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BY SACNILK

It has been widely expected, ever since The New Day decided to leave WWE after turning down a 50% pay cut to stay, that Kofi Kingston and Xavier Woods would be winding up in AEW. The Young Bucks have wanted to do a program with them for years — and now, months after the split, that dream match feels closer than ever. The New Day's exit wasn't a typical release — it was the result of a stand. Kingston and Woods had signed five-year contract extensions with WWE back in 2025, doing so without even shopping around for offers from AEW or other promotions, widely seen as a genuine show of loyalty to the company. Just a year later, TKO came back and asked them to restructure those deals at a reduced rate, reportedly giving them only two days to decide. Both men chose to walk instead, leaving millions on the table from the remaining four years of their contracts. The New Day's situation wasn't isolated. Wrestling Observer's Dave Meltzer confirmed reports that at least one major-name WWE wrestler agreed to a 50% pay cut around the same time, with sources noting the wrestlers being targeted were often those earning well into seven figures — talent who "simply couldn't earn anywhere near $1 million elsewhere," limiting their leverage to push back. Multiple reports indicate the number of wrestlers approached about cuts was under half a dozen, largely veterans, including some recovering from injury, whom the company reportedly would have released outright had they refused. How WWE handled the departure reportedly stung people behind the scenes. The company quietly moved both Kingston and Woods to the alumni section of its website without any public acknowledgment of their contributions — no farewell, no statement. One WWE source told Fightful Select they were "disgusted" by the lack of recognition. A joint statement marking the departure had apparently been planned internally but never materialized. Interest from AEW's side has been an open secret. Multiple people within the company reportedly pushed for New Day to be signed, with insiders noting frustration among talent over how WWE handled the exits of players like New Day and Santos Escobar — wrestlers who'd signed extensions in good faith within the past year. The Young Bucks haven't been subtle about their excitement. AEW's Dynamite has featured Matt and Nick Jackson wearing light blue shirts with pink-and-white accents — an unmistakable nod to New Day's classic color scheme. Matt Jackson has since confirmed publicly that a Young Bucks vs. New Day dream match is "at play," calling it something he'd "counted off as a possibility" until now. As of mid-August 2026, the deal isn't officially confirmed, but nearly every signal points the same direction. The New Day's 90-day non-compete clause was expected to expire around the start of August, with some reports suggesting a debut as early as AEW Collision on August 1, or shortly after SummerSlam if not. Speculation continues to swirl around a possible arrival tied to a Young Bucks/Christian Cage & Adam Copeland trios angle, with several outlets floating AEW All In: London at Wembley Stadium as a potential landing spot for the big reveal.

BY SACNILK

Santino Marella has opened up about his time at Ohio Valley Wrestling and revealed how CM Punk immediately caught his attention long before either man became a major WWE star Speaking to Cody Rhodes on What Do You Wanna Talk About?, Marella reflected on the unique group of wrestlers who came through OVW during the mid-2000s. The developmental territory was home to several future WWE stars, including Rhodes, Punk, Beth Phoenix, John Morrison, Deuce and Domino, and others. Marella admitted that he initially did not understand why everyone at OVW was so excited about Punk. However, that changed quickly once he saw Punk in person and watched him wrestle. “I remember when Punk first came because I didn't watch Ring of Honor and this guy, CM Punk, CM Punk. And I'm like, why is everyone freaking out over this guy?” Marella then explained that Punk had something that was difficult to teach — an aura that immediately separated him from his peers. “And then I see him and he like literally had like an aura around him.” The former WWE star said Punk's wrestling ability made the impression even stronger. Marella recalled watching him perform and realizing that Punk was already operating at a level that many developing wrestlers were still trying to reach. “And then I watched him wrestle. I'm like, are they expecting me to become that good? He was already good.” Punk arrived in OVW in 2005 after establishing himself on the independent wrestling scene, particularly through Ring of Honor. He quickly became one of the standout performers in WWE's developmental system. His OVW run was not simply a period of learning the basics. Punk became a champion in the territory, winning the OVW Television Championship in November 2005 before eventually capturing the OVW Heavyweight Championship in May 2006. Marella also explained that the OVW locker room was packed with talent. Cody Rhodes recalled the atmosphere as well, noting that the group included several wrestlers who would eventually become important names in WWE. The former Intercontinental Champion said that when Punk arrived, he did not initially understand the reaction from the other wrestlers because he had not followed Punk's work in Ring of Honor. But after seeing him perform, Marella understood exactly why people were talking about him. Marella's own WWE career followed a very different path. While Punk became known for his serious, outspoken persona, Marella became one of WWE's most recognizable comedy characters. His in-ring career came to an end in July 2014 after he suffered his third significant neck injury. Marella announced his retirement at a WWE live event in Toronto, telling the crowd that his age and recurring neck problems could mean it was the end of his WWE in-ring career. WWE reported at the time that Marella hoped to remain involved with the company in another capacity. However, his association with WWE continued for another two years. Marella made several appearances for the company after his retirement, including as a guest General Manager, before WWE officially released him on May 6, 2016. WWE confirmed that Marella was among several performers released that day.

BY SACNILK

Former WWE Champion Jinder Mahal has opened up about the current life of his former WWE colleague Veer Mahaan, revealing that the wrestler has stepped away from professional wrestling and the pursuit of fame. Mahal discussed Veer's decision during an interview with Denise Salcedo, where he was asked about several Indian wrestlers and their journeys in professional wrestling. Veer Mahaan, who previously competed in WWE alongside Shanky and Mahal, was known for his imposing appearance and athletic background. However, according to Mahal, Veer has taken a completely different path since leaving WWE. Mahal revealed that Veer has largely distanced himself from wrestling and the fame that came with being a WWE Superstar. “He kind of just walked away from it. He’s just living a very spiritual lifestyle now. He’s got a guru, he’s very detached from all the material things.” Mahal explained that Veer's current lifestyle is dramatically different from the world of professional wrestling, where wrestlers spend much of their careers chasing championships, recognition and financial success. “He's very detached from all the material things,” Mahal said, describing Veer's decision to pursue a more spiritual life. Despite Veer's decision to walk away, Mahal believes the former WWE Superstar had plenty of potential left to explore in wrestling. Mahal spoke positively about Veer's athletic ability and the unusual path that eventually brought him to WWE. “He was very athletic, very talented. His story was very interesting too. He grew up in India, then he went to the United States and played baseball.” Mahal pointed out that Veer's journey was already unusual before he entered professional wrestling. His transition from India to the United States, followed by his baseball career and eventual move into wrestling, gave him a unique background that WWE could have used to tell his story. However, Mahal suggested that Veer's priorities have changed considerably. Rather than continuing to chase success in wrestling, Veer has chosen to focus on spirituality and a life away from the spotlight. The decision is particularly notable because Veer was once positioned as a significant part of WWE's attempt to feature more Indian talent. His WWE presentation emphasized his size, strength and athletic background, but his run with the company ultimately did not develop into the major singles career that some expected.

BY SACNILK

Mumbai, August 14 - Superstar Yash's much-awaited Toxic: A Fairy Tale for Grown-Ups is entering the final stretch of its promotional campaign with strong hype building ahead of its worldwide theatrical release on August 26. The film marks Yash's return to the big screen after KGF: Chapter 2, making it one of the most anticipated Indian releases of the year. (adsbygoogle = window.adsbygoogle || []).push({}) The recently released trailer has given the film's buzz a major push. The trailer crossed 50 million views and 1 million likes within just 24 hours, becoming only the second Yash trailer after KGF: Chapter 2 to achieve the milestone. The strong digital response underlines the enormous curiosity surrounding Yash's return, with the trailer's dark world, violent action, stylish presentation and intriguing characters generating considerable discussion among audiences. The momentum has also extended beyond YouTube, with Toxic crossing 800,000 interests on BookMyShow, reflecting strong audience anticipation ahead of release. The Hindi market is particularly interesting from a trade perspective, with the film currently expected to open in the 20 crore net range. However, the absence of major direct Hindi competition on August 26 gives the Yash-starrer considerable room to outperform these early projections if the word of mouth turns positive. (adsbygoogle = window.adsbygoogle || []).push({}) Another talking point is the film's adult-oriented presentation. The film has received an 'A' certificate, with the runtime clocking over the three-hour mark. This makes Toxic another major star vehicle embracing a lengthy theatrical runtime, which is increasingly becoming a trend among big-ticket Indian films. With less than two weeks remaining for its theatrical release, Toxic has built a strong pre-release foundation through Yash's star power, the impressive trailer response and growing audience interest. The real test now begins on August 26, when the trailer-generated hype has to translate into strong footfalls across the pan-India market.

BY SACNILK

Former WWE Champion Jinder Mahal has revealed that his memorable confrontation with The Rock on WWE Raw generated more messages and phone calls than the night he won the WWE Championship. Mahal discussed the moment during an interview with Denise Salcedo, reflecting on the January 1, 2024 episode of Raw, where he unexpectedly found himself sharing the ring with one of the biggest stars in WWE history. The segment began with Mahal delivering a heated promo in which he complained about being disrespected and criticized the United States. He was then interrupted by The Rock, who returned to WWE and quickly turned the segment into a memorable verbal exchange before taking down Mahal. Looking back at the reaction to the segment, Mahal revealed that the response was surprisingly bigger than what he experienced after becoming WWE Champion. “More people messaged me after that promo with The Rock than when I won the WWE Championship. Yes. Yes. Yes. I guess it was a bigger moment. More people saw it. You’re in the ring with The Rock, like the most recognizable name in all of entertainment—or in anything—in the whole entire world.” Mahal explained that his perspective was somewhat different because, as a professional wrestler, he was simply doing his job. Even though becoming WWE Champion was obviously a major achievement, the reaction to the Rock segment showed him how much mainstream attention can come from sharing a moment with a superstar of The Rock's stature. Mahal also revealed that he did not have much time to prepare for the segment. He said he learned only a couple of days beforehand that The Rock would be involved. “I was just told, ‘Hey, you’re going to go out there and then Rock’s going to crash.’ That’s it. That’s all I was told.” The promo itself was written by former WWE writer Brian Gewirtz. Mahal recalled receiving the material on the morning of the show and initially questioning whether some of the lines could actually be delivered on WWE television. “It was kind of talking trash about the United States and the way things are here. And I thought, ‘We can’t do this on WWE TV.’ I asked him, like, ‘Brian, are you sure?’ He’s like, ‘Yes, I’m sure. This is what we’re doing.’ I was like, ‘Okay, let’s go.’” The segment would ultimately become one of the most talked-about moments of the show, with Mahal playing an important role in The Rock's return. Mahal also recalled meeting The Rock before the segment and being impressed by how prepared the Hollywood star was. According to Mahal, The Rock had already memorized his material while Mahal was still going through his lines with a piece of paper. “At that time, Rock already had the promo memorized. I was still going to talk to Brian about it, but Rock wanted to rehearse. He’s hitting his lines. I’m still reading from a piece of paper.” Despite the pressure of working with The Rock, Mahal believes he delivered one of the strongest promos of his career and showed fans a side of himself that they had not seen before. “I really felt like I held my own and I showed the WWE Universe and WWE management a different side of me, a different promo style.” Mahal admitted that WWE ultimately did not capitalize on the momentum from the segment, but he has no regrets about being part of it. “Unfortunately, we couldn’t capitalize on it, but all good. It was a great moment.” The former WWE Champion also revealed that The Rock later sent him a voice message thanking him for his contribution to the segment.

BY SACNILK

Former WWE Champion Jinder Mahal has revealed that Vince McMahon personally approved an unexpected television opportunity he received while working for WWE. Mahal discussed the story during an interview with Denise Salcedo, explaining that he was offered a role on ABC's Big Sky around 2020. Rather than waiting for the usual process to play out, Mahal decided to go directly to McMahon. “I got offered to go on a TV show. It was probably around maybe 2020,” Mahal recalled. “I got offered to go on a TV show and I just went straight to Vince.” The former WWE Champion revealed that the show was Big Sky, which aired on ABC. “It was on ABC. It was a show called Big Sky. And I just went to Vince directly and just asked him in his office and he said, ‘Yeah.’” Mahal then informed WWE talent relations that he already had McMahon's approval. “So then I went to [talent relations] after that and I told him Vince already said yes. And there was still a little bit of a hold up, but nonetheless, we got it pushed through.” Despite receiving permission from McMahon, Mahal revealed that WWE did not use the opportunity to promote him. “I just did it and WWE didn't advertise it or push it or anything, but I got to do a TV show.” Mahal believes the situation was particularly notable because outside opportunities for WWE wrestlers were viewed differently during McMahon's era. “At that time it was a little bit of a taboo thing to do,” Mahal explained. “Just Vince was in a good mood that day. He could have easily have said no.” The former WWE Champion also offered his perspective on why McMahon was sometimes protective of WWE talent pursuing opportunities outside wrestling. “I've always felt that WWE and Vince, he was protective,” Mahal said. “He didn't want someone to maybe leave the wrestling business or get too big, too famous, and then you all of a sudden have to pay them more and give them less dates.” According to Mahal, that dynamic has changed considerably in WWE today. He believes wrestlers now have significantly more opportunities outside the company and more control over their careers. “But right now I feel that wrestlers really do have a lot of power,” Mahal stated. “There's other leagues that have started that are around, other viable options for wrestlers to pursue careers in.” Mahal also pointed to mainstream exposure as something that can benefit both wrestlers and wrestling companies. “Overall, it's all good for wrestlers. Again, exposure, mainstream exposure is both good for the wrestler and the wrestling promotion.” His comments provide an interesting look back at how outside entertainment opportunities were handled during his WWE career—and how much the landscape has changed since then.

BY SACNILK

Mumbai, August 14 - The Independence Day weekend box office battle between Emraan Hashmi's Awarapan 2 and Sunny Deol's Batwara 1947 is turning into a one-sided affair with the former taking a big lead over Deol's period drama in the morning shows on its opening day. (adsbygoogle = window.adsbygoogle || []).push({}) The Emraan Hashmi-led actioner has opened up a significant lead in advance bookings. The sequel clocked over 11 crore in advance sales, while Batwara 1947 has managed approximately 4+ crore. This gave Awarapan 2 a lead of more than 7 crore and already put it well ahead of the Sunny Deol starrer even before the first shows begin. The strong response to Awarapan 2 can be attributed to the cult following of the 2007 original, with Emraan Hashmi's return to the franchise generating considerable nostalgia. The film is also positioned as a dark romantic actioner, giving it a different appeal from Batwara 1947, a period drama centred on the Partition era. (adsbygoogle = window.adsbygoogle || []).push({}) Considering the initial response, Awarapan 2 is expected to score almost 3x that of Batwara 1947 and with the positive word of mouth coming from the initial shows sets up the stage for the massive opening weekend for Rajkumar Santoshi's directorial, which could be well over 75 crores net. For Batwara 1947, the slower advance sales are certainly a concern, particularly given Sunny Deol's post-Gadar 2 box office standing. However, the Rajkumar Santoshi-directed film has a strong Independence Day setting, and if the word of mouth is positive, it has the potential to do well at the box office. But as things stand, Awarapan 2 has taken a commanding lead in the opening-day battle and is expected to be the clear winner in the long run.

BY SACNILK

WWE is expected to expand SmackDown back to a three-hour format beginning in January 2027, with the current target date for the switch set at January 8, according to WrestleVotes on Fightful Select. This isn't the first time the Blue Brand has gone through this. SmackDown first expanded from two hours to three hours on January 3, 2025, shortly after moving from Fox to USA Network. That run lasted roughly six months before the show reverted back down to two hours in July 2025, with insiders reportedly unhappy that the extra hour was dragging down show quality. SmackDown then expanded back to three hours again on January 2, 2026, starting with an episode from Buffalo, New York, before settling into what now looks like an annual pattern — three hours from January through June, two hours from July through December. If the January 8, 2027 report holds, it would mark the third straight year SmackDown has expanded to three hours to open the calendar, continuing the same six-month cycle WWE has now used twice already. Raw has already run as a three-hour show for years, so this change doesn't introduce anything new to WWE's weekly programming overall. What stands out is that SmackDown still hasn't committed to the longer format full-time the way Raw has, instead treating it as a seasonal adjustment tied to how the network broadcast deal with USA is structured season to season. There's also been genuine internal disagreement over whether the extra hour is worth it. Multiple reports from inside WWE have indicated that some people within the company aren't fans of the three-hour SmackDown format, citing a noticeable dip in show quality whenever the extra hour gets added, with matches and segments often padded out just to fill time rather than because the story called for it. At the same time, a three-hour show gives WWE more room to spotlight a deeper roster, build out midcard storylines, and give NXT call-ups a real platform, which has mattered more recently as WWE has pushed several new names up to the SmackDown roster and refreshed the show's presentation. Nothing is official yet, and WWE has not confirmed the change directly, but if the January 8, 2027 target holds, it would confirm the three-hour SmackDown format has become a fixed part of how WWE plans its television calendar each year rather than the one-time experiment it looked like back in January 2025.

BY SACNILK

Amazing Red has revealed how a horrific injury during a WWE 2K motion-capture session derailed what he believed was his biggest chance to become a WWE Superstar. The injury happened just one week before the 2016 Cruiserweight Classic, where Red was expected to compete and hoped to finally earn a WWE contract. While speaking with Chris Van Vliet, Red explained that WWE 2K had brought him in to perform several moves for the video game. One of them was his Spiral Tap, which he was asked to perform repeatedly. After already doing the move seven or eight times, Red said he felt he should stop, but was asked to do it one more time. “Can you just do one more, man? I'm so sorry. Can you do just one more and we're going to have you do this and then we'll go into a whole set of moves after this.” Red agreed, but the next attempt went horribly wrong. He explained that two crash pads had been placed underneath him, with a gap where they connected. “For some reason, I just jump and everything just blacks out for me. And I don't know where I'm at. So I just jump, instant darkness. And I hear this. And I wake up and I'm on the crash pads and my leg is backwards.” Red said his foot had gone between the two crash pads during the flip. He initially felt nothing, but Loki quickly realized how serious the injury was and shouted for help. “He broke his leg.” Red said that once his leg was moved, the pain hit him immediately. He described the moment as particularly devastating because he believed the WWE 2K project and Cruiserweight Classic were finally going to lead to his WWE breakthrough. The Cruiserweight Classic was scheduled to begin the following week, meaning the injury came at the worst possible time. Red was later told that WWE could potentially plan a second season of the tournament, but that opportunity never came.

BY SACNILK

Amazing Red has opened up about his 2005 WWE dark match against CM Punk, revealing that he believed the bout could be his chance to finally earn a WWE contract. However, Red claims several of his signature moves were vetoed before the match, leaving him unable to showcase the style that had made him stand out. Speaking with INSIGHT with Chris Van Vliet, Red recalled that he initially expected to wrestle someone else in a quick squash match, but WWE changed the plans and paired him with Punk. His friends, including Jimmy Wang Yang, told him that being booked for a dark match meant WWE could be looking at him for a potential signing. Red said he and Punk discussed ideas for the match, but several of the moves he wanted to perform were rejected. “Being very transparent here where the moves that I wanted to do, Code Red, my Flatliner, my standing shooting star, I wanted to get that out in the world that I made this up at that point because you're on WWE. Once this happens, WWE, it's officially yours. And every time I mentioned something to him, I don't know if it was him, but every time I mentioned something to him, it came back and got vetoed. You can't do a shooting star. Kidman does it. And Kidman is going to get hot. You can't do Code Red because Ray does it and he's going to get hot. And you got this move. You can't do that move.” Red said Jimmy Wang Yang noticed what was happening and told him: “They're kiboshing all your stuff, bro. Purposely.” The match itself did not go the way Red had hoped, and afterward he spoke with John Laurinaitis. Red recalled that Laurinaitis asked about his experience wrestling in a larger ring before telling him, “Well, you look blown up, so, you know, we'll give you a call.” When Red asked what else he needed to improve, Laurinaitis simply replied, “Get bigger.” Red ultimately never received the WWE contract he was hoping for. Looking back, however, he no longer blames Punk for what happened, explaining that both men were simply trying to secure their own opportunities in WWE. “Two guys trying to get a job.” Red added that despite his previous bitterness, he has no hatred toward Punk: “No, no, I don't hate him. I love that dude, honestly.”

BY SACNILK

The anticipation for Emraan Hashmi's return to one of his most iconic roles is translating into significant numbers at the box office. As of 9 pm on the final day before its release, Awarapan 2 has shown a very strong momentum in advance bookings, indicating that the nostalgia for the 2007 prequel combined with a fresh narrative is striking a chord with the audience. The film has officially become the 17th Bollywood release since August last year to cross the 200,000 ticket sales mark on BookMyShow during its pre-sale period. Looking at the hourly trends on the primary booking platform, the movie saw a sharp spike in the evening, with approximately 11,570 tickets sold between 8 pm and 9 pm alone. This brings the total tickets sold on the platform between 7 am and 9 pm today to nearly 88,000. When we look at the progress over the last few days, the growth has been consistent. Starting with about 7,000 tickets on August 10, the volume jumped to nearly 36,000 on August 11, and reached over 65,000 by August 12, culminating in a pre-release total of more than 108,000 tickets on the platform prior to the final day's surge. (adsbygoogle = window.adsbygoogle || []).push({}) In terms of national cinema chains, the movie has comfortably crossed a major milestone. Over 1 lakh tickets were sold for the opening day in advance across the three major multiplex circuits. The total gross from these chains stands at approximately ₹4.0 Cr. Breaking this down with rounded figures, PVR has contributed significantly with a gross of roughly ₹2.0 Cr from about 51,000 tickets. Inox followed with nearly ₹1.2 Cr from approximately 35,000 tickets, while Cinepolis added about ₹0.75 Cr from over 20,000 tickets. These figures place Awarapan 2 ahead of several recent major releases like Housefull 5, Shaitaan, and Raid 2 in terms of final pre-sales volume. On an all-India level, the advance booking gross for Day 1 has reached approximately ₹5.86 Cr across 8,619 shows, representing nearly 1.94 lakh tickets sold. If we include blocked seats, the total gross figure climbs to roughly ₹8.63 Cr. These numbers reflect a wide interest in the Hindi-speaking markets, where the character of Shivam has maintained a cult following for nearly two decades. The average ticket price has been maintained at around ₹240, ensuring accessibility for a broad range of the actor's fanbase. (adsbygoogle = window.adsbygoogle || []).push({}) The success of these advance bookings is deeply rooted in the legacy of the original 2007 film directed by Mohit Suri. The first Awarapan was a turning point in Emraan Hashmi's career, showcasing his range as an intense dramatic actor beyond his serial kisser image. Known for its hauntingly beautiful soundtrack and the themes of tragic love and redemption, the film became a cult classic over the years. This sequel, which sees Hashmi returning to the gritty, emotional world of the franchise, has managed to tap into that established emotional connection, driving high expectations for the opening day performance. With the final pre-release data now in, Awarapan 2 is positioned for a healthy start at the box office. Having surpassed the final pre-sales of other notable sequels and star-led projects like Welcome To The Jungle and Cocktail 2, the film has proven that there is still a massive appetite for grounded, atmospheric action-dramas. All eyes will now be on the spot bookings and early reviews tomorrow to see if the film can sustain this impressive early momentum throughout the weekend.

BY SACNILK

The biographical film based on the life of the legendary filmmaker V. Shantaram has been generating a lot of curiosity since its announcement, especially with the interesting casting of Siddhant Chaturvedi and Tamannaah Bhatia. While the project was originally expected to start its production cycle earlier this year in April, the lack of updates led to several rumors suggesting the film might have been shelved. However, new information has clarified that the project is very much on track, though the timeline has shifted significantly. According to an exclusive report by Bollywood Hungama, the film's director, Abhijeet Shirish Deshpande, has confirmed that the production has now been moved to 2027. The primary reason for this delay was a two-month setback in the initial planning stages, which eventually threw the entire shooting schedule out of sync. Since the team wanted to avoid the complications of the monsoon season for their outdoor sequences, they decided it was better to wait for a fresh window next year rather than rushing into a disjointed production. (adsbygoogle = window.adsbygoogle || []).push({}) The revised plan is to now commence shooting in April 2027. This timeline is strategically designed to allow the crew to finish all the necessary outdoor sequences first, before utilizing the subsequent monsoon months for interior shoots. Beyond the logistical benefits, the delay is also being used to strengthen the ensemble. The filmmaker revealed that they are currently in the process of adding a few more significant names to the cast to join Siddhant and Tamannaah, who will be portraying Shantaram and his second wife, the actress Jayashree, respectively. For those familiar with Indian cinema history, this biopic is quite an ambitious undertaking. It aims to chronicle Shantaram’s remarkable journey through the most transformative eras of filmmaking, starting from the silent era and moving into the advent of sound and color. The narrative will highlight his evolution as a visionary who directed iconic films like Do Aankhen Barah Haath, Dr. Kotnis Ki Amar Kahani, and Pinjara. For Siddhant Chaturvedi, this marks his first biographical role, and he has previously expressed how deeply the filmmaker's perseverance and artistic legacy have moved him during his research for the character. (adsbygoogle = window.adsbygoogle || []).push({}) While the wait for the film has become a bit longer, the decision to delay seems to be a calculated move to ensure the project gets the scale and precision a figure like V. Shantaram deserves. By aligning the shooting schedule with the weather and refining the cast, the makers are positioning this biopic to be a meticulous tribute to one of India’s most influential cinematic pioneers. Fans of historical dramas will now have to keep an eye out for 2027 to see this visionary’s life unfold on the big screen.