐒🤷🏻‍♀️Sorry I’ve been MIA 🐒 but hieeee! I’m hereeee!🙋🏻‍♀️😁It happened awhile ago ya and this is my 3rd injury back to back.. 🤦🏻‍♀️ I should definitely learn to treat my body like a… pic.twitter.com/yJj70yEyAE— Rashmika Mandanna (@iamRashmika) August 3, 2026

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The Tamil film industry is currently buzzing with the surprise announcement of Ajith Kumar's next project, titled Dare Devil. This reveal comes as a special tribute to celebrate the actor's 34-year journey in the world of cinema. Director Adhik Ravichandran, who is currently working on another project with the star, took to social media to unveil the title along with a striking poster featuring dice spelling out the name. What makes this project even more significant is the production house; the film is being produced by Shalini Ajith Kumar under the newly formed Bravehearts Production banner, marking a major personal and professional milestone for the family. Ajith Kumar had a highly active 2025, delivering two major theatrical releases. His year began with the February release of the Magizh Thirumeni directorial Vidaamuyarchi, which achieved a worldwide gross of approximately ₹135.89 crore. He followed this with the massive success of Good Bad Ugly, directed by Adhik Ravichandran. Good Bad Ugly emerged as one of the highest-grossing films of 2025, earning a worldwide gross of ₹248.25 crore and being declared a commercial Hit. With the announcement of Dare Devil, Ajith is set to continue this momentum, reuniting with the director of his most recent box office success. (adsbygoogle = window.adsbygoogle || []).push({}) The technical crew for Dare Devil suggests a high-octane commercial entertainer. Anirudh Ravichander has been roped in to compose the music, marking a quick reunion with Ajith Kumar following their collaboration on the 2025 film Vidaamuyarchi. Given Anirudh's track record, his presence is expected to deliver a chart-topping soundtrack and a significant boost to the film's pre-release buzz. The cinematography will be handled by Abinandhan Ramanujam, while Editor Vijay and stunt choreographer Supreme Sundar are also part of the core team. Adhik Ravichandran's recent dominance at the box office with the 2025 hit Good Bad Ugly has established him as a director who truly understands the pulse of the masses, making this new collaboration one of the most anticipated announcements in Kollywood. The choice of title, Dare Devil, fits perfectly with Ajith’s real-life persona as an adventure enthusiast and a risk-taker. Throughout his 34 years in the industry, he has built a massive fan base solely through his screen presence and the quality of his films, famously sticking to a no-promotions policy for over a decade. As the poster for Dare Devil circulates on social media, the dice aesthetic hints at a possible gambling or heist-related sub-plot, similar to some of his most loved characters in the past. 34 years of breaking barriers, inspiring millions, and redefining stardom. A journey built on passion, perseverance, and unmatched charisma-💥🎲 #DareDevil 🎲💥 is here , This is going to be very Special❤️🙏🏻 Thank you My Sir🙏🏻 #Ajithkumar sir for the Trust & Support❤️🙏🏻Thank you… pic.twitter.com/rW71vGZmTW— Adhik Ravichandran (@Adhikravi) August 3, 2026

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The landscape of Indian film music is set for a major transformation as Excel Entertainment founders Ritesh Sidhwani and Farhan Akhtar have officially announced the launch of their dedicated music label, Excel Music. This move marks a significant expansion for the production house, which has been behind some of the most iconic and trend-setting soundtracks in Bollywood history, from Dil Chahta Hai and Rock On!! to Gully Boy. By launching a dedicated label, Excel is looking to take complete creative control over its musical scores while also creating a platform for other independent filmmakers across India. The development is not just a solo venture; it comes with a heavyweight global backing. Universal Music Group (UMG) has joined as a strategic shareholder in the label. Beyond just being a shareholder, UMG will serve as the marketing and distribution partner for Excel Music, ensuring that the label's content has a massive reach both domestically and on international streaming platforms. This partnership suggests a high level of corporate confidence in Excel’s ability to produce hit music that resonates with a global audience. (adsbygoogle = window.adsbygoogle || []).push({}) In terms of the debut project, the label is starting with a massive brand. The first official release under Excel Music will be the soundtrack album for Mirzapur The Movie. This is a highly anticipated project as the fan-favorite franchise makes its transition from the OTT space to the big screen. The film is currently slated for a theatrical release on September 4, 2026. Given the gritty and intense musical legacy associated with the Mirzapur series, the soundtrack is expected to be a major talking point for the label's launch. Excel Music is designed to be more than just an in-house label for Farhan and Ritesh's own productions. While it will certainly be the home for all original film soundtracks and scores from the Excel Entertainment slate, the founders have clarified that the label will also release music from films produced by other leading filmmakers and production houses across the country. This positioning puts Excel Music in direct competition with established giants like T-Series, Zee Music, and Sony Music India. (adsbygoogle = window.adsbygoogle || []).push({}) For those who have followed Excel's journey, this move seems like a natural progression. The production house has always prioritized a unique sound, often blending indie sensibilities with commercial appeal. By bringing in Universal Music Group as a stakeholder, they are essentially creating a bridge between Indian cinematic music and global distribution standards. It remains to be seen how this will impact the traditional deal-making process between filmmakers and music labels, but for now, Excel Music has made one of the loudest entries into the market in recent years.

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Mumbai, July 31 - After delivering success with Welcome To The Jungle, superstar Akshay Kumar and director Ahmed Khan are gearing up to collaborate once again. The filmmaker has confirmed that the duo is actively discussing their next project, with several ideas currently in development. While nothing has been officially finalised, Ahmed Khan revealed that both he and Akshay are eager to continue their successful partnership. Speaking about their plans, Ahmed Khan shared that he has multiple scripts in place for Akshay Kumar. According to the director, four different concepts are being discussed, ranging across action, comedy, and romance. The team is taking its time to identify the strongest script before making an official announcement, ensuring that their next venture lives up to the expectations created by Welcome To The Jungle. (adsbygoogle = window.adsbygoogle || []).push({}) The collaboration between Akshay Kumar and Ahmed Khan has been built on years of friendship and mutual trust. Their latest film, Welcome To The Jungle, brought together an ensemble cast and struck a chord with audiences, emerging as a box office success. The positive reception has further strengthened their confidence in working together again, making another collaboration a natural progression. Although details regarding the title, cast, and production schedule are being kept under wraps, Ahmed Khan indicated that an announcement could be made once the script is locked. With four promising ideas already on the table and both the actor and director keen to reunite, fans can look forward to another big-screen entertainer from the successful duo in the near future.

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The trailer for DC, also known as DC: The Bloody Valentine, has finally landed, and the buzz on social media suggests that the audience is ready for something very raw. This project is particularly interesting because it features Lokesh Kanagaraj, the mastermind behind the Lokesh Cinematic Universe, stepping in front of the camera as the lead actor. Directed by Arun Matheswaran and backed by Sun Pictures, the film promises a gritty experience that is quite different from the usual commercial fare. The strategy behind the release date is quite logical. Initially planned for a late-July slot, the makers decided to move the film to August 7, 2026. This was done to ensure that Thalapathy Vijay's massive release, Jana Nayagan, which hit theaters on July 23, had enough breathing room at the box office. Interestingly, Lokesh himself made a cameo appearance in Jana Nayagan, showing the strong camaraderie between the director and the actor-politician before he prepares to lead his own film. (adsbygoogle = window.adsbygoogle || []).push({}) Looking at the trailer highlights, the story follows two outcasts, Devadas played by Lokesh and Chandra played by Wamiqa Gabbi. They find themselves on a violent run after a police officer seeks revenge for a fallen colleague. The narrative also introduces a gang of criminals who have stolen a stash of discarded weapons, a theme that feels very familiar to fans of Lokesh's previous works like Vikram. To elevate the intensity, director Arun Matheswaran has opted for high-contrast black-and-white visuals for the action scenes, which has earned the film an A certification from the censors due to the raw action sequencing. The musical score is handled by Anirudh Ravichander, who seems to have delivered a high-energy background that matches the film dark aesthetic. Lokesh is currently in a very busy phase of his career. Having delivered the Rajinikanth starrer Coolie in 2025, he is now balancing his acting debut while preparing for his official Telugu debut with Allu Arjun in a project currently referred to as AA23. Watch the trailer here: Public interest is already visible on digital platforms. Ahead of its August 7 release, over 14,000 users have already marked themselves as interested on BookMyShow India. With the heavy competition from July now starting to settle, DC: The Bloody Valentine is well-positioned to attract the target audience that enjoys intense, stylised action dramas. It remains to be seen if Lokesh the actor can match the massive success of Lokesh the director.

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Dhamaal 4 is showing surprising resilience as it moves through its third week. For a comedy franchise that relies on repeat value and family audiences, the film is holding its ground despite newer competition. On its nineteenth day, which was its third Tuesday, the movie brought in a net collection of 2.10 crore. This is a notable 31.3 percent jump from Monday's 1.60 crore, suggesting that the film is benefiting from mid-week theater-goers and perhaps a steady word-of-mouth trail. This growth is particularly impressive because the film is currently navigating a market with strong holdover like The Odyssey, which continues to see good traction in India. While it currently sits as the fourth highest-grossing Bollywood film of the year, catching up to Bhooth Bangla will be a challenge. The road ahead is packed with upcoming releases like Batwara 1947 and Awarapan 2, plus the major Hollywood arrival of Spider-Man, which will make securing screens much tougher in the coming weeks. If we look at the broader picture, the India gross collection has now reached 182.32 crore, which translates to a domestic net total of 153.35 crore. The film has also found some traction abroad, adding 0.25 crore on Tuesday to bring its total overseas gross to 29.45 crore. Combining the domestic and international business, the worldwide gross for Dhamaal 4 now stands at 211.77 crore. This milestone is significant because it puts the film in striking distance of some of Ajay Devgn's biggest career hits. (adsbygoogle = window.adsbygoogle || []).push({}) Ticket sales on BookMyShow reflect this late-week surge. On Monday, the film sold about 27,900 tickets, but that number climbed to 39,250 on Tuesday. In total, the film has sold over 26.56 lakh tickets on the platform since its release. In the national cinema chains—PVR, INOX, and Cinepolis—it currently stands as the third highest-selling movie, trailing only behind the massive holdover of The Odyssey and the recent hit Jana Nayagan. Looking at the daily advance figures for these chains, the film generated a gross of approximately 32.3 lakh. This came from around 16.7 lakh at PVR, 11.1 lakh at INOX, and 4.5 lakh at Cinepolis, totaling roughly 23,400 tickets sold across these venues. The regional occupancy for the Hindi 2D version shows that the National Capital Region (NCR) remains a stronghold with 21.3 percent occupancy across 620 shows. Mumbai followed with 17.8 percent occupancy across 405 shows, while Pune recorded a healthy 17.3 percent. Other regions like Ahmedabad and Surat saw lower overall occupancy but maintained strong night show turnouts, often peaking near 26 to 29 percent. This trend of evening and night show growth is helping the film sustain its daily numbers. (adsbygoogle = window.adsbygoogle || []).push({}) In terms of annual rankings, Dhamaal 4 is currently the fourth highest-grossing Bollywood movie of the year. It trails behind Dhurandhar 2: The Revenge, Border 2, and Bhooth Bangla. While it is performing well, surpassing Bhooth Bangla might be a tall order. The upcoming schedule is crowded with major releases like Batwara and Awarapan on the domestic front, alongside Hollywood heavyweights like Spider-Man. Additionally, the continued dominance of The Odyssey makes it difficult for any holdover film to claim more screen space. For Ajay Devgn, this film is another strong addition to his box office portfolio. It is currently very close to surpassing Singham Returns, which earned 216.56 crore worldwide. Once it crosses that mark, it will cement its place among his most successful leading roles. To give you some context on where this film stands compared to his other major solo hits, here is the ranking of his top movies based on worldwide gross collection. Top 5 Leading Role Movies of Ajay Devgn - Worldwide Gross CollectionMOVIE NAMEWORLDWIDE GROSS Singham Again₹ 372.41 CrTanhaji: The Unsung Warrior₹ 361.00 CrDrishyam 2₹ 342.31 CrGolmaal Again₹ 308.62 CrTotal Dhamaal₹ 232.18 Cr

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Sanjay Leela Bhansali has always had a flair for the grand and the unconventional, and it looks like he is about to change the rules of the game once again with his upcoming project, Love and War. According to an exclusive report by Bollywood Hungama, the film—which features the powerhouse trio of Ranbir Kapoor, Alia Bhatt, and Vicky Kaushal—will not be starting its promotional journey with a typical teaser or a motion poster. Instead of the usual marketing route, the director is reportedly working on something far more ambitious. Bhansali is personally shaping a special promotional asset designed to be an immersive experience for the audience. This isn't just a standard clip or a still image; it is being crafted to serve as a proper introduction to the emotional depth and scale of the cinematic world he has built for this movie. The idea is to give fans a first glimpse that feels like a journey into the film's atmosphere rather than just a quick preview. (adsbygoogle = window.adsbygoogle || []).push({}) The project is currently in its final stages of development, with the filmmaker collaborating closely with his creative team to ensure the vision is perfect. The plan is to unveil this special asset sometime in August, which will mark the official start of the marketing campaign. By skipping the traditional teaser format, the aim is to create an event-like atmosphere that transports viewers straight into the essence of the story before they even see a full trailer. This strategy fits perfectly with Bhansali's philosophy that storytelling begins the moment a project is announced. He wants to capture the specific mood and scale of Love and War rather than just showing isolated character looks or a standard motion poster. Since this is the first time Ranbir, Alia, and Vicky are sharing the screen under his direction, the anticipation is already at a fever pitch, and this unique launch strategy is likely to amplify that buzz significantly. (adsbygoogle = window.adsbygoogle || []).push({}) Industry insiders are calling this a potential landmark in promotional history. It suggests that the movie is much more than a standard big-budget release; it is an experience that the director wants the audience to feel from the very first glimpse. If everything goes according to plan next month, fans will finally get their first taste of what is expected to be one of the biggest releases in the Hindi film industry in recent years.

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Mumbai, July 22 - The final month of 2026 is shaping up to be an absolute blockbuster for moviegoers. Bollywood, pan-Indian cinema, and Hollywood are all bringing some of their biggest titles within a span of just three weeks, setting the stage for one of the most competitive months in box office history. (adsbygoogle = window.adsbygoogle || []).push({}) With multiple event films eyeing premium screens, IMAX auditoriums, and the lucrative holiday season, December could witness several high-profile clashes. The action kicks off on December 3 with Prabhas' Fauzi, directed by Hanu Raghavapudi. The pan-India spectacle is one of the most anticipated films, and will be dominating screens nationwide. Just a day later, Ajay Devgn's Ranger arrives on December 4, while Akshay Kumar's upcoming comedy with Anees Bazmee is also targeting the same day release. That means the opening week itself could see three major commercial entertainers competing for audiences across the country, if the release dates remain unchanged. (adsbygoogle = window.adsbygoogle || []).push({}) The biggest Hollywood showdown is reserved for December 18, when Marvel Studios' Avengers: Doomsday goes head-to-head with Denis Villeneuve's Dune Part 3 (Dune: Messiah). Both films are expected to command a massive IMAX presence worldwide, creating an intense battle for premium screens in India as well. The simultaneous release of two of the year's most anticipated Hollywood blockbusters is likely to have a significant impact on screen allocation. Come this Christmas, superstar Shah Rukh Khan's highly-awaited King is releasing on December 24, giving Bollywood another mega event release during the lucrative holiday period. Directed by Siddharth Anand, the action thriller is expected to be one of the biggest Indian films of 2026 and will arrive just days after the Hollywood heavyweights. A day later, Hollywood blockbuster Jumanji: The Open World hits the big screens, making the competition further intense. (adsbygoogle = window.adsbygoogle || []).push({}) Major Movies Releasing In December 2026 S. No. Movie Lead Actor(s) Director Release Date 1 Fauzi Prabhas Hanu Raghavapudi December 3, 2026 2 Untitled Akshay Kumar-Anees Bazmee Film Akshay Kumar Anees Bazmee First Week of December 2026 3 Ranger Ajay Devgn Jagan Shakti December 4, 2026 4 Avengers: Doomsday Robert Downey Jr. & Ensemble Anthony Russo & Joe Russo December 18, 2026 5 Dune: Messiah (Dune 3) Timothée Chalamet Denis Villeneuve December 18, 2026 6 King Shah Rukh Khan Siddharth Anand December 24, 2026 7 Jumanji: Open World Dwayne Johnson Jake Kasdan December 25, 2026