Suparna Dey

BY JITU JANGIR

In an interview, WWE's Nick Aldis reflected on the early days of his run as SmackDown General Manager, revealing how a pivotal on-screen exchange with Roman Reigns helped shape the tone of his character — and recounting the chaotic backstage story behind his first meeting with Vince McMahon. WWE Superstar Nick Aldis spoke to Chris Van Vliet and described a now-famous couch segment with Reigns as a genuinely significant moment for him professionally. He praised Reigns as meticulous and deeply thoughtful about every detail of his on-screen presence, crediting Paul Heyman's influence for helping shape that approach. Aldis said he felt real gratitude toward Reigns, noting that Reigns didn't have to extend him that level of trust in establishing the GM character, but chose to. The interview then turned to a story from very early in his tenure — by his own estimate, just a month or six weeks into the job — involving Randy Orton's arrival on SmackDown. Aldis explained that strict staging instructions were coming down at the time about where he and Heyman should stand during a live segment. Just before they went live, word came through again insisting he stay in the background while Heyman took the foreground. He recalled Heyman being amused by the directive, and Aldis feeling he had no real choice but to comply with seconds to air. The segment reportedly went off well, with Paul "Triple H" Levesque doing the opposite of what was expected in a way that sold the moment. That day, Aldis said, turned out to be the first time he ever met Vince McMahon in person — who was there watching. Aldis admitted he spent the moments afterward dreading the encounter, assuming McMahon would be furious they'd deviated from instructions. Instead, he said McMahon was gracious and complimentary about the segment, which left Aldis feeling conflicted given how much credit he felt Heyman deserved. Asked about Reigns couch segment, Aldis explained it emerged from an improvised back-and-forth where Reigns needled him about his feelings, prompting him to fire back, "but I'm an executive. I don't have feelings, you know." He said the line was meant to establish his character as a cold, businesslike executive, citing shows like Suits and Succession as influences on that steely persona — cool, cutthroat, and, in his own description, ultimately someone who's emotionally shut off. At WWE SummerSlam 2026 (Night 1, August 1, in Minneapolis), Nick Aldis wrestled in a match despite his in-ring absence of almost three years,, taking on Gunther. He came up short against Gunther, succumbing to Gunther's sleeper hold submission. Despite the loss, it was described as a dream match turned nightmare, with fans firmly behind him throughout. Following the loss, Aldis reportedly tried to resign as SmackDown General Manager, but Triple H (Paul Levesque) wouldn't allow it, telling Aldis he respected what he did at SummerSlam and wanted him to remain GM. On future plans, it is being suggested that Aldis could wrestle in WWE again, with sources in the company not believing he was "one and done." Aldis was said to have been banged up coming out of the match, and no timeline has been confirmed for when he'd wrestle next.

BY JITU JANGIR

Chelsea Green has teased the possibility of bringing back one of her popular WWE concepts after revealing that her former tag team partner Piper Niven is currently recovering from a neck injury. During her recent appearance on XTU Philadelphia, Green was asked whether becoming a champion could lead to the return of 'The Secret Hervice', her partnership with Piper Niven. Green immediately showed her interest in the idea, admitting that she would “love, love, love” to see the duo return. However, she explained that Niven is currently sidelined while recovering from a neck injury and that WWE does not want to rush her comeback. “My tag partner Piper, she's out with a neck injury right now, but she is rehabbing,” Green said. Green stressed that Niven's recovery needs to happen at the right pace rather than being rushed simply to bring the team back together. “She is on the road to recovery, but we can't rush something like that,” Green explained. Interestingly, Green also suggested that the eventual return could be even more effective if WWE waits until fans are no longer expecting it. “Sometimes it's better to bring it back when people are not expecting it,” she said, pointing to WWE's ability to surprise its audience. The comments leave the door open for a potential reunion once Niven is medically ready to return. Green and Niven have previously been closely associated on WWE television, and Green's comments indicate that she remains interested in reviving their partnership. For now, however, Niven's recovery appears to be the priority. Green is currently WWE's reigning champion following her major SummerSlam victory. She is actively competing and promoting her championship reign while continuing to appear on WWE programming. Her current run has already taken her to Philadelphia, where she discussed the importance of beginning her reign in a city with such a deep professional wrestling history. With Green now carrying championship gold and Niven working her way back from injury, a potential return of The Secret Hervice could become an interesting storyline to watch once Piper is cleared to compete.

BY SUNIT JANGIR

Bengaluru, August 8 - The trailer of Yash-starrer Toxic: A Fairy Tale for Grown-Ups is finally out, offering a glimpse into Geetu Mohandas’ dark and violent world. The 4-minute-38-second trailer is soaked in blood and tears, with Yash playing a powerful gangster surrounded by crime, violence and betrayal. The trailer also hints at a more complicated story involving family and revenge, making Toxic look far more layered than a straightforward gangster drama. (adsbygoogle = window.adsbygoogle || []).push({}) The biggest talking point is the apparent Yash vs Yash conflict. The trailer suggests that Yash plays both a father and his son, with the two characters seemingly connected to Kiara Advani's Nadia. The trailer hints at Nadia returning with a score to settle, while Yash's two characters appear to be on opposing sides of a violent conflict. Nayanthara, Huma Qureshi, Tara Sutaria and Rukmini Vasanth also feature in the trailer. Yash has previously indicated that Toxic is not simply a conventional gangster film, with the story exploring deeper psychological and human elements. The trailer certainly reflects that ambition, combining brutal action with an emotional family conflict. Kiara Advani has also spoken highly of Nadia, describing the character as one of the most creatively fulfilling roles of her career. Following the enormous success of the KGF franchise, Toxic marks Yash's much-awaited return to the big screen. Directed by Geetu Mohandas, the film is gearing up for a worldwide theatrical release on August 26, 2026. If the trailer is an indication, Toxic is set to deliver a dark, violent and unconventional fairy tale for grown-ups. (adsbygoogle = window.adsbygoogle || []).push({})

BY JITU JANGIR

The wrestling legend says he didn't remember his name, his location, or any part of the historic loss until the early hours of the following morning. Mark Calaway, known to the world as The Undertaker, has revealed new details about the severity of the concussion he suffered during his infamous streak-ending loss to Brock Lesnar at WrestleMania XXX in 2014 — a match that ended a 21-0 undefeated run at "The Show of Shows" and shocked the wrestling world. Speaking on Insight with Chris Van Vliet, Undertaker said he has no recollection of the match itself. He was taken to the hospital before the pay-per-view had even finished, and his memory didn't begin returning until roughly 4 or 5 a.m. the next day. He described being repeatedly asked basic orientation questions by doctors — his name, his age — much like the routine seen in television medical dramas, and said he genuinely couldn't answer them. Strikingly, he noted that although he couldn't recall his own name in the aftermath, he was still able to recognize his wife, Michelle, and WWE chairman Vince McMahon — a detail he called "really bizarre." The injury had lasting psychological effects. As he prepared to return the following year, self-doubt crept in for the first time in his career, compounded by his age and a fear that a similar injury could happen again. He said there was no single moment he could point to as the cause — an experience he likened to wrestling's old adage that "fighters get old overnight." Undertaker connected this experience directly to a line from his WWE Hall of Fame induction speech, in which he thanked Triple H for reminding him "who he really is" during a moment when his confidence was at its lowest. He explained that before a later high-stakes match, doubt overwhelmed him backstage — until Triple H approached him and told him not to forget who he was, reminding him bluntly: "You're the effing Undertaker." He credited that moment with pulling him back into the right headspace before heading to the ring.

BY JITU JANGIR

Carlito has opened up about his WWE career, admitting that he was so rebellious during his first run with the company that he would deliberately do things in an attempt to get himself fired. Speaking on Inside The Ropes, Carlito said he was immature at the time and often acted against instructions simply because he had been told not to do something. He revealed that he eventually turned getting fired into something of a personal challenge. “I was doing stuff on purpose to get fired. I'm surprised I didn't get fired,” Carlito recalled. The former Intercontinental Champion explained that WWE eventually reached a point where they would neither use him prominently nor release him, which made the situation even more frustrating for him. Carlito admitted that, looking back, he regrets his attitude during that period. He believes he should have been more mature and appreciated the opportunities he had, particularly the chance to work alongside his brother in WWE. “I wish I'd appreciate stuff a little more and just not been so against the world,” he said. Carlito also compared his two WWE runs, saying that he enjoyed his second stint considerably more than his first. He attributed much of the difference to his own attitude and maturity, noting that he viewed things differently as he got older. The veteran star also addressed his more recent WWE departure. According to Carlito, he intentionally signed a shorter contract because he believed that, with Triple H in charge, he might not receive a significant role. He eventually signed a two-year deal, but acknowledged that the shorter commitment ultimately cost him additional years with the company. Carlito said he had already sensed that his time in WWE was coming to an end because there had been little communication between him and the company. He ultimately accepted the situation and said his main goal was to leave WWE while fans still cared about him. Now, Carlito says he is comfortable with whatever comes next. He suggested that retirement is a genuine possibility but remains open to opportunities if something exciting comes along. “I can retire now, baby,” Carlito said, explaining that he feels like he is now “playing with house money.” He added that if another opportunity comes along, great—but he is also completely comfortable riding off into the sunset.

BY JITU JANGIR

During the August 3rd episode of Raw, Becky Lynch delivered a promo aimed at putting down her opponent by invoking Liv Morgan's personal life, specifically her relationship with Dominik Mysterio. The line suggested Morgan couldn't even claim to be the top former champion among the group of women Dominik had been involved with — a jab that mixed in-ring credentials with real-world tabloid-style content. Per Meltzer's report, the line referenced Liv Morgan not being the best wrestler to have been involved with Dominik Mysterio, comparing her unfavorably even within that specific, unusual category. It was a pointed, mocking remark clearly meant to needle Morgan on a personal level rather than a purely athletic one — which likely explains why it didn't make the cut for the on-demand version. What makes this situation more interesting is the confirmation that Lynch wasn't going off-script. Meltzer's sources indicated the line was written into the show ahead of time, and that Triple H, along with other members of WWE's creative and production team, knew exactly what Lynch was going to say before she said it live. That detail shifts the narrative. Rather than this being a case of a performer pushing boundaries in the heat of the moment, it appears WWE intentionally included the line in the broadcast — then made the call afterward to scrub it from the version available on streaming. This raises questions about WWE's internal content standards, particularly the gap between what's deemed acceptable for a live, one-time TV airing versus what stays up permanently on a platform like Netflix, where the show is archived and easily clipped, shared, and re-watched. It also suggests WWE may be more cautious than usual about content that blurs the line between kayfabe rivalry and real-life personal references, especially now that Netflix serves as a long-term home for the product rather than a same-day-only broadcast.

BY JITU JANGIR

Another high-level departure is making waves inside WWE's corporate structure, and this one is raising eyebrows for how quietly it happened. Patrick Dooley, who held the title of Senior Vice President of Global Strategy & Creative Operations, has exited the company after roughly seven years with the organization. His departure wasn't announced with any fanfare — it simply happened in July, and word only trickled out afterward. What makes Dooley's exit notable isn't just his tenure, but his role. According to Wrestling Observer Newsletter's Dave Meltzer, Dooley functioned as Triple H's right-hand man on essentially everything outside of creative and storyline decisions — the operational and strategic side of the business that rarely gets public attention but keeps the machine running. Dooley joined WWE back in 2018 as Director of Global Strategy, working his way up over the years. Per Meltzer's reporting, he played a significant role in one of WWE's more consequential business moves: the acquisition of Mexican promotion AAA, along with helping secure AAA's television deal with FOX Latin America — a partnership that expanded WWE's footprint in the Latin American market considerably. Perhaps the most interesting detail Meltzer shared is where this call actually originated. Rather than coming from within WWE's own leadership, the decision reportedly traces back to TKO's top brass — CEO Ari Emanuel and President/COO Mark Shapiro. Meltzer indicated that people within WWE itself were caught off guard by the move, suggesting this wasn't something brewing internally or expected by those close to Dooley. Beyond that, details remain scarce. No official reason has been given publicly, and it's unclear whether this reflects broader restructuring at the TKO corporate level or something specific to Dooley's role.

BY SUNIT JANGIR

Mumbai, August 8 - The 2000 crore worldwide mark remains one of the most elusive milestones in Indian cinema. Aamir Khan's sports biopic Dangal is the only Indian film to have crossed this barrier, but there is an important caveat to that historic run: more than half of the film's worldwide gross came from China, with 1300+ crore gross. The Chinese market delivered an extraordinary response to Dangal, turning it into a once-in-a-generation box-office phenomenon, but China is not a regular theatrical market for Indian films. That makes the 2000 crore benchmark even more difficult to replicate. (adsbygoogle = window.adsbygoogle || []).push({}) In recent years, however, Indian cinema has started getting closer to that number without depending on a China phenomenon. Director Aditya Dhar's Dhurandhar 2 came remarkably close, emerging as one of the biggest Indian blockbusters ever with a worldwide gross of more than 1800 crore. The Ranveer Singh-led action entertainer demonstrated that an Indian film can come within striking distance of Dangal through the conventional domestic and overseas markets. Yet, despite its extraordinary run, Dhurandhar 2 ultimately couldn't touch the 2000 crore milestone, leaving the record intact. This is where Ramayana comes into play. The Ranbir Kapoor, Sai Pallavi and Yash starrer has several advantages that could make it a genuine contender for the 2000 crore club, but perhaps the biggest one is its international distribution strategy. The film is being released internationally by Sony Pictures, arguably one of the biggest and most powerful film distribution companies in the world. This could give Ramayana an unprecedented opportunity to reach audiences outside India. (adsbygoogle = window.adsbygoogle || []).push({}) According to reports, Sony Pictures is planning to release Ramayana across more than 50,000 screens internationally. If that rollout materialises, it would easily be the widest international theatrical release ever for an Indian film by a considerable margin. The significance of this cannot be overstated. Indian films have traditionally relied heavily on diaspora audiences overseas, with relatively limited screen penetration compared with Hollywood event films. Ramayana could potentially change that model. The scale of the international release could also help the film overcome one of the biggest challenges in its two thousand crore pursuit. Unlike Dangal, Ramayana cannot be expected to receive an enormous China boost. Instead, it will need to maximise revenue across established Indian-film markets as well as territories where Indian cinema is still expanding. A distribution giant like Sony Pictures gives the film the infrastructure, market access and theatrical reach to attempt exactly that. (adsbygoogle = window.adsbygoogle || []).push({}) The domestic side is equally promising. Ranbir Kapoor gives Ramayana a strong Hindi-market foundation, while Yash brings enormous pan-India popularity. More importantly, the Ramayana itself is arguably one of the most recognisable stories to emerge from India, giving the film an advantage that very few original or franchise properties can match. Dhurandhar 2 proved that an Indian film can get within roughly 200 crore of Dangal's worldwide record without relying on a China phenomenon. Ramayana, meanwhile, could have an even bigger international theatrical footprint thanks to Sony Pictures and a reported 50,000-plus overseas screens. Of course, a massive release does not automatically guarantee a massive box office. Ramayana will still need excellent audience reception, strong word of mouth and exceptional legs to turn its enormous release scale into actual revenue. But for the first time, the infrastructure appears to be in place for an Indian film to genuinely attempt this. Dangal set the 2,000 crore benchmark. Dhurandhar 2 came remarkably close but couldn't finish the job. Now, Ramayana has the opportunity to take the next big step. If the film lives up to its enormous pre-release expectations, the combination of the epic story, star power, scale and strong distribution power could make the barrier a very real target rather than just a distant box-office dream.

BY SUNIT JANGIR

Mumbai, August 8 - Marvel Studios and Sony Pictures' Spider-Man: Brand New Day is on the verge of creating history at the Indian box office. The Tom Holland-led superhero film has already emerged as one of the biggest Hollywood blockbusters ever in the country and is now expected to become the highest-grossing non-Indian film in India by the end of its second weekend. (adsbygoogle = window.adsbygoogle || []).push({}) Spider-Man: Brand New Day has grossed approximately 418.25 crore in India after its second Friday, completing nine days at the box office. The film continues to show strong momentum in its second week, despite facing competition from new releases. With the film maintaining its pace, the next major target is Avengers: Endgame, which currently holds the second position among the highest-grossing Hollywood films in India with a lifetime gross of around 445 crore. The fourth Tom Holland-led solo Spider-Man movie is expected to cross Avengers: Endgame on its second Saturday itself. Once that milestone is achieved, Brand New Day will have only one major target left — Avatar: The Way of Water. James Cameron's 2022 blockbuster has collected approximately 477.50 crore gross in India, and the current trajectory suggests that Spider-Man 4 could overtake that figure by Sunday, giving it the all-time non-Indian box-office record in the country. (adsbygoogle = window.adsbygoogle || []).push({}) The second weekend is turning out to be equally historic. The film is expected to collect 80 crore or more gross during its second weekend, which would be a record second weekend for a non-Indian film in India. The remarkable hold is particularly significant considering the film has already delivered a gigantic opening week and is now sustaining exceptional audience demand in its second week. If the film crosses the 477.50 crore mark by Sunday, Brand New Day is also expected to breach the 500 crore gross milestone before the second week ends, which will be a first instance for a foreign movie. It would also underline the extraordinary theatrical pull of Tom Holland's Spider-Man franchise in the Indian market, following the phenomenal performance of Spider-Man: No Way Home, which is currently the fifth biggest grosser. The bigger question now is how far Spider-Man: Brand New Day can go. With the 500 crore gross milestone firmly within reach, the film could potentially create a new benchmark that may remain extremely difficult for another Hollywood release to challenge until Avengers: Doomsday, which arrives in December this year with the potential to shatter almost every record at the Indian box office for Hollywood.

BY SUNIT JANGIR

Mumbai, August 8 - The Indian audience has long embraced Hollywood films, but the last few years have seen a significant surge in their box office dominance. Ever since the release of Avengers: Infinity War in 2018, Hollywood blockbusters have not only challenged but often outperformed major Indian films, and now, Hollywood is set to open its account in 500 crores club at the domestic box office with Spider-Man: Brand New Day. (adsbygoogle = window.adsbygoogle || []).push({}) The turning point, however, came much earlier with Jurassic World (2015), which became the first Hollywood title to cross the 100 crore net mark in India — a milestone few expected a non-Indian film to achieve at the time. Before the COVID-19 pandemic, only seven Hollywood films had managed to breach the 100 crore net barrier in India. However, the post-pandemic era has rewritten the rulebook. With cinema habits evolving and audiences increasingly drawn to global content, sixteen more Hollywood films have joined the 100 crore club in India after theatres reopened. In total, 23 Hollywood films have now achieved this memorable feat of 100 crore net - a testament to their growing influence over the cinema-loving Indian audience. Highest-Grossing Hollywood Films in India S. No. Movie Year Total India Net Collection 1 Avatar: The Way of Water 2022 ₹ 391.40 Cr 2 Avengers: Endgame 2019 ₹ 373.05 Cr 3 Spider-Man: Brand New Day* 2026 ₹ 349.75 Cr 4 Avengers: Infinity War 2018 ₹ 227.30 Cr 5 Spider-Man: No Way Home 2021 ₹ 219.00 Cr 6 The Jungle Book 2016 ₹ 188.00 Cr 7 Avatar: Fire & Ash 2025 ₹ 163.60 Cr 8 The Lion King 2019 ₹ 159.10 Cr 9 Mufasa: The Lion King 2024 ₹ 137.85 Cr 10 Deadpool & Wolverine 2024 ₹ 136.15 Cr Note: Data as of August 7, 2026 (* running). Stay tuned...

BY SUNIT JANGIR

Mumbai, August 8 - Christopher Nolan's The Odyssey has officially entered the coveted $1 billion club at the worldwide box office, becoming the fifth movie of 2026 and the 65th movie of all-time to do so. The epic adventure, headlined by Matt Damon, Tom Holland, Anne Hathaway and Zendaya, has continued its extraordinary run despite entering its third week and facing strong competition from Spider-Man: Brand New Day. The milestone also makes The Odyssey Nolan's first $1 billion grosser since The Dark Knight Rises in 2012. (adsbygoogle = window.adsbygoogle || []).push({}) Backed by Universal Pictures, The Odyssey has grossed $430 million domestically (North America) and $570 million internationally through the 4th Thursday, becoming Nolan's first non-Batman billion-dollar grosser. The film opened significantly higher than Nolan's previous blockbuster Oppenheimer, which eventually finished its theatrical run with around $976 million worldwide. Strong word of mouth, premium-format screenings and especially IMAX have played a major role in keeping The Odyssey on an exceptional trajectory. India has emerged as one of the film's strongest international markets. The Odyssey is now closing in on the 200 crore India gross milestone, an extraordinary result for a Hollywood epic in the country. The film had already crossed 192 crore gross ($20 million) in India by Day 22. It is expected to enter the 200 crore club by the 4th Sunday to become Nolan's first blockbuster to achieve the milestone. (adsbygoogle = window.adsbygoogle || []).push({}) The India performance is another major achievement for Nolan, whose films have consistently developed a strong theatrical following in the country. It was one of the very few countries Nolan, along with Matt Damon and Tom Holland, visited for the premiere and promotions. The Odyssey has benefited enormously from the IMAX experience, with audiences turning out for the film's large-scale visuals and practical filmmaking. With the $1 billion worldwide milestone now secured and the 200 crore India gross target within touching distance, The Odyssey has established itself as one of the defining theatrical blockbusters of 2026. More importantly, its success reinforces Christopher Nolan's unique ability to turn original, non-franchise filmmaking into a global box office event. After Oppenheimer came remarkably close to the billion-dollar mark, The Odyssey has now gone one step further and delivered Nolan another billion-dollar blockbuster on the biggest possible scale.

BY SUNIT JANGIR

Highest-Grossing $1 Billion Movies Worldwide Rank Movie Release Year Worldwide Gross 1Avatar2009$2.923 Billion 2Avengers: Endgame2019$2.799 Billion 3Avatar: The Way of Water2022$2.334 Billion 4Titanic1997$2.264 Billion 5Ne Zha 22025$2.260 Billion 6Star Wars: Episode VII – The Force Awakens2015$2.071 Billion 7Avengers: Infinity War2018$2.052 Billion 8Spider-Man: No Way Home2021$1.921 Billion 9Zootopia 22025$1.866 Billion 10Inside Out 22024$1.698 Billion 11Jurassic World2015$1.671 Billion 12The Lion King (2019 Remake)2019$1.662 Billion 13The Avengers2012$1.520 Billion 14Furious 72015$1.515 Billion 15Top Gun: Maverick2022$1.503 Billion 16Avatar: Fire and Ash2025$1.480 Billion 17Frozen II2019$1.453 Billion 18Barbie2023$1.445 Billion 19The Super Mario Bros. Movie2023$1.361 Billion 20Black Panther2018$1.349 Billion 21Harry Potter and the Deathly Hallows – Part 22011$1.342 Billion 22Star Wars: Episode VIII – The Last Jedi2017$1.334 Billion 23Jurassic World: Fallen Kingdom2018$1.310 Billion 24Deadpool & Wolverine2024$1.300 Billion 25Frozen2013$1.285 Billion 26Beauty and the Beast (Live Action)2017$1.266 Billion 27Incredibles 22018$1.243 Billion 28The Fate of the Furious2017$1.236 Billion 29Iron Man 32013$1.214 Billion 30Minions2015$1.159 Billion 31Captain America: Civil War2016$1.155 Billion 32Aquaman2018$1.152 Billion 33Moana 22025$1.150+ Billion 34The Lord of the Rings: The Return of the King2003$1.147 Billion 35Spider-Man: Far From Home2019$1.131 Billion 36Captain Marvel2019$1.131 Billion 37Transformers: Dark of the Moon2011$1.123 Billion 38Skyfall2012$1.108 Billion 39Transformers: Age of Extinction2014$1.104 Billion 40Jurassic Park1993$1.104 Billion 41The Dark Knight Rises2012$1.084 Billion 42Star Wars: Episode IX – The Rise of Skywalker2019$1.077 Billion 43Joker2019$1.074 Billion 44Toy Story 42019$1.073 Billion 45Pirates of the Caribbean: Dead Man's Chest2006$1.066 Billion 46Toy Story 32010$1.066 Billion 47Rogue One: A Star Wars Story2016$1.058 Billion 48Aladdin (Live Action)2019$1.054 Billion 49Pirates of the Caribbean: On Stranger Tides2011$1.046 Billion 50Despicable Me 32017$1.034 Billion 51The Lion King: Mufasa2025$1.050+ Billion 52Finding Dory2016$1.028 Billion 53Star Wars: Episode I – The Phantom Menace1999$1.027 Billion 54Alice in Wonderland (Live Action)2010$1.025 Billion 55Zootopia2016$1.025 Billion 56The Hobbit: An Unexpected Journey2012$1.017 Billion 57The Dark Knight2008$1.006 Billion 58Jurassic World Dominion2022$1.001 Billion 59Harry Potter and the Sorcerer's Stone2001$1.001 Billion 60Lilo & Stitch (Live Action)2025$1.001 Billion 61The Super Mario Galaxy Movie2026$1.009 Billion 62Michael2026$1.01 Billion 63Toy Story 52026$1.02 Billion 64Spider-Man: Brand New Day2026$1.15+ Billion 65The Odyssey2026$1+ Billion Data as of August 7, 2026 (Data courtesy - Deadline and Box Office Mojo)