Dev

BY SACNILK

The film industry is currently buzzing with anticipation as the release of Toxic: A Fairy Tale for Grown-Ups draws near. Following the trailer launch on August 8, the reception has been nothing short of electric. Fans and critics alike are praising the vision of director Geetu Mohandas, noting that the film looks like pure Hollywood material with its slick visuals and dark, gritty atmosphere. Yash, appearing in a dual role, has sent social media into a frenzy with his unhinged look, featuring a heavy beard and a dominant screen presence that many are calling next-level lethal. The viral dialogue asking if he looks civilized has already become a staple in online conversations, further cementing the movie as a massive cultural event. Trade analysts are looking at the Hindi belt with high expectations, predicting that Toxic is eyeing a massive opening between 25 and 30 crore net. With a wide release planned across more than 4,000 screens in North India, the film is positioned to capitalize on the immense stardom Yash earned after the KGF franchise. If the content lives up to the high-octane promise shown in the trailer, experts believe the Hindi version alone could comfortably target a 100 crore net collection over its opening weekend. This would place it among the top Hindi openings for any film originating from the South, proving that the pan-India appeal of the Rocking Star remains stronger than ever. (adsbygoogle = window.adsbygoogle || []).push({}) According to data shared by Venky Box Office, the international market is also gearing up for a record-breaking start. USA bookings have officially opened, with premieres scheduled for Tuesday, August 25. The pricing for these early shows is set at 23 dollars for XD and PLF formats, while standard screenings are priced at 20 dollars. The fact that bookings have started this early in the overseas market reflects the global demand for the film. With the premiere starting at 6 PM EST, the early reports from the US are expected to set a positive tone for the domestic release the following day. Despite the overwhelming excitement for the theatrical release, there is an interesting development regarding the non-theatrical market. News has surfaced that the digital and satellite rights for Toxic remain unsold just 15 days before the film hits theaters. Major players in the streaming and television space are reportedly refusing to meet the high valuation demanded by Yash and KVN Productions. This is a rare situation for a film of this stature and raises questions about the current state of the non-theatrical market. While the producers are holding out for a premium deal, there is a possibility of a short-sell at the last moment if an agreement is not reached soon. (adsbygoogle = window.adsbygoogle || []).push({}) The ensemble cast, featuring Kiara Advani, Nayanthara, and Huma Qureshi, has also added to the intrigue surrounding the film. Early reactions to the trailer have highlighted the menacing screen presence of the lead actors and the overall massive scale of the project.

BY SACNILK

In an interview, WWE's Nick Aldis reflected on the early days of his run as SmackDown General Manager, revealing how a pivotal on-screen exchange with Roman Reigns helped shape the tone of his character — and recounting the chaotic backstage story behind his first meeting with Vince McMahon. WWE Superstar Nick Aldis spoke to Chris Van Vliet and described a now-famous couch segment with Reigns as a genuinely significant moment for him professionally. He praised Reigns as meticulous and deeply thoughtful about every detail of his on-screen presence, crediting Paul Heyman's influence for helping shape that approach. Aldis said he felt real gratitude toward Reigns, noting that Reigns didn't have to extend him that level of trust in establishing the GM character, but chose to. The interview then turned to a story from very early in his tenure — by his own estimate, just a month or six weeks into the job — involving Randy Orton's arrival on SmackDown. Aldis explained that strict staging instructions were coming down at the time about where he and Heyman should stand during a live segment. Just before they went live, word came through again insisting he stay in the background while Heyman took the foreground. He recalled Heyman being amused by the directive, and Aldis feeling he had no real choice but to comply with seconds to air. The segment reportedly went off well, with Paul "Triple H" Levesque doing the opposite of what was expected in a way that sold the moment. That day, Aldis said, turned out to be the first time he ever met Vince McMahon in person — who was there watching. Aldis admitted he spent the moments afterward dreading the encounter, assuming McMahon would be furious they'd deviated from instructions. Instead, he said McMahon was gracious and complimentary about the segment, which left Aldis feeling conflicted given how much credit he felt Heyman deserved. Asked about Reigns couch segment, Aldis explained it emerged from an improvised back-and-forth where Reigns needled him about his feelings, prompting him to fire back, "but I'm an executive. I don't have feelings, you know." He said the line was meant to establish his character as a cold, businesslike executive, citing shows like Suits and Succession as influences on that steely persona — cool, cutthroat, and, in his own description, ultimately someone who's emotionally shut off. At WWE SummerSlam 2026 (Night 1, August 1, in Minneapolis), Nick Aldis wrestled in a match despite his in-ring absence of almost three years,, taking on Gunther. He came up short against Gunther, succumbing to Gunther's sleeper hold submission. Despite the loss, it was described as a dream match turned nightmare, with fans firmly behind him throughout. Following the loss, Aldis reportedly tried to resign as SmackDown General Manager, but Triple H (Paul Levesque) wouldn't allow it, telling Aldis he respected what he did at SummerSlam and wanted him to remain GM. On future plans, it is being suggested that Aldis could wrestle in WWE again, with sources in the company not believing he was "one and done." Aldis was said to have been banged up coming out of the match, and no timeline has been confirmed for when he'd wrestle next.

BY SACNILK

Mumbai, August 8 - Christopher Nolan's The Odyssey has officially entered the coveted $1 billion club at the worldwide box office, becoming the fifth movie of 2026 and the 65th movie of all-time to do so. The epic adventure, headlined by Matt Damon, Tom Holland, Anne Hathaway and Zendaya, has continued its extraordinary run despite entering its third week and facing strong competition from Spider-Man: Brand New Day. The milestone also makes The Odyssey Nolan's first $1 billion grosser since The Dark Knight Rises in 2012. (adsbygoogle = window.adsbygoogle || []).push({}) Backed by Universal Pictures, The Odyssey has grossed $430 million domestically (North America) and $570 million internationally through the 4th Thursday, becoming Nolan's first non-Batman billion-dollar grosser. The film opened significantly higher than Nolan's previous blockbuster Oppenheimer, which eventually finished its theatrical run with around $976 million worldwide. Strong word of mouth, premium-format screenings and especially IMAX have played a major role in keeping The Odyssey on an exceptional trajectory. India has emerged as one of the film's strongest international markets. The Odyssey is now closing in on the 200 crore India gross milestone, an extraordinary result for a Hollywood epic in the country. The film had already crossed 192 crore gross ($20 million) in India by Day 22. It is expected to enter the 200 crore club by the 4th Sunday to become Nolan's first blockbuster to achieve the milestone. (adsbygoogle = window.adsbygoogle || []).push({}) The India performance is another major achievement for Nolan, whose films have consistently developed a strong theatrical following in the country. It was one of the very few countries Nolan, along with Matt Damon and Tom Holland, visited for the premiere and promotions. The Odyssey has benefited enormously from the IMAX experience, with audiences turning out for the film's large-scale visuals and practical filmmaking. With the $1 billion worldwide milestone now secured and the 200 crore India gross target within touching distance, The Odyssey has established itself as one of the defining theatrical blockbusters of 2026. More importantly, its success reinforces Christopher Nolan's unique ability to turn original, non-franchise filmmaking into a global box office event. After Oppenheimer came remarkably close to the billion-dollar mark, The Odyssey has now gone one step further and delivered Nolan another billion-dollar blockbuster on the biggest possible scale.

BY SACNILK

Salman Khan is currently working on his upcoming action entertainer directed by Vamshi Paidipally, which features him alongside Nayanthara for the first time. As the production progresses, a new casting update has surfaced regarding the film ensemble. According to an exclusive report by Bollywood Hungama, Jackie Shroff has joined the cast to play a significant role in this high-budget project. The veteran actor is reportedly starting his portions of the film today in Mumbai, sharing the screen with Salman Khan. While there was initial speculation about his character, sources indicate that Shroff is not playing a negative role. Instead, his character is described as a pivotal and high-impact part of the narrative designed to resonate with a mass audience. While Jackie Shroff is on the positive side of the story, the film is set to feature a strong lineup of antagonists. The report further suggests that the negative roles will be handled by a group of actors including Rahul Dev and Abhimanyu Singh, alongside the previously reported Arvind Swami. This multiple-villain approach suggests an intense conflict at the center of the story. (adsbygoogle = window.adsbygoogle || []).push({}) The team is currently on track to wrap up the Indian leg of the shoot by the end of August. Following the completion of the Mumbai schedule, the production will move to Europe for a brief international schedule before entering the post-production phase. The project is being backed by producers Dil Raju and Shirish, with a technical crew aiming for a global theatrical release. Tentatively referred to as SVC63 or The Messengers, this film is being positioned as a major festive release for the Eid 2027 weekend. With the addition of Jackie Shroff, the film further strengthens its pan-India appeal, bringing together iconic stars from both the Hindi and South Indian film industries.

BY SACNILK

Mumbai, August 7 - In a major expansion of its filmmaking slate, Yash Raj Films (YRF) is reportedly set to enter the horror genre for the very first time. The prestigious banner behind iconic romantic and family films has reportedly locked Varun Dhawan to headline its maiden horror feature, marking yet another collaboration between the actor and the studio after Sui Dhaaga. The ambitious project is expected to go on floors later this year and is currently eyeing a theatrical release in 2027. (adsbygoogle = window.adsbygoogle || []).push({}) According to Bollywood Hungama, the film will reportedly be directed by Abhay Pannu, who earned widespread acclaim for the critically acclaimed series Rocket Boys. Interestingly, this will also mark Pannu's theatrical directorial debut. While YRF has built successful franchises across action, romance, comedy and spy thrillers over the years, the studio has never produced a full-fledged horror film. This project signals Aditya Chopra's intent to diversify the banner's content beyond its established genres. For Varun Dhawan, the project represents another exciting addition to his evolving filmography. The actor has previously explored supernatural territory with Bhediya, which emerged as one of Bollywood's creature-comedy films. However, this upcoming YRF production is expected to be a straight horror film rather than a horror-comedy, offering Varun a chance to headline a different kind of genre entertainer. (adsbygoogle = window.adsbygoogle || []).push({}) If the reports materialise as expected, YRF's horror debut could potentially open the door for the studio to develop an entirely new franchise alongside its blockbuster Spy Universe. With Abhay Pannu behind the camera and Varun Dhawan leading the cast, the project has already generated significant curiosity among moviegoers. More details regarding the supporting cast, title, and storyline are expected to be announced once the film officially enters production.

BY SACNILK

The teaser for Natural Star Nani's upcoming film, The Paradise, has made an immediate impact upon its release. Within just 24 minutes, the footage crossed the 100K likes mark on YouTube, a pace that puts it in line with the numbers typically seen for Indian cinema's top-tier stars. This rapid engagement suggests a high level of anticipation for the project, specifically for the Telugu version, which appears to be heading toward a significant worldwide opening. Looking at the 24-hour performance, Nani has achieved another major milestone by scoring his second teaser with over 350K likes in a single day. The Paradise teaser managed to reach 382K likes in just 19 hours, effectively outpacing the previous record set by the actor's own HIT 3 teaser, which had gathered 353K likes in a full 24-hour window. This consistent growth in digital engagement indicates that the actor's fan base and general audience reach are expanding with each new project. (adsbygoogle = window.adsbygoogle || []).push({}) In the context of his peers in the industry, these numbers place Nani in a unique position. Currently, other notable Tier-2 stars such as Vijay Deverakonda and Naga Chaitanya have yet to cross the 350K likes threshold for a teaser within the first 24 hours of its release. The ability to generate such high immediate interaction is a key indicator of potential theatrical demand, and Nani's current trajectory suggests he is establishing a higher benchmark for digital hype in this category. The teaser itself, directed by Srikanth Odela, presents a raw and unapologetic world that marks a significant departure for the actor. Following their previous collaboration on Dasara, the filmmaker seems to have doubled down on a brutal and adrenaline-fueled narrative. Early reactions to the footage highlight an intense presentation that is being described as a cinematic explosion. With this level of pre-release momentum and a grittier version of Nani being showcased, the film looks set to drive massive footfalls across multiple languages upon its theatrical debut.

BY SACNILK

Salman Khan has finalized director duo Raj & DK for his next feature film, according to a report by Lets Cinema. The partnership brings together the creators of hit series like The Family Man and Farzi with the actor for a high-profile theatrical release. Produced by Mythri Movie Makers and Reel Life Production, the project is currently in the writing phase with plans to begin filming in late 2026. While Raj and DK have spent the last several years dominating the digital streaming space with blockbusters like The Family Man and Farzi, they actually started their filmmaking careers in cinema. Their filmography includes critically acclaimed theatrical releases such as the 2009 crime-comedy 99 and the gritty satirical drama Shor in the City. They also earned a cult following for creating India's first zombie-comedy, Go Goa Gone, in 2013. This new collaboration with Salman Khan is being widely recognized as their official theatrical comeback, marking their return to the big screen after a seven-year hiatus since their 2017 directorial venture, A Gentleman. (adsbygoogle = window.adsbygoogle || []).push({}) The film is currently in the development stage, with the writing team working on a script tailored for Salman Khan’s mass appeal while retaining the unique storytelling style associated with Raj & DK. Although specific plot details remain under wraps, the production is aiming for a start towards the end of 2026. This timeline allows Salman to wrap up his existing commitments before moving into this new collaboration, which marks a significant shift in his choice of filmmakers. Prior to that schedule, the actor is working on a major pan-India action film currently titled SVC63. Directed by Vamshi Paidipally and produced by Dil Raju, the project is rumored in trade circles to be titled The Messengers and is being prepared for an Eid 2027 release. It marks the first lead pairing of Salman Khan and Nayanthara in a full-length feature. The cast also includes Anil Kapoor, Arvind Swami, and Rajpal Yadav. The music is being split between two composers, with Thaman S providing the songs and Anirudh Ravichander creating the background score. (adsbygoogle = window.adsbygoogle || []).push({}) Another significant project on the actor's slate is the war drama Maatrubhumi: May War Rest in Peace. The film was originally titled Battle of Galwan and was inspired by the 2020 border clash. However, following geopolitical sensitivities and recommendations to remove direct references to the specific conflict, the makers shifted the story toward a broader emotional theme regarding the human cost of war. These creative overhauls and subsequent reshoots resulted in the film missing its initial April 17, 2026, release date. The production is now expected to arrive in theaters later in 2026, though an exact official date has not been confirmed.

BY SACNILK

DC is generating significant interest because it marks the acting debut of director Lokesh Kanagaraj. Moving from behind the camera to a lead role is a major shift, but early reports suggest he has handled the transition effectively. Playing the character of Das, Lokesh delivers a convincing performance that fits naturally into the raw and rustic setting created by director Arun Matheswaran. The story follows a familiar revenge template, centering on a fearless gangster fighting an unjust system alongside a woman whose faith in society has been shattered. While the plot might feel generic to some, the treatment is what sets it apart. Several reviewers have compared the intensity and grit of DC to acclaimed films like Visaranai and Vada Chennai. It is important to note that this is a clean 18+ rated film, featuring high-octane action and a significant amount of violence. For cinephiles who appreciate a trippy, violent ride with technical brilliance, the consensus is that the film is a worth-watch experience despite its heavy tone. (adsbygoogle = window.adsbygoogle || []).push({}) However, the unanimous winner across all reviews is Anirudh Ravichander. Multiple critics have labeled his background score as the biggest backbone of the film, with some even calling it his career-best work. His music elevates the drama, especially during major highlights like the interval block and the marriage hall fight scene. On the acting front, Wamiqa Gabbi has also received significant praise for a powerful and impactful performance, providing the emotional depth needed to balance the intense action sequences. The technical departments, including the cinematography and sound design, have been described as top-notch, giving the film a world-class feel. On the flip side, the film is not without its flaws. One recurring critique is the pacing, particularly in the first half which takes its time to establish the world and characters. Some reviewers mentioned that while the pre-interval and interval blocks are absolute freak shows, the second-half writing feels a bit convenient and repetitive in certain sections. There is a sentiment that the backstories and motives of the supporting gang could have been etched out more clearly. Because of its slow-burn narrative and intense gore, it might not be a traditional family entertainer, but rather a film intended for a section of the audience that enjoys gritty storytelling. (adsbygoogle = window.adsbygoogle || []).push({}) In summary, if you are planning to watch DC, expect a technically brilliant action drama that leans heavily on its atmospheric treatment and a god-mode score from Anirudh. Most ratings are currently hovering between 2.75 and 4 stars, suggesting that while the writing has some shortcomings, the theatrical experience remains strong. It is a bold experiment that pays off largely due to Lokesh Kanagaraj's screen presence and the directorial vision of Arun Matheswaran. If you are a fan of intense movie-making, this is one debut that is worth giving a try. #DC Decent Action Drama Despite Its Writing Flaws!Raw and grounded with a fairly engaging first half despite a regular, generic storyline. Film does feel slow in places, and the second half starts to get repetitive after a while. However, 4-5 blocks work really well across the…— Venky Reviews (@venkyreviews) August 7, 2026 #DC - A perfect film for cinephiles and intense movie lovers 👍Every frame in this movie speaks emotions with depth..!This is filmmaking at its finest from Arun Matheswaran and Lokesh Kanagaraj, we don't know that you are such a brilliant actor. Kudos 🫡Despite film facing…— Cinematica (@letsxCinematica) August 7, 2026 #DC - 4/5. One Of The Most Satisfying Films Of This Year. From Start To End, Film Is Completely Engaging. Good Debut By Lokesh. Award-Winning Performance By Wamiqa. Loved The Scenes Between Sanjana & Lokesh And Wamiqa & Lokesh.Easily Anirudh's Career Best Background Score.… pic.twitter.com/rpRobTLerY— Trendswood (@Trendswoodcom) August 7, 2026 #DC has been watched. This is @anirudhofficial at his best. It would be very very tough to top this work. Very tough. Really great music that wonderfully shoulders this compelling retelling of the Devadas lore.@ArunMatheswaran's most accessible, engaging, and entertaining… pic.twitter.com/nQHJUikXQl— Avinash Ramachandran (@Avinash_R13) August 7, 2026 #DC - 4 stars. Tamil cinema has its best film of the year. Hands down, @ArunMatheswaran’s best work and one that cements his position strongly as one of the most exciting and original filmmakers of our times. A moving, bloody violent story of revenge and redemption. A perfect fit…— Haricharan Pudipeddi (@pudiharicharan) August 7, 2026 #DC REVIEW – A Treat for Action Movie Fans.This one is an engaging action drama with several well executed moments. While the film starts at a slow pace, the pre-interval block and a few major action sequences are handled very well and leave a strong impression.The second…— Rangasthalam (@RangasthalamIN) August 7, 2026 . #DC Review :Solid Blockbuster Filled with Lokesh Delivers a Good performance 💥Anirudh BGM Peaks ❤️‍🔥🥁Wamica looks stunning 😍Action scenes and emotional sequences 🔥Overall a Blockbuster 👌🤞 https://t.co/BbRdHpA8qO pic.twitter.com/kvYlXCXZF6— Power OG2 🔥 (@attitudeboy200) August 7, 2026

BY SACNILK

Maharashtra Chief Minister Devendra Fadnavis recently inaugurated Phase 1 of Prime Focus Studio at Dadasaheb Phalke Chitranagari in Mumbai, marking a major step in the state's journey toward becoming a global hub for creative technology. This launch is the result of an agreement signed a year ago at the WAVES Summit 2025, aimed at building a world-class media and entertainment ecosystem. During the visit, Fadnavis explored the facility's advancements in AI, VFX, and virtual production, which are designed to empower young talent and attract global investment into the Indian film industry. The visit became a major talking point when the minister was given a glimpse of the highly anticipated film Ramayana. After witnessing the cutting-edge technology being used for the project, Fadnavis shared a significant statement regarding its potential. He mentioned that he would be disappointed if a film of this scale, featuring Ranbir Kapoor, did not go on to win an Oscar. This remark reflects the high expectations surrounding the production's technical quality and its ability to represent Indian cultural heritage on a global stage. (adsbygoogle = window.adsbygoogle || []).push({}) Fadnavis emphasized that India's rich storytelling traditions, when paired with world-class tools, provide the perfect foundation for the nation to emerge as a powerhouse in the creative economy. The presence of Namit Malhotra, Global CEO of DNEG and Founder of Prime Focus, underscored the international standards being applied to the film. By leveraging these immersive technologies in Mumbai, the team is aiming to deliver a cinematic experience that meets the highest global benchmarks. Ramayana is the most ambitious project of Nitesh Tiwari. The film is being made in two parts. The first part – Ramayana: The Introduction – Part One will release on November 6, 2026, in Hindi, Tamil, Telugu, Malayalam, Kannada and English worldwide. The shooting of Ramayana 2 is yet to be completed by the makers. Ramayana has Ranbir Kapoor as Lord Rama, Yash as Ravana, Sai Pallavi as Sita, Sunny Deol as Hanuman and Ravi Dubey as Lakshman. The Nitesh Tiwari-directed film also has a powerful star cast like Arun Govil, Indira Krishnan, Lara Dutta, Kajal Aggarwal, Rakul Preet Singh, Vivek Oberoi, Shobana, Saurabh Sachdeva, Adinath Kothare and others in key roles.

BY SACNILK

The horror-comedy genre has become a powerhouse at the box office, with the Bhool Bhulaiyaa franchise leading the way in India. Following the massive success of the second and third installments, fans have been looking for any confirmation regarding Bhool Bhulaiyaa 4. While the return of Kartik Aaryan as the fan-favorite Rooh Baba seems like a foregone conclusion, director Anees Bazmee has shared some realistic insights into why the project has not officially taken off yet. In a recent conversation with Variety India, Bazmee explained that while there is significant interest in a fourth film, the biggest hurdle is the script. The director admitted that after three successful movies, the creative team has essentially covered every major angle possible within this universe. He noted that they even took the bold step of turning the hero into a Manjulika-like figure in the previous film, which leaves very little room for a fresh surprise. For Bazmee, the priority is to find a story that justifies a return rather than just making another film for the sake of the franchise. (adsbygoogle = window.adsbygoogle || []).push({}) Looking at the track record of the franchise, Bhool Bhulaiyaa 2 and Bhool Bhulaiyaa 3 were both major hits, establishing Kartik Aaryan as a reliable star for this specific genre. Bazmee described Aaryan as a hard-working director's actor who excels in comedy, and their rapport is a key reason why another collaboration is inevitable. The director has a history of building long-term working relationships with stars, having done multiple projects with Ajay Devgn, Salman Khan, and Akshay Kumar in the past. It is clear that the team is ready to move forward the moment a compelling narrative is locked in. While the search for a new Bhool Bhulaiyaa story continues, Bazmee is already busy finishing his next big project. This upcoming film is also a comedy and features a reunion with Akshay Kumar, with whom the director has worked on hits like Welcome and Singh Is Kinng. The cast also includes Vidya Balan and Raashii Khanna, making it one of the more anticipated comedies of the coming year. This shows that while the horror-comedy franchise might be on a temporary pause, the director remains focused on delivering high-energy entertainment for the big screen. (adsbygoogle = window.adsbygoogle || []).push({}) Ultimately, the fate of Bhool Bhulaiyaa 4 rests on finding a great story that can live up to the legacy of its predecessors. Given that the previous films set such high benchmarks in terms of both humor and box office numbers, the caution from the makers is logical. Once a unique hook is found that can offer something new to the audience, the director has confirmed he would love to be back at the helm to continue the Rooh Baba saga.

BY SACNILK

Dhamaal 4 is steadily approaching the end of its first month at the box office, continuing to show resilience even as newer releases dominate the screen space. On its twenty-seventh day, which fell on a Wednesday, the film recorded a net collection of 0.55 crore rupees. This reflects a drop of approximately 31.3 percent compared to Tuesday's net of 0.80 crore rupees. While the numbers have naturally tapered off after four weeks, the film managed to sustain these collections across 2,317 shows nationwide. Taking a look at the cumulative performance, the total India net collection now stands at 163 crore rupees, with the domestic gross reaching 194 crore rupees. The international market has also chipped in, with Wednesday adding 5 lakh rupees to the tally. This brings the total overseas gross to 31 crore rupees. When we combine these figures, Dhamaal 4 has achieved a global gross collection of 224 crore rupees. This consistent performance over 188,383 shows globally indicates that the comedy franchise still holds significant appeal for its target audience. (adsbygoogle = window.adsbygoogle || []).push({}) Lets take a look on how much the national chains contributed, Collectively, PVR, INOX, and Cinepolis sold 2,000 tickets, resulting in a total gross of 4.5 lakh rupees and an average occupancy of 3 percent. Breaking this down with rounded figures, PVR contributed 2.2 lakh rupees from 800 tickets across 180 shows. INOX followed with 1.6 lakh rupees from 900 tickets across 180 shows, while Cinepolis added 0.7 lakh rupees from 300 tickets across 100 shows. These numbers match the total national chain gross of 4.5 lakh rupees for the day, showing that footfalls are now concentrated in specific pockets. In terms of audience engagement for the Hindi 2D version, the overall occupancy for the day was 15 percent. Looking at the day's progression, the film started slow with 9 percent occupancy in the morning and nearly 10 percent in the afternoon. However, there was a noticeable uptick as the day progressed, with evening shows hitting 15 percent and night shows peaking at 18 percent. This trend suggests that the film is currently being driven by late-night family outings and casual viewers. (adsbygoogle = window.adsbygoogle || []).push({}) Regionally, the National Capital Region remained the most active hub for the film, hosting 220 shows with an overall occupancy of 12 percent. In this region, the afternoon slots were the busiest at 16 percent. Ahmedabad followed with 210 shows at 7 percent occupancy, while Mumbai saw 115 shows with a 9 percent occupancy rate. In Mumbai, the afternoon screenings were the highlight, reaching 11 percent. Surat recorded a lower engagement with 130 shows at 3 percent occupancy, reflecting the general fatigue that sets in for a film in its fourth week. On the fourth Tuesday, BookMyShow recorded 17k tickets, which settled at 8k tickets on Wednesday. So far, the platform has facilitated the sale of over 28 lakh tickets for the film. As Dhamaal 4 enters its final stretch before the fifth week begins, it has successfully secured its position as a profitable venture, having maintained a steady hold on the box office throughout its month-long theatrical run.

BY SACNILK

Mumbai, August 6 - Bollywood star Ajay Devgn is reportedly reshuffling his release calendar, setting up one of the biggest box office battles of 2026. Devgn's jungle adventure Ranger has reportedly been postponed to 2027, with Golmaal 5 taking over its December 4, 2026 release date, according to Variety India. If the report proves accurate, the Rohit Shetty directorial will lock horns with Prabhas' Fauzi and Akshay Kumar's untitled comedy entertainer directed by Anees Bazmee. (adsbygoogle = window.adsbygoogle || []).push({}) The reshuffle significantly raises the stakes for the December corridor. While Golmaal 5 and Akshay Kumar's yet-to-be-titled film belong to the comedy genre, Fauzi, directed by Hanu Raghavapudi, is a large-scale period action drama led by Prabhas. The clash would offer audiences two commercial comedies against a pan-India action spectacle, making it one of the most diverse and highly anticipated box office battles in recent years. However, Golmaal 5's arrival (if official) could also trigger another major release change. Akshay Kumar is playing a major role in Rohit Shetty's comedy alongside Ajay Devgn. Releasing two Akshay Kumar-led commercial entertainers on the same day would split both the actor's fanbase and the comedy audience, making it an unlikely scenario. As a result, Anees Bazmee's untitled film is also a strong candidate to move to another release date, although no official decision has been announced yet. (adsbygoogle = window.adsbygoogle || []).push({}) If that happens, Prabhas' Fauzi could be left facing only Golmaal 5, turning the clash into a battle between one of Indian cinema's biggest comedy franchises and one of the country's biggest pan-India stars. Golmaal 5 boasts an ensemble cast featuring Ajay Devgn, Akshay Kumar, Arshad Warsi, Shreyas Talpade, Tusshar Kapoor, Kunal Kemmu and Sharman Joshi, who returns to the franchise after appearing in the original Golmaal: Fun Unlimited (2006). Meanwhile, Fauzi stars Prabhas alongside Imanvi, Anupam Kher, Mithun Chakraborty, Bhanu Chander and Jayapradha. The film carries high expectations following director Hanu Raghavapudi's critically acclaimed Sita Ramam and Prabhas' massive pan-India fan base. On the other hand, Akshay Kumar's untitled comedy with Anees Bazmee also stars Vidya Balan and Raashii Khanna. While the release calendar is yet to be officially finalised, the coming weeks are expected to bring clarity on whether Bollywood will witness a three-way blockbuster clash or another round of strategic postponements.