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Hanuman Ansh 7th Weekend Box Office Surges 175% From Friday To Sunday And Scores Biggest 7th Weekend Beating Dhurandhar By Over 3X Bollywood
BY Christa Lincy 📰 News

Hanuman Ansh 7th Weekend Box Office Surges 175% From Friday To Sunday And Scores Biggest 7th Weekend Beating Dhurandhar By Over 3X

It's rare for a film to still be finding new gears seven weeks into its theatrical run, but Hanuman Ansh keeps rewriting that rulebook. This is a film that opened to barely a whisper — under a crore in its first weekend — then somehow built, week after week, into one of the most talked-about theatrical stories of the year. That same pattern of quietly gathering steam showed up again this weekend: Friday looked like an ordinary hold, and then Saturday and Sunday exploded, pushing the film to its strongest three-day run since its record-breaking fifth week. By the close of Day 45, the film's India net stands at ₹271.88 Cr, India gross at ₹321.05 Cr, and the worldwide gross has pushed past ₹347.05 Cr — all this after 177,121 shows and counting. What's remarkable is how it got here: a slow-burn opening that would've spelled doom for most films instead turned into a seven-week climb that's still finding fresh legs on a Sunday. (adsbygoogle = window.adsbygoogle || []).push({}) From ₹5 Crore To ₹13.75 Crore In 48 Hours Day 43 (Friday) opened on a fairly ordinary note, with the film adding ₹5.00 Cr net — a 20% dip from the previous Thursday. That's usually where a seventh-weekend story would flatten out. Instead, Saturday flipped the script entirely: collections jumped a massive 95% to ₹9.75 Cr, and Sunday kept the party going with a further 41% rise to ₹13.75 Cr. Put together, that's a Friday-to-Sunday jump of nearly 175% — a surge almost unheard of for a film sitting in its seventh week of release. Day-Wise Net Collection, India (7th Weekend — Days 43–45) DAY NET SHOWS OCCUPANCY % CHANGE (NET) Day 43 (7th Fri)₹5.00 Cr6,46218.72%▼ 20.0% Day 44 (7th Sat)₹9.75 Cr7,11933.46%▲ 95.0% Day 45 (7th Sun)₹13.75 Cr7,62845.46%▲ 41.0% 7th Weekend Total₹28.50 Cr21,20932.55%— (adsbygoogle = window.adsbygoogle || []).push({}) Occupancy Tells The Real Story The region-wise numbers make the weekend's turnaround even clearer, with every major market adding shows and nearly doubling — in some cases nearly tripling — its occupancy between Friday and Sunday. Occupancy — Day 43 vs Day 45, Major Regions REGION SHOWS D43 → D45 OCC. D43 → D45 NCR805 → 98018.3% → 46.3% Mumbai383 → 45617.0% → 44.5% Ahmedabad239 → 29215.5% → 36.8% Bengaluru198 → 21421.3% → 57.5% Pune185 → 21415.5% → 40.3% Surat171 → 2145.8% → 20.0% Hyderabad157 → 17916.0% → 28.3% Kolkata136 → 15420.0% → 36.3% Lucknow131 → 13821.5% → 51.3% Jaipur110 → 12821.3% → 59.3% The Biggest 7th Weekend Bollywood Has Ever Seen ₹28.50 Cr across Days 43–45 comfortably clears every recent 7th-weekend holdover, well ahead of Dhurandhar (₹8.5 Cr), Stree 2 (₹5.5 Cr), Chhaava (₹4.3 Cr) and Dhurandhar 2: The Revenge (₹3.5 Cr) — more than three times the next-best number. (adsbygoogle = window.adsbygoogle || []).push({}) Weekend-by-Weekend: How The Film Built To This Point What makes this 7th weekend even more striking is the shape of the journey behind it. Hanuman Ansh opened to a near-invisible ₹0.60 Cr in its first weekend and barely moved in its second, at ₹0.20 Cr. The turnaround began in week three. Against that backdrop, the ₹28.50 Cr collected this weekend isn't a decline so much as a natural cooling after two back-to-back blockbuster weekends. Weekend-Wise Net Collection Journey (Weekends 1–7) Weekend 1₹0.60 Cr Weekend 2₹0.20 Cr Weekend 3₹3.20 Cr Weekend 4₹28.25 Cr Weekend 5₹49.25 Cr Weekend 6₹51.50 Cr Weekend 7₹28.50 Cr (adsbygoogle = window.adsbygoogle || []).push({}) Overseas: Barely Two Weeks Old, Already Adding Crores Here's a number worth pausing on: Hanuman Ansh only opened overseas on September 11 — meaning by the time this 7th weekend rolled around, its international run was barely into its second week. Even so, the film added ₹4.25 Cr overseas over Days 43–45, taking its total overseas gross to ₹26.00 Cr. Ticket Sales: BookMyShow Still Leads, But The Multiplex Chains Are Catching Up On BookMyShow alone, the film sold roughly 1.37 lakh tickets on Friday, 2.49 lakh on Saturday, and 2.39 lakh on Sunday — a weekend haul of close to 6.26 lakh tickets on that platform, taking its cumulative BookMyShow sales past 67.17 lakh tickets since release. The national chains weren't far behind either: PVR, INOX and Cinepolis together sold close to 4.96 lakh tickets over the weekend for a combined gross of roughly over ₹15 Cr, led by PVR (₹7.60 Cr), followed by INOX (₹5.50 Cr) and Cinepolis (₹2.67 Cr) — a sign that a good chunk of the demand this weekend came from multiplex-heavy urban centres rather than single screens. 7th Weekend Ticket Sales — BookMyShow vs PVR + INOX + Cinepolis 6.26L 4.96L BookMyShow PVR+INOX+Cinepolis FAQs Q1. What is the total worldwide collection of Hanuman Ansh so far? As of Day 45, the film has collected ₹347.05 Cr worldwide gross, made up of ₹321.05 Cr India gross and ₹26.00 Cr overseas gross. Q2. How much did Hanuman Ansh collect on its 7th weekend? The film added ₹28.50 Cr net across Days 43–45 (Friday to Sunday), its biggest weekend since its record-setting 5th week. Q3. How many shows did the film run over its 7th weekend? Hanuman Ansh played 21,209 shows across Days 43–45, taking its overall total past 1,77,121 shows since release. Q4. When did Hanuman Ansh release overseas? The film opened in overseas markets on September 11, and has already crossed ₹26.00 Cr in overseas gross within its first couple of weeks there. Q5. What is the total India net collection of the film? As of Day 45, the India net stands at ₹271.88 Cr, with India gross at ₹321.05 Cr. (adsbygoogle = window.adsbygoogle || []).push({}) FAQs What is Hanuman Ansh's worldwide collection? As of Day 45, Hanuman Ansh has grossed ₹347.05 Cr worldwide, including ₹321.05 Cr from India and ₹26 Cr from overseas. How much did Hanuman Ansh collect in its 7th weekend? Hanuman Ansh collected ₹28.50 Cr net in its 7th weekend, making it the film's biggest three-day weekend since its record-breaking fifth week. What is Hanuman Ansh's Day 45 collection? Hanuman Ansh collected ₹13.75 Cr net in India on Day 45, a 41% increase over its ₹9.75 Cr Day 44 collection. What is Hanuman Ansh's India net collection? The film's India net collection stands at ₹271.88 Cr as of Day 45, while its India gross has reached ₹321.05 Cr. How many tickets has Hanuman Ansh sold on BookMyShow? Hanuman Ansh sold around 6.26 lakh tickets on BookMyShow during its 7th weekend, taking its cumulative BookMyShow sales past 67.17 lakh tickets.

Mirzapur The Movie Box Office: The Crime Action Thriller Tops 300 Crore Worldwide; Becomes 4th Bollywood Film of 2026 to Join the Club Bollywood
BY Sunit Jangir 📰 News

Mirzapur The Movie Box Office: The Crime Action Thriller Tops 300 Crore Worldwide; Becomes 4th Bollywood Film of 2026 to Join the Club

Mumbai, September 20 - Mirzapur The Movie has crossed the 300 crore mark worldwide, continuing its strong theatrical run in its third week. The Pankaj Tripathi, Ali Fazal, and Divyenndu-led crime-action thriller achieved the milestone on its 16th day, giving the popular franchise another major box-office success. (adsbygoogle = window.adsbygoogle || []).push({}) Mirzapur The Movie Crosses 300 Crore Worldwide Released on September 4, Mirzapur The Movie has maintained a steady hold after a strong opening. On Day 16, the film recorded a good jump in collections, earning around 4.50 crore India net, a 63.6% increase over its previous day. Its India net collection has now reached approximately 210.70 crore. The film's India gross stands at around 251 crore, while its worldwide gross has moved past the 300 crore milestone. The overseas market has also contributed significantly to the film's global total. Mirzapur The Movie had a strong first week at the box office and continued to record substantial business during its second week. The movie scored 55 crores net in the second week, which took its total India net past 200 crores. The big screen adaptation of the popular series has continued the momentum in the third weekend, collecting 7.25 crores net in 2 days. (adsbygoogle = window.adsbygoogle || []).push({}) 4th Bollywood Movie of 2026 to Top 300 Crore WW With Mirzapur The Movie joining the club, four Bollywood films released in 2026 have now crossed 300 crore worldwide. The milestone comes after a strong theatrical run for the Mirzapur franchise's big-screen outing. The film had already surpassed Bhooth Bangla to become the fourth-highest-grossing Bollywood film of 2026 worldwide by the end of its second week. Directed by Gurmmeet Singh, Mirzapur The Movie brings the characters of the popular crime franchise to the big screen. Pankaj Tripathi returns as Kaleen Bhaiya, while Ali Fazal reprises Guddu Pandit and Divyenndu returns as Munna Tripathi. The film also features Ravi Kishan, Shweta Tripathi Sharma and Rasika Dugal in prominent roles, expanding the Mirzapur universe into a theatrical feature. (adsbygoogle = window.adsbygoogle || []).push({}) 300+ Crore Bollywood Grosser of 2026 (WW) Rank Movie Name Worldwide Collection 1Dhurandhar 2₹1813 Cr 2Border 2₹450 Cr 3Hanuman Ansh₹329 Cr* 4Mirzapur The Movie₹302 Cr* As of September 19

Salman Khan Defends Katrina Kaif Amid Body-Shaming Trolls and Calls Out Paparazzi During Bigg Boss 20 Bollywood
BY Sunit Jangir 📰 News

Salman Khan Defends Katrina Kaif Amid Body-Shaming Trolls and Calls Out Paparazzi During Bigg Boss 20

Mumbai, September 20 - Salman Khan lost his cool at online trolls during the latest episode of Bigg Boss 20 Weekend Ka Vaar. The superstar addressed the constant trolling faced by celebrities over their weight, looks and age, and also questioned the growing culture of body-shaming on social media. The actor went a step further during the episode and removed his jacket, hat and shirt while responding to comments about his own physique. Salman also spoke about the trolling faced by women after pregnancy and questioned the way some paparazzi photograph actresses. (adsbygoogle = window.adsbygoogle || []).push({}) Salman Khan Challenges Trolls Over His Body and Age Salman addressed the comments he has been receiving about his changing appearance and age. The actor said that people often cross the line between criticism and personal attacks when discussing celebrities. During the segment, Salman removed his hat, jacket and shirt, effectively challenging those who have been commenting about his weight and physique. He questioned why people feel the need to troll someone simply because their appearance has changed. Salman also pointed out that he is now 60 and cannot be expected to look exactly as he did decades ago. He urged people who make personal comments about celebrities to first look at themselves and their own families. (adsbygoogle = window.adsbygoogle || []).push({}) Salman Speaks About Trolling After Pregnancy The Bollywood superstar also raised the issue of women being criticised for their bodies after pregnancy (seemingly referring to the Katrina Kaif incident). While Salman did not directly name Katrina Kaif, his comments came amid the recent social-media trolling surrounding her post-pregnancy appearance. Salman questioned why people troll women simply because they have gained weight after becoming mothers. His remarks were widely linked by viewers and media reports to the criticism Katrina has faced following her recent public appearance. The actor's comments highlighted how celebrities, particularly actresses, can face intense scrutiny over their physical appearance even during major personal milestones such as pregnancy and motherhood. (adsbygoogle = window.adsbygoogle || []).push({}) Salman Khan Calls Out Paparazzi Culture The Tiger star also spoke about the way certain paparazzi photograph female celebrities. He questioned the practice of deliberately focusing cameras on actresses' backs, hips and thighs. The actor said that several women, including people from his own circle, have felt uncomfortable with such photography. He questioned the mentality behind these photographs and why such intrusive coverage has become a part of celebrity culture. During the discussion, Salman differentiated between genuine criticism and personal attacks. He said audiences are free to dislike an actor's performance or a film, but targeting someone's body, family, age or personal life is different. He also questioned the idea that buying a ticket to watch a film gives an audience ownership over the actor's personal life. The comments came as part of his larger criticism of the culture of online trolling.

Golmaal 5 Release Date Out: Ajay Devgn And Akshay Kumar Starrer To Hit Theatres On January 8, 2027 Bollywood
BY Sunit Jangir 📰 News

Golmaal 5 Release Date Out: Ajay Devgn And Akshay Kumar Starrer To Hit Theatres On January 8, 2027

Mumbai, September 19 - The wait is finally over for the fans of the Golmaal franchise as the makers have officially announced the release date of Golmaal 5. The Rohit Shetty's directorial comedy entertainer is all set to hit the big screens on January 8, 2027 and will kick off the new year at the box office. (adsbygoogle = window.adsbygoogle || []).push({}) Golmaal 5 Release Date Locked For January 8, 2027 The announcement was made by the makers today with the promise that 2027 will begin with fun, laughter and a whole lot of Golmaal. With this, Golmaal 5 will be one of the first big Bollywood releases of 2027, arriving almost a decade after the last instalment, Golmaal Again, which was released in October 2017. Rohit Shetty Picturez produces the movie in association with T-Series, and the team shot a major schedule in Ooty earlier this year Ajay Devgn is returning to lead the franchise along with the regular gang of Arshad Warsi, Tusshar Kapoor, Shreyas Talpade and Kunal Kemmu. The biggest addition to the cast is Akshay Kumar, who was introduced in a bald look in the announcement video. Sharman Joshi is also making a comeback to the franchise after the first part, Golmaal: Fun Unlimited (2006). (adsbygoogle = window.adsbygoogle || []).push({}) Puraani aadat hai….Golmaal karne ki🤪 See you on 8th Jan 2027.#RohitShettyProductions @Authum_Ent @TSeries #DivyDangi #DruhiDangi @Shibasishsarkar pic.twitter.com/eVXb1celod— Ajay Devgn (@ajaydevgn) September 19, 2026 (adsbygoogle = window.adsbygoogle || []).push({}) Golmaal Franchise At The Box Office Golmaal is one of the most successful comedy franchises of Hindi cinema. Golmaal 3 (2010) crossed the 100 crore net mark, while Golmaal Again emerged as a blockbuster with approximately 205 crore net collection in India. It was also the first 200 crore net grosser for both Ajay Devgn and Rohit Shetty. With Ajay Devgn and Akshay Kumar coming together for the first time in the franchise, the hype is going to be massive, and the movie will have the advantage of a solo New Year release. If the trailer and music click with the audience, Golmaal 5 can take a 30-35 crore net opening on its first day. The family audience will be the key, which has always been the strength of the franchise. (adsbygoogle = window.adsbygoogle || []).push({}) Frequently Asked Questions Q. When will Golmaal 5 release? A. Golmaal 5 is scheduled to release in theatres on January 8, 2027. Q. Who is directing Golmaal 5? A. Rohit Shetty is directing Golmaal 5. Q. Who will star in Golmaal 5? A. The film stars Ajay Devgn, Arshad Warsi, Tusshar Kapoor, Shreyas Talpade, Kunal Kemmu and Sharman Joshi, among others. Q. Is Akshay Kumar part of Golmaal 5? A. Yes. Akshay Kumar is joining the Golmaal franchise with the fifth instalment. Q. When was the first Golmaal movie released? A. Golmaal: Fun Unlimited, the first film in the franchise, was released in 2006. Stay tuned...

Mirzapur The Movie Day 15 Box Office: ₹2.75 Cr As 3rd Friday Sees 31.3% Drop After ₹200 Cr Net Milestone Bollywood
BY Christa Lincy 📰 News

Mirzapur The Movie Day 15 Box Office: ₹2.75 Cr As 3rd Friday Sees 31.3% Drop After ₹200 Cr Net Milestone

Mirzapur The Movie opened its third week the way its second week closed — sliding further into single-digit-to-low-teens occupancy territory, with the fanbase-driven energy of the first fortnight now clearly behind it. Day 15 (3rd Friday) brought in ₹2.75 Cr net across 4,112 shows, a steep 31.3% drop from Thursday's ₹4.00 Cr — the sharpest single-day fall since the Day 11 Monday crash, and a reminder that the film is now well into its long tail rather than chasing fresh milestones. With Day 15 added in, Mirzapur The Movie now stands at ₹245.64 Cr in India gross, ₹206.20 Cr in India net, and a worldwide gross of ₹296.14 Cr — overseas alone contributing ₹50.50 Cr after adding ₹0.75 Cr on the day. Cumulative show count in India has now crossed 1,29,239, keeping the film's overall release scale intact even as day-wise numbers cool off. (adsbygoogle = window.adsbygoogle || []).push({}) Occupancy Holds Steady Overall, But the Regional Picture Splits Overall occupancy on Day 15 came in at 20.29%, marginally up from Day 14's 17.33% — split across Morning (8.85%), Afternoon (15.62%), Evening (22.31%) and Night (30.77%), with the night slot once again doing the heaviest lifting. Ahmedabad, Pune, Kolkata and Jaipur all posted higher occupancy on Day 15 despite fewer shows on offer, while NCR, Mumbai and Hyderabad continued to soften. Lucknow, which had spiked to 38.3% on Day 14, cooled to 22.0% but still ranked among the stronger regional markets, while Bengaluru climbed back to 26.8% — the best reading outside Jaipur's 27.5%. Occupancy — Day 14 vs Day 15, Major Regions REGION SHOWS D14 → D15 OCC. D14 → D15 NCR852 → 55019.8% → 17.0% Mumbai492 → 22713.8% → 16.3% Ahmedabad418 → 21511.8% → 15.8% Surat282 → 1466.0% → 6.5% Pune270 → 14513.8% → 18.3% Bengaluru151 → 12615.8% → 26.8% Kolkata188 → 969.5% → 19.0% Hyderabad119 → 8111.5% → 13.5% Lucknow146 → 10438.3% → 22.0% Jaipur97 → 5424.0% → 27.5% (adsbygoogle = window.adsbygoogle || []).push({}) 3rd Friday BMS Ticket Race: Mirzapur Sits at #8 Across the season's 3rd-Friday BookMyShow leaderboard, Mirzapur The Movie sold 48.5K tickets on Day 15, placing it 8th among currently-running 2025–26 releases — behind Dhurandhar (534K), Dhurandhar 2 (434K), Chhaava (254K), Bhoot Bangla (89K), Saiyaara (88K), Sitaare Zameen Par (61K) and Raid 2 (56K), but ahead of Border 2 (48K) and Kerala Story 2 (36K). The film's cumulative BookMyShow ticket count has now crossed 38.94 lakh since release. National Chains: A Quieter Friday Multiplex business on Day 15 stayed modest across the three major chains. PVR did around ₹82 lakh on roughly 24,000 tickets, INOX added about ₹52 lakh on close to 17,000 tickets, and Cinepolis brought in around ₹24 lakh across roughly 7,000 tickets — a combined national-chain haul of approximately ₹1.58 Cr on around 48,000 tickets for the day.

Mahaveer Jain And Amit Upadhyay's Inspiring Seva Sankalp For 'Hanuman' Ansh Director's 'Rambola' Bollywood
BY Sunit Jangir 📰 News

Mahaveer Jain And Amit Upadhyay's Inspiring Seva Sankalp For 'Hanuman' Ansh Director's 'Rambola'

Mumbai, September 19 - The upcoming film Rambola, which chronicles the immortal story of Goswami Tulsidas, has taken on an additional social dimension even before its production begins. Producers Mahaveer Jain and Amit Upadhyay have pledged to dedicate 100% of their personal earnings and savings from the film towards seva projects aimed at the welfare of the needy. (adsbygoogle = window.adsbygoogle || []).push({}) Producers Make A Commitment To Seva Following the announcement of Rambola recently, Mahaveer Jain and Amit Upadhyay made the commitment as part of the Seva Sankalp Initiative. According to the announcement, the producers intend to channel their personal earnings and savings from the film towards projects focused on helping people in need. The producers described the pledge as one made with humility, sincerity and gratitude. The initiative is said to be inspired by Prime Minister Narendra Modi's emphasis on seva and social welfare. Rambola To Tell The Story Of Goswami Tulsidas Rambola will bring the life and spiritual journey of Goswami Tulsidas to the screen. Tulsidas is widely known for Ramcharitmanas, one of the most influential retellings of the Ramayana in Awadhi, and for his enduring contribution to devotional literature. The film is being written and directed by Vishal Chaturvedi, who recently directed Hanuman Ansh. (adsbygoogle = window.adsbygoogle || []).push({}) With its subject rooted in the life and legacy of Tulsidas, the film aims to bring a significant chapter of India's spiritual and literary heritage to a wider audience. The producers' seva pledge adds a social-welfare component to the project's journey, linking the film's earnings to initiatives intended for the needy. The decision by Mahaveer Jain and Amit Upadhyay to dedicate their personal earnings and savings from Rambola towards seva projects makes the announcement notable beyond the film itself. The producers have positioned the initiative as an expression of gratitude and a commitment to social welfare. Frequently Asked Questions Q. What is Rambola about? A. Rambola is an upcoming film based on the immortal story of Goswami Tulsidas. The film is written and directed by Vishal Chaturvedi. (adsbygoogle = window.adsbygoogle || []).push({}) Q. Who are the producers of Rambola? A. Rambola is produced by Mahaveer Jain, Vishal Chaturvedi, Amit Upadhyay and Raghuvendra Singh, and presented by Mahaveer Jain Films. Q. What have Mahaveer Jain and Amit Upadhyay pledged for Rambola? A. The two producers have pledged to dedicate 100% of their personal earnings and savings from Rambola towards seva projects aimed at the welfare of the needy. Q. What is the connection between Rambola and Hanuman Ansh? A. Both films are associated with writer-director Vishal Chaturvedi, who directed Hanuman Ansh and is writing and directing Rambola. Q. How much has Hanuman Ansh earned at the box office? A. Hanuman Ansh has emerged as a major box-office success, with its India net collection crossing ₹200 crore and its worldwide gross surpassing ₹300 crore.

Hanuman Ansh Earns ₹5 Cr Net On 7th Friday Beats Dhurandhar By Nearly 186% On Day 43 Bollywood
BY Christa Lincy 📰 News

Hanuman Ansh Earns ₹5 Cr Net On 7th Friday Beats Dhurandhar By Nearly 186% On Day 43

Hanuman Ansh stepped into its seventh week the way it has stepped into almost every milestone so far — still on top of the Bollywood chart, even as the numbers settle into a gentler, more mature rhythm. Day 43 (7th Friday) brought in ₹5.00 Cr net across 6,462 shows, a 20% dip from Thursday's ₹6.25 Cr, but more than enough to keep the film comfortably ahead of every other Hindi release in the country on a single day's business. Six weeks and change into its run, the film isn't chasing records anymore so much as quietly padding an already historic scoreboard. With Day 43 added in, Hanuman Ansh now stands at ₹293.30 Cr in India gross, ₹248.38 Cr in India net, and a worldwide gross of ₹316.30 Cr — the overseas leg alone contributing ₹23.00 Cr after adding ₹1.25 Cr on the day. Cumulative show count in India has now crossed 1,62,374, and BookMyShow alone logged 1.37 lakh tickets in the last 24 hours, taking the platform's running total past 62.28 lakh tickets sold for the film to date. (adsbygoogle = window.adsbygoogle || []).push({}) A Familiar Friday Dip, But Occupancy Actually Ticked Up On paper, Day 43's ₹5.00 Cr looks like a routine continuation of the slide that's defined the back half of Week 6 — down 20% from the previous day and comfortably the lowest single-day number the film has posted since its sixth week began. But overall occupancy actually nudged up to 18.72% from Day 42's 17.53%, split across Morning (8.00%), Afternoon (16.38%), Evening (20.46%) and a strong Night slot at 27.08% — a sign that even with show counts thinning out from their Week 6 peak, the audience that is showing up is filling a slightly larger share of the house. Occupancy — Day 42 vs Day 43, Major Regions REGION SHOWS D42 → D43 OCC. D42 → D43 NCR1,240 → 80520.8% → 18.3% Mumbai674 → 38314.3% → 17.0% Ahmedabad420 → 23910.0% → 15.5% Surat329 → 1714.5% → 5.8% Pune286 → 18512.0% → 15.5% Bengaluru241 → 19817.5% → 21.3% Kolkata208 → 13612.5% → 20.0% Hyderabad178 → 15711.0% → 16.0% Lucknow194 → 13137.0% → 21.5% Jaipur166 → 11022.5% → 21.3% The regional occupancy numbers held up better than the falling show counts might suggest. Ahmedabad, Pune, Bengaluru, Hyderabad and Kolkata all posted higher occupancy percentages on Day 43 despite fewer shows on offer. Lucknow cooled from a spiked 37.0% on Day 42 to 21.5% on Day 43, but still held the second-best occupancy in the country. (adsbygoogle = window.adsbygoogle || []).push({}) Still Bollywood's No. 1 — By a Wide Margin Whatever the film's own week-on-week trend line looks like, its standing against the rest of the industry hasn't budged. On Day 43, Hanuman Ansh's ₹5.00 Cr was nearly three times the next-best Hindi film in the country, extending a streak of daily chart-topping finishes that now stretches unbroken across its entire seventh week to date. 1. Hanuman Ansh₹5.00 Cr 2. Dhurandhar₹1.75 Cr 3. Chhaava₹1.15 Cr 4. Dhurandhar 2: The Revenge₹1.15 Cr 5. Stree 2₹1.10 Cr Milestones Reached on Day 43 #1 Bollywood's Highest Daily Collection, Yet Again Hanuman Ansh topped the Bollywood daily net chart on Day 43, its 43rd consecutive day at the top since release — nearly triple the day's next-highest grosser. #2 Crossed 1.6 Lakh Shows Worldwide Day 43's 6,462 shows took the film's cumulative worldwide show count past 1,62,374 — a scale of release few Hindi films sustain into their seventh week. #3 Overseas Gross Crosses ₹23 Crore A ₹1.25 Cr add on Day 43 pushed the overseas total to ₹23.00 Cr, keeping international markets a steady, if modest, contributor to the film's overall haul. #4 62 Lakh-Plus Tickets Sold on BookMyShow With 1.37 lakh tickets sold in the 24 hours to Day 43, the film's cumulative BookMyShow ticket count has climbed past 62.28 lakh — an extraordinary total for a film seven weeks into its run. (adsbygoogle = window.adsbygoogle || []).push({}) National Chains: PVR Leads, But All Three Are Slowing Multiplex business followed the same softening curve seen through late Week 6. Roughly, PVR did about ₹1.5 Cr on around 49,000 tickets, INOX added close to ₹1 Cr on about 36,000 tickets, and Cinepolis brought in roughly ₹40 lakh across around 12,500 tickets — a combined national-chain total of approximately ₹2.9 Cr on close to 97,500 tickets for the day. The Verdict Heading Into Week 7 Day 43 is the clearest sign yet that Hanuman Ansh has moved from record-chasing into legacy-building mode. The day-on-day number is down, occupancy is thinning in the metros, and show counts are being rationalised city by city — but the film is still outgrossing its nearest Bollywood rival by nearly 3x, still adding to a ticket tally that's now past 62 lakh on BookMyShow alone, and still on pace to push its worldwide gross well past the ₹320 Cr mark before Week 7 is done. For a film that opened to barely a crore in its first week, that's about as complete a turnaround story as Bollywood has seen in years.

Dhurandhar Actress Sara Arjun To Headline Maneesh Sharma's Next New Gen Rom-Com YRF Film Bollywood
BY Sunit Jangir 📰 News

Dhurandhar Actress Sara Arjun To Headline Maneesh Sharma's Next New Gen Rom-Com YRF Film

Mumbai, September 18 - Dhurandhar actress Sara Arjun is reportedly set for another major career move as she is said to be headlining filmmaker Maneesh Sharma's next project for Yash Raj Films. According to the report, the young and talented actress will star opposite Sapne Vs Everyone fame Ambrish Verma in the upcoming film, which is being described as a new-age romantic drama. (adsbygoogle = window.adsbygoogle || []).push({}) Sara Arjun To Lead Maneesh Sharma's Next Sara Arjun has been gaining significant attention following her appearance in Aditya Dhar's Dhurandhar franchise, and her reported collaboration with YRF marks another important project in her career. The actor has also reportedly joined YRF Talent, the talent management arm of Yash Raj Films, after moving on from her previous agency. The upcoming film will be directed by Maneesh Sharma, who has previously helmed films including Band Baaja Baaraat, Shuddh Desi Romance, Fan, Sui Dhaaga, and Tiger 3. Sharma is also associated with several YRF productions, making the new project another collaboration between the filmmaker and the studio. (adsbygoogle = window.adsbygoogle || []).push({}) Ambrish Verma To Make His Feature Film Debut Opposite Sara Arjun will reportedly be Ambrish Verma, who has built a following through the popular series Sapne Vs Everyone. The project is expected to mark his feature-film debut, bringing him into the theatrical space with a YRF-backed production. The pairing of Sara and Ambrish will form the central romantic pairing in what is being described as a new-age romantic drama. However, details about the film’s storyline and characters are currently being kept under wraps. (adsbygoogle = window.adsbygoogle || []).push({}) Film Expected To Go On Floors Next Year According to the report, the Maneesh Sharma directorial is expected to go on floors around the middle of 2027. Further details regarding the title, supporting cast, shooting locations and release date are yet to be revealed. Neither Yash Raj Films nor the actors have officially announced the project at this stage, so the reported casting and production timeline remain subject to confirmation. Frequently Asked Questions Q. Who will star in Maneesh Sharma’s next YRF film? A. Sara Arjun is reportedly set to headline the film, with Ambrish Verma expected to star opposite her. Q. Who is directing the upcoming YRF film? A. The film is reportedly being directed by Maneesh Sharma, known for films such as Band Baaja Baaraat, Shuddh Desi Romance and Fan. Q. What genre is the new Maneesh Sharma film? A. The upcoming project is being described as a new-age romantic drama. Q. Is Ambrish Verma making his feature film debut with the project? A. Yes. Ambrish Verma, known for Sapne Vs Everyone, is reportedly set to make his feature-film debut with the YRF project. Q. When will Maneesh Sharma’s next film go on floors? A. The film is reportedly scheduled to begin production around the middle of 2027. Q. Is the film officially announced by Yash Raj Films? A. The project has been reported by industry sources, but further official details regarding the title, storyline, release date and supporting cast are awaited.

Mirzapur The Movie Week 2 Box Office: Pankaj Tripathi Starrer Earns ₹55 Cr, Enters Top 50 Week 2 Collections As It Joins ₹200 Cr Club Bollywood
BY Christa Lincy 📰 News

Mirzapur The Movie Week 2 Box Office: Pankaj Tripathi Starrer Earns ₹55 Cr, Enters Top 50 Week 2 Collections As It Joins ₹200 Cr Club

If Week 1 was about the Mirzapur fandom turning up in force, Week 2 (Days 8–14) is the week the market separated brand loyalty from genuine theatrical pull. The film added ₹55.00 Cr net in its second week — a steep 63% fall from Week 1's ₹148.45 Cr — and while that's still a healthy number for a second week, the shape of the drop tells the real story: a franchise-driven weekend spike propping up a weekday collection that is now sliding fast. By Day 14, Mirzapur The Movie had crossed the ₹200 Cr net mark, taking its India net to ₹203.45 Cr, India gross to ₹242.39 Cr, and worldwide gross to ₹292.14 Cr across 1,25,127 cumulative shows — with overseas alone contributing ₹49.75 Cr, nearly a fifth of the film's total worldwide tally. The bigger market signal, though, is occupancy: it collapsed from the mid-40s on the second weekend to single digits by Day 14, a pattern that usually marks the transition from theatrical event to playing out its string. (adsbygoogle = window.adsbygoogle || []).push({}) Week 2 Collection Trend: A Weekend Spike, Then a Weekday Freefall Day 8 opened the week on a soft note at ₹9.50 Cr (a 10% drop from Day 7), but the second Saturday reversed that instantly — Day 9 jumped 42.1% to ₹13.50 Cr, and Day 10 held nearly flat at ₹13.25 Cr, together crossing the film past ₹150 Cr net for the week. That's where the good news ends: Day 11 crashed 58.5% to ₹5.50 Cr as the second Monday hit, Day 12 stayed flat at ₹5.50 Cr, and Day 13 fell a further 31.8% to just ₹3.75 Cr — the lowest single-day net of the film's run so far. Day 14 nudged back up 6.7% to ₹4.00 Cr on the back of the ₹200 Cr milestone news, but the underlying weekday trend line is unmistakably downward. Day-Wise Net Collection, India (Week 2 — Days 8–14) DAY NET SHOWS OCCUPANCY % CHANGE (NET) Day 8 (2nd Fri)₹9.50 Cr6,76331.5%▼ 10.0% Day 9 (2nd Sat)₹13.50 Cr7,18344.1%▲ 42.1% Day 10 (2nd Sun)₹13.25 Cr7,22545.5%▼ 1.9% Day 11 (2nd Mon)₹5.50 Cr7,01426.8%▼ 58.5% Day 12 (2nd Tue)₹5.50 Cr6,95027.4%— No change Day 13 (2nd Wed)₹3.75 Cr6,99116.5%▼ 31.8% Day 14 (2nd Thu)₹4.00 Cr6,92617.3%▲ 6.7% Week 2 Total₹55.00 Cr49,052—— (adsbygoogle = window.adsbygoogle || []).push({}) Occupancy Deep-Dive: The Market Turns Red From Day 13 The occupancy trend is the clearest early-warning signal in this data set. Through Days 8–12, every major market — NCR, Bengaluru, Lucknow, Jaipur — was running healthy occupancy in the 20–60% range, even on the softer Monday-Tuesday slots. From Day 13 onwards, that changes sharply: Mumbai (13.8%), Ahmedabad (11.8%), Surat (6.5%), Pune (12.3%), Kolkata (11.8%) and Hyderabad (10.5%) all fall to single digits or the low teens — roughly half of what they were reading just two days earlier. Only Lucknow and Jaipur buck the trend, holding occupancy in the high-20s to high-30s through Day 14, while NCR and Bengaluru settle into a middle ground in the mid-to-high teens — well off their weekend peaks but not as steep a fall as the rest. In market terms, this is the signature of a fanbase-driven opening exhausting its core audience faster than word-of-mouth can refill the seats. Occupancy — Day 8 (Peak Green Zone) vs Day 14 (Red Zone), Major Regions REGION SHOWS D8 → D14 OCC. D8 → D14 NCR878 → 85232.5% → 19.8% Mumbai519 → 49222.3% → 13.8% Ahmedabad385 → 41823.5% → 11.8% Surat262 → 28212.5% → 6.0% Pune276 → 27024.8% → 13.8% Kolkata176 → 18821.0% → 9.5% Bengaluru162 → 15137.8% → 15.8% Hyderabad111 → 11928.8% → 11.5% Lucknow157 → 14640.3% → 38.3% Jaipur88 → 9759.5% → 24.0% (adsbygoogle = window.adsbygoogle || []).push({}) Where Mirzapur The Movie Sits in the Bollywood Rankings Benchmarked against every Bollywood release's all-time day-wise numbers, Mirzapur The Movie's Week 2 ranks in the high 20s to mid-40s — solid for a franchise spin-off, but nowhere near the top-tier company its OTT pedigree might suggest. It held a top-50 position among the week's currently-running releases on every day of Week 2 except Day 11 and Day 13 — precisely the two days where its steepest drops (58.5% and 31.8%) knocked it out of contention. All-Time Bollywood Ranking — Day-Wise & Day-of-Week Collection METRIC ALL-TIME RANK Bollywood 2nd Week Highest Collection#35 Bollywood Day 8 Highest Collection#34 Bollywood Day 9 Highest Collection#27 Bollywood Day 10 Highest Collection#43 Bollywood Day 12 Highest Collection#39 Bollywood Day 14 Highest Collection#38 Bollywood 2nd Friday Highest Collection#29 Bollywood 2nd Saturday Highest Collection#31 Bollywood 2nd Sunday Highest Collection#45 Bollywood 2nd Monday Highest Collection#36 Bollywood 2nd Tuesday Highest Collection#35 BookMyShow vs the Multiplex Chains: Reading the Ticket-Sales Split BookMyShow's own Week 2 leaderboard puts Mirzapur The Movie at #6 among 2025–26 releases with 3.85 million tickets — well behind category leader Dhurandhar 2 (14.95M, nearly 4x Mirzapur's tally) but comfortably ahead of War 2, Awarapan 2 and Bhoot Bangla. Over the same seven days, the three major national chains together sold 9.99 lakh tickets for a combined over₹32 Cr — led by PVR (₹15.74 Cr, 4.73 lakh tickets), followed by INOX (₹11.05 Cr, 3.68 lakh tickets) and Cinepolis (₹5.32 Cr, 1.58 lakh tickets). BMS's tally is nearly 4x the three chains combined, a sign that the film's audience skews heavily toward single-screens and regional multiplex chains beyond the big three national brands. Week 2 Ticket Sales — BookMyShow vs PVR + INOX + Cinepolis 38.46L 9.99L BookMyShow PVR+INOX+Cinepolis (adsbygoogle = window.adsbygoogle || []).push({}) Overseas: The Softer Decline While the domestic weekday chart cratered, overseas held up in relative terms. The week added ₹11.75 Cr overseas (from ₹38.00 Cr to ₹49.75 Cr cumulative), and while it too tapered from a ₹4.00 Cr Saturday/Sunday peak to ₹0.75 Cr by Day 14, the percentage decline was gentler than the domestic weekday crash — consistent with a diaspora audience that tends to plan cinema outings around weekends rather than impulse weekday visits. Overseas now accounts for 17% of the film's total worldwide gross, a healthy share for a Hindi theatrical release outside the metro-heavy domestic circuit. Overseas Gross, Day-Wise (Week 2 — Days 8–14) 2.50 4.00 4.00 1.00 1.00 1.00 0.75 D8 D9 D10 D11 D12 D13 D14

Ramayana English Version To Undergo Major Changes For Global Release Bollywood
BY Sunit Jangir 📰 News

Ramayana English Version To Undergo Major Changes For Global Release

Mumbai, September 18 - Director Nitesh Tiwari's much-awaited Ramayana Part 1 is set to arrive in multiple versions as the makers prepare the ambitious two-part epic for both Indian and international audiences. However, the epic is expected to undergo a major change for international audiences in the English version, which is reportedly 30 minutes shorter than the original Hindi version. (adsbygoogle = window.adsbygoogle || []).push({}) English Version To Have No Songs According to Variety India, the international cut of Ramayana will not feature songs, while certain scenes will also be trimmed. The decision has been taken to create a tighter viewing experience for audiences outside India, where lengthy theatrical films with songs are less common. The songs are primarily designed to enhance the narrative for Indian audiences rather than drive the core story. The songs will continue to feature prominently in the Indian-language versions, where they are expected to be presented on a large scale. (adsbygoogle = window.adsbygoogle || []).push({}) Makers Prepare Two Different Viewing Experiences The decision to create a shorter English version highlights the makers' international strategy for Ramayana. Rather than simply releasing the Indian cut globally, the film is being adapted in terms of runtime and presentation for its international audience. The project is being mounted as a two-part cinematic spectacle, with Ranbir Kapoor playing Lord Rama, Sai Pallavi as Sita, Yash as Ravana, Sunny Deol as Hanuman and Ravie Dubey as Lakshman. The film is directed by Nitesh Tiwari and produced by Namit Malhotra with Yash's Monster Mind Creations. (adsbygoogle = window.adsbygoogle || []).push({}) Ramayana Targets A Massive Global Release Ramayana: Part 1 is scheduled for this Diwali, on November 6, with the makers planning to release it in over 50,000 screens globally. Sony Pictures is handling international distribution, while Dharma Productions will release it in North India. Ranbir Kapoor has previously compared the scale of the project to Peter Jackson's The Lord of the Rings and revealed that the two-part saga contains nearly six hours of epic visuals and action sequences. The story will explore themes including family, duty, love and the triumph of good over evil. (adsbygoogle = window.adsbygoogle || []).push({}) Frequently Asked Questions (FAQs) Q. Will the English version of Ramayana be shorter than the Hindi version? A. Yes, the English version will be around 30 minutes shorter than the Hindi cut. Q. Will the English version of Ramayana have songs? A. No. The English version is expected to remove the songs, while the Indian-language versions will retain them. Q. Why is the English version of Ramayana shorter? A. The shorter cut is being prepared specifically for international audiences, with some scenes also trimmed to create a more concise theatrical experience. Q. Who stars in Ramayana? A. The film stars Ranbir Kapoor as Rama, Sai Pallavi as Sita, Yash as Ravana and Sunny Deol as Hanuman. Q. When will Ramayana release? A. Ramayana: Part 1 is scheduled to release internationally on November 6, 2026, followed by its India release on November 8, 2026.

Hanuman Ansh Week 6 Box Office: Film Earns Over ₹80 Cr With Just 11% Drop From Week 5, Sets Highest Week 6 Record Beating Dhurandhar By 205% Bollywood
BY Christa Lincy 📰 News

Hanuman Ansh Week 6 Box Office: Film Earns Over ₹80 Cr With Just 11% Drop From Week 5, Sets Highest Week 6 Record Beating Dhurandhar By 205%

Six weeks into its run, the real question for Hanuman Ansh was never whether it could open big — it was whether it could keep finding new audiences after already posting the biggest fifth week in Bollywood history. The film answered emphatically: Week 6 (Days 36–42) added ₹80.25 Cr net, making it the highest-grossing 6th week any Hindi film has ever recorded, and pushing the film past two more career milestones along the way. The week opened with a Friday-Saturday-Sunday surge that took the film past the ₹200 Cr net mark on Day 38, and by Day 41 the worldwide gross had also crossed ₹300 Cr. As of Day 42, Hanuman Ansh stands at ₹287.40 Cr in India gross, ₹243.38 Cr in India net, and ₹309.15 Cr worldwide gross, across 1,55,912 shows — and it remained Bollywood's single highest daily grosser on every one of the seven days. (adsbygoogle = window.adsbygoogle || []).push({}) A Weekend Peak Past ₹200 Cr, Then a Gradual Cool-Down Week 6 began on Day 36 with a modest ₹10.50 Cr, but momentum built fast: Day 37 jumped 76.2% to ₹18.50 Cr, and Day 38 grew a further 21.6% to ₹22.50 Cr — the day the film's India net total crossed ₹200 Cr. From there the film settled into a steadier weekday rhythm, easing to ₹8.25 Cr on both Day 39 and Day 40, before dipping into the ₹6 Cr band on Days 41 and 42 as the run entered its seventh week. Day-Wise Net Collection, India (Week 6 — Days 36–42) DAY NET SHOWS OCCUPANCY % CHANGE (NET) Day 36 (6th Fri)₹10.50 Cr5,74341.5%▲ 5.0% Day 37 (6th Sat)₹18.50 Cr7,44956.3%▲ 76.2% Day 38 (6th Sun)₹22.50 Cr8,90260.0%▲ 21.6% Day 39 (6th Mon)₹8.25 Cr9,19826.0%▼ 63.3% Day 40 (6th Tue)₹8.25 Cr9,17528.7%— No change Day 41 (6th Wed)₹6.00 Cr9,20317.2%▼ 27.3% Day 42 (6th Thu)₹6.25 Cr9,16017.5%▲ 4.2% Week 6 Total₹80.25 Cr59,830—— (adsbygoogle = window.adsbygoogle || []).push({}) Occupancy: From a Weekend Boom to a Sixth-Week Squeeze Occupancy tells the sharpest story of the week. Every major region peaked on the Friday-Saturday-Sunday run and then eased steadily as show counts kept climbing past 9,000 a day — more screens chasing a thinner crowd by Day 42. Lucknow was again the standout, holding onto the highest occupancy of the week even as its show count nearly doubled. Occupancy — Day 36 vs Day 42, Major Regions REGION SHOWS D36 → D42 OCC. D36 → D42 NCR693 → 1,24053.3% → 20.8% Mumbai493 → 67424.3% → 14.3% Ahmedabad300 → 42022.0% → 10.0% Surat220 → 32912.5% → 4.5% Pune200 → 28627.8% → 12.0% Bengaluru177 → 24142.0% → 17.5% Kolkata134 → 20822.8% → 12.5% Hyderabad100 → 17839.0% → 11.0% Lucknow108 → 19450.3% → 37.0% (adsbygoogle = window.adsbygoogle || []).push({}) The Week-by-Week Journey So Far Laid out week by week, the arc becomes even clearer — a near-invisible start, a mid-run explosion, and two record-setting weeks back to back: Week 1₹1.08 Cr Week 2₹0.40 Cr Week 3₹10.40 Cr Week 4₹61.00 Cr Week 5₹90.25 Cr Week 6₹80.25 Cr Milestones Reached This Week Six weeks after release, Hanuman Ansh kept rewriting the record books. Here's what the film ticked off between Day 36 and Day 42. #1 Bollywood's Highest Daily Collection, Every Day of Week 6 Hanuman Ansh topped the Bollywood daily net chart on each of Days 36–42, extending its streak as the market's undisputed leader through a sixth straight week. #2 Bollywood's Highest 6th-Week Collection, All-Time ₹80.25 Cr net in Week 6 makes Hanuman Ansh the highest-grossing 6th week for any Bollywood film, well clear of Dhurandhar (₹26.35 Cr), Stree 2 (₹18.60 Cr), Chhaava (₹16.30 Cr) and Dhurandhar 2: The Revenge (₹12.45 Cr). #3 Crossed the ₹200 Crore Net Mark Day 38's ₹22.50 Cr pushed the India net total to ₹214.63 Cr, taking Hanuman Ansh past the ₹200 Cr milestone — 38 days after release. #4 Crossed the ₹300 Crore Worldwide Gross Mark Day 41 took the worldwide gross total to ₹300.25 Cr, moving Hanuman Ansh past the ₹300 Cr mark in just 41 days. (adsbygoogle = window.adsbygoogle || []).push({}) Ticket Sales: BookMyShow vs the National Chains Across Week 6, Hanuman Ansh sold 1.79 million tickets on BookMyShow — enough to top the platform's 6th-week leaderboard by a huge margin, well clear of Dhurandhar (493K), Laalo (389K), Stree 2 (345K) and Chhaava (296K). Over the same week, the three major national chains together sold 16.91 lakh tickets for a combined gross of over ₹45 Cr, led by PVR (₹21.60 Cr, 7.46 lakh tickets), followed by INOX (₹15.90 Cr, 6.00 lakh tickets) and Cinepolis (₹7.70 Cr, 2.45 lakh tickets) — a near-even split with BookMyShow this week, reflecting how much of the film's remaining demand is now concentrated in multiplex-heavy metros. Week 6 Ticket Sales — BookMyShow vs PVR + INOX + Cinepolis 17.90L 16.91L BookMyShow PVR+INOX+Cinepolis Overseas: A Quiet but Steady Contributor Overseas markets stayed modest through Week 6 but held up better than the domestic weekday collections in percentage terms, adding ₹21.75 Cr across the seven days and taking the film's total overseas gross to ₹21.75 Cr so far — the weekend (Days 36–38) alone accounted for ₹14.50 Cr of that total. Overseas Gross, Day-Wise (Week 6 — Days 36–42) 4.50 5.00 5.00 2.00 2.00 1.75 1.50 D36 D37 D38 D39 D40 D41 D42 The Verdict After Six Weeks A record fifth week was always going to be a hard act to follow, yet Hanuman Ansh's sixth week fell only ₹10 Cr short of it — and still set an all-time benchmark for any Bollywood film's 6th-week collection. Two fresh milestones (₹200 Cr net, ₹300 Cr worldwide gross) and an unbroken run as the daily Bollywood chart-topper show a film that, six weeks on, is still writing its own rulebook. With weekday occupancy now dipping into the high teens, Week 7 will be the real test of how much theatrical life is left in this sleeper hit.

Hi Nanna Director Shouryuv Reportedly Set To Direct Theatrical Animated Feature 'Karna' Backed By Netflix Bollywood
BY Sunit Jangir 📰 News

Hi Nanna Director Shouryuv Reportedly Set To Direct Theatrical Animated Feature 'Karna' Backed By Netflix

Mumbai, September 17 - A new animated feature titled Karna is reportedly in development, with Hi Nanna director Shouryuv said to be attached to the ambitious project. According to the information currently circulating online, the film is being planned as a large-scale theatrical animated venture with Netflix and animation studio Chilaka Productions reportedly involved in its development. (adsbygoogle = window.adsbygoogle || []).push({}) Shouryuv Reportedly Enters Animation With Karna Shouryuv, who made his directorial debut with the Nani and Mrunal Thakur starrer Hi Nanna, is reportedly taking on a very different challenge with Karna. The project is said to be an animated feature, marking a major departure from the filmmaker's live-action work. While there has been no formal announcement from the filmmaker or the reported production partners so far, the project has generated interest because of its reported scale and subject. The project is being backed by Netflix in association with Chilaka Productions, a studio known for its work in animation. If the collaboration materialises as reported, Karna could become an ambitious Indian animation property designed for a global audience. The involvement of a major streaming platform would also give the project an international distribution footprint, particularly if the film is eventually released across multiple languages. (adsbygoogle = window.adsbygoogle || []).push({}) Theatrical Plans Reportedly Being Explored Interestingly, the film is also said to be targeting a theatrical route before its eventual streaming release. Reports currently circulating suggest that the makers are looking at a theatrical release in 2027, pointing towards plans for a big-screen presentation. However, details regarding the exact release date, theatrical distribution and Netflix premiere remain unconfirmed at this stage. For now, Karna remains a project that is generating industry buzz, with several key details yet to receive official confirmation. An announcement from Shouryuv, Netflix or Chilaka Productions would be required to establish the film's director, production partners, format and release strategy.

Mirzapur The Movie Day 13 Collection Drops 32% To ₹3.75 Cr Net; Set To Reach ₹200 Cr Today On Chennai Express Pace Bollywood
BY Christa Lincy 📰 News

Mirzapur The Movie Day 13 Collection Drops 32% To ₹3.75 Cr Net; Set To Reach ₹200 Cr Today On Chennai Express Pace

Mirzapur The Movie hit its first real speed bump on Day 13. After riding a discount-fuelled surge through its second Tuesday, the film came back down to earth on its second Wednesday — occupancy fell red across nearly every major circuit, and for the first time since release, it slipped out of both the day's top-5 ticket-selling chart and the all-time top-50 Bollywood daywise collection list. The silver lining: the film remains on track to cross the ₹200 crore Hindi net milestone as soon as Day 14, a company that includes some genuine box-office landmarks. On Day 13, Mirzapur The Movie collected a net of ₹3.75 Cr across 6,991 shows — a 31.8% drop from Day 12's net of ₹5.50 Cr. This brings the film's total India net collection to ₹199.45 Cr and its total India gross to ₹237.64 Cr. Overseas, the film added ₹1.00 Cr on Day 13, taking its total overseas gross to ₹49.00 Cr so far. Combined with the India numbers, this pushes the worldwide gross collection to ₹286.64 Cr. (adsbygoogle = window.adsbygoogle || []).push({}) Occupancy: A Wall of Red After the Discounted Tuesday Day 13's overall occupancy for the Hindi version came in at just 16.49%, a sharp fall from Day 12's 27.40% — the morning show dropped to 10.69%, the afternoon to 16.92%, the evening to 16.38%, and even the night show, usually the film's strongest slot, slid to 20.08% from 38.62%. Occupancy — Day 12 (Discounted Tuesday) vs Day 13 REGION SHOWS (D12→D13) OCC. (D12→D13) MOVEMENT Jaipur94 → 9753.8% → 27.8%-26.0 pts NCR875 → 84947.5% → 19.5%-28.0 pts Lucknow148 → 14934.5% → 27.8%-6.7 pts Bengaluru165 → 16124.5% → 14.0%-10.5 pts Pune281 → 27524.0% → 12.3%-11.7 pts Ahmedabad404 → 42723.3% → 11.8%-11.5 pts Mumbai499 → 50622.3% → 13.8%-8.5 pts Kolkata189 → 17917.8% → 11.8%-6.0 pts Hyderabad120 → 12214.0% → 10.5%-3.5 pts Surat287 → 28512.3% → 6.5%-5.8 pts Every major region is in the red on Day 13, with NCR and Jaipur — the biggest beneficiaries of Discounted Tuesday — giving back the most ground. (adsbygoogle = window.adsbygoogle || []).push({}) Slips Out of the Top 5 — and the Top 50 On BookMyShow, Mirzapur The Movie sold 58.06K tickets on its second Wednesday, down from 99.08K on its second Tuesday, taking its cumulative BMS ticket count to 37,85,190. That was enough for 7th place on the day's second-Wednesday chart — good, but for the first time since release, not enough to break into the top 5. 2nd Wednesday BMS Ticket Sales (2025–'26) # MOVIE TICKETS 1Dhurandhar447K 2Chhaava374K 3Dhurandhar 2285K 4Saiyaara111K 5Bhooth Bangla68K* The dip shows up in the all-time charts too. From Day 1 through Day 12, Mirzapur The Movie had held a spot inside the top 50 of the all-time Bollywood daywise highest-collection list — but its second Wednesday knocked it out of that bracket, with Day 13's ₹3.75 Cr net placing it at No. 44 on the Bollywood Day 13 Highest Collection Movie chart. (adsbygoogle = window.adsbygoogle || []).push({}) Chain-wise Performance National chains held up better in relative terms than the wider market — PVR crossed over ₹1 Cr gross from over 38,000 tickets, INOX added over ₹74 lakh from over 30,000 tickets, and Cinepolis contributed over ₹30 lakh from over 10,000 tickets. Milestone Watch: ₹200 Crore Net on the Horizon → Set to Cross ₹200 Cr Hindi Net by Day 14 With ₹199.45 Cr in the bank after Day 13, Mirzapur The Movie is on pace to breach the ₹200 crore Hindi net mark on Day 14 — matching the timeline of films like The Kashmir Files, Bharat, Prem Ratan Dhan Payo and Chennai Express, all of which hit the same milestone on their own Day 14.

Hanuman Ansh Crosses ₹300 Cr Worldwide On Day 41 With ₹6 Cr Net And Remains India's Top-Selling Movie Bollywood
BY Christa Lincy 📰 News

Hanuman Ansh Crosses ₹300 Cr Worldwide On Day 41 With ₹6 Cr Net And Remains India's Top-Selling Movie

Few would have bet on Hanuman Ansh six weeks ago — a devotional drama that opened quietly on barely 250 screens and made just ₹90 lakh in its first week. Yet on Day 41, the film has done what almost no one in the trade predicted during its first fortnight: crossed the ₹300 crore worldwide mark. It's a milestone that has turned a modest-budget spiritual story into one of the biggest sleeper hits Indian cinema has seen in years, and the numbers from Day 41 only add to the story. On Day 41, Hanuman Ansh collected a net of ₹6.00 Cr across 9,203 shows — a 27.3% drop from Day 40's ₹8.25 Cr, a natural correction after the discounted-Tuesday bump. This takes the film's total India net collection to ₹237.13 Cr and its total India gross to ₹280.00 Cr, built across 1,46,752 shows since release. Overseas, the film added ₹1.75 Cr on Day 41, pushing its total overseas gross to ₹20.25 Cr. Combined with the India numbers, this pushes the worldwide gross collection to ₹300.25 Cr — into 300-crore territory. (adsbygoogle = window.adsbygoogle || []).push({}) Occupancy: The Wednesday Reality Check After Day 40's discount-fuelled spike, Day 41's overall occupancy for the Hindi version settled at 17.19% — a sharp pullback from Day 40's 28.65%, with the morning show at 12.85%, climbing to 15.92% in the afternoon, 19.00% in the evening and 21.00% at night. The pattern is consistent with a normal weekday without a pricing incentive, and it shows up clearly once you compare the discount-day highs of Day 40 against the sixth Wednesday's numbers. NCR, which had roughly doubled to 48.5% occupancy on Discounted Tuesday, cooled all the way back down to 19.3% on Day 41. Jaipur followed the same arc, sliding from 46.0% to 22.8%. Markets that saw smaller discount-day bumps — Hyderabad, Kolkata, Mumbai — held up comparatively better in percentage-point terms, even as every region logged a decline. Occupancy — Day 40 vs Day 41 REGION SHOWS (D40→D41) OCC. (D40→D41) MOVEMENT NCR1,242 → 1,23348.5% → 19.3%-29.2 pts Jaipur169 → 16446.0% → 22.8%-23.2 pts Ahmedabad403 → 41726.5% → 10.5%-16.0 pts Surat332 → 32718.8% → 5.5%-13.3 pts Lucknow197 → 19932.0% → 24.3%-7.7 pts Bengaluru262 → 25824.8% → 17.5%-7.3 pts Pune285 → 28718.5% → 11.5%-7.0 pts Mumbai697 → 69819.8% → 13.5%-6.3 pts Kolkata211 → 19617.0% → 11.3%-5.7 pts Hyderabad177 → 17911.3% → 8.8%-2.5 pts Every major circuit cools off on Day 41 as the discount effect fades, with NCR and Jaipur giving back the most ground. (adsbygoogle = window.adsbygoogle || []).push({}) Still India's Top-Selling Movie Despite the occupancy dip, Hanuman Ansh remains the country's top-selling film, a rare feat this deep into a run. On BookMyShow, the film sold 1,22,970 tickets in the last 24 hours , taking its cumulative BookMyShow ticket count past 59,57,800. National chains echoed the story: PVR pulled in over ₹1.7 Cr gross from over 65,000 tickets, INOX added over ₹1.1 Cr from over 50,000 tickets, and Cinepolis contributed over ₹43 lakh from over 16,000 tickets — still the busiest chain-wise showing among films currently running in theatres. (adsbygoogle = window.adsbygoogle || []).push({}) Overseas Momentum — and a Telugu Push on the Horizon Overseas, Hanuman Ansh added ₹1.75 Cr on Day 41, taking its total international gross past the ₹20 crore mark in less than a week since its North America theatrical bow on September 11 — a rapid pace for a film whose domestic run had already been going strong for over a month. The next big lever for growth could come from the south. A Telugu dub of the film, presented by Trivikram Srinivas and originally slated to open across Andhra Pradesh and Telangana on September 18, has hit a delay — the release has been reportly pushed back over pending dubbing work, with a fresh date yet to be announced. Once it does land, trade watchers expect the film's word-of-mouth strength in the Hindi heartland to carry over and give the overall collection another push, much as its organic buzz did in the Hindi markets from the third week onward. Milestones Crossed #1 Bollywood Day 41 Highest Collection ₹6.00 Cr net on Day 41 places Hanuman Ansh at No. 1 on the all-time Bollywood Day 41 chart, ahead of Dhurandhar (₹3.00 Cr), Pushpa: The Rise (Part 1) (₹1.55 Cr), Chhaava (₹1.30 Cr) and Dhurandhar 2: The Revenge (₹1.25 Cr). #2 Crosses the ₹300 Crore Worldwide Mark With Day 41's addition, Hanuman Ansh's worldwide gross stands at ₹300.25 Cr — a number that has already pushed it past films like Mirzapur: The Movie and Bhooth Bangla among 2026's biggest Hindi grossers, on a reported production budget of roughly ₹2 crore.

Mirzapur The Movie Day 12 Box Office: Film Earns Over ₹5 Cr Net And Is Just Over ₹4 Cr Away From ₹200 Cr India Milestone Bollywood
BY Christa Lincy 📰 News

Mirzapur The Movie Day 12 Box Office: Film Earns Over ₹5 Cr Net And Is Just Over ₹4 Cr Away From ₹200 Cr India Milestone

Mirzapur The Movie has settled into a steady second-week rhythm, holding its ground into its second Tuesday without slipping further from Monday's pace — a sign that the film's core audience is still showing up on weekdays, even as it edges past the ₹280 Cr worldwide mark. On Day 12, Mirzapur The Movie collected a net of ₹5.50 Cr across 6,950 shows, showing no change from the previous day's net of ₹5.50 Cr. This brings the film's total India net collection to ₹195.70 Cr and its total India gross to ₹233.14 Cr, built across 1,11,210 shows since release. Overseas, the film added ₹1.00 Cr on Day 12, taking its total overseas gross to ₹48.00 Cr so far. Combined with the India numbers, this pushes the worldwide gross collection to ₹281.14 Cr. (adsbygoogle = window.adsbygoogle || []).push({}) Occupancy Through the Day Day 12's overall occupancy for the Hindi version stood at 27.40%, marginally higher than Day 11's 26.82% — a soft 13.46% in the morning, building to 27.92% in the afternoon and 27.54% in the evening, before climbing further to 38.62% for the night shows. That's a fairly consistent hold compared to Day 11, when occupancy opened the morning at 12.62% and moved through the day to peak at 30.92% in the afternoon, closing the night at 27.85%. The day-on-day movement was mixed across circuits rather than uniformly up or down. NCR posted the standout gain, nearly doubling from 24.3% on Day 11 to 47.5% on Day 12 even as show counts held largely steady. Jaipur and Ahmedabad also moved higher, while Bengaluru cooled off sharply after a strong Day 11, and Kolkata edged up only slightly. Hyderabad remained the softest major market on both days. Occupancy — Day 11 vs Day 12 REGION SHOWS (D11→D12) OCC. (D11→D12) MOVEMENT NCR857 → 87524.3% → 47.5%+23.2 pts Jaipur93 → 9430.0% → 53.8%+23.8 pts Ahmedabad418 → 40415.8% → 23.3%+7.5 pts Surat269 → 2878.3% → 12.3%+4.0 pts Kolkata187 → 18914.0% → 17.8%+3.8 pts Lucknow149 → 14834.5% → 34.5%No change Mumbai531 → 49924.8% → 22.3%-2.5 pts Pune288 → 28122.5% → 24.0%+1.5 pts Hyderabad117 → 12024.5% → 14.0%-10.5 pts Bengaluru166 → 16535.5% → 24.5%-11.0 pts NCR and Jaipur post the sharpest gains on Day 12, while Bengaluru and Hyderabad cool off. (adsbygoogle = window.adsbygoogle || []).push({}) Ticket Sales: BookMyShow vs National Chains On BookMyShow, Mirzapur The Movie sold around 99,000 tickets on its second Tuesday, taking its cumulative BMS ticket count to 37,27,130, built on 2nd Monday sales of over 1,00,000 tickets followed by over 99,000 on 2nd Tuesday. National chains put up a solid showing on the day too — PVR crossed over ₹1.3 Cr gross from more than 75,000 tickets, while INOX added over ₹1 Cr from more than 57,000 tickets, and Cinepolis contributed over ₹50 lakh from more than 25,000 tickets. 2nd Tuesday BMS Chart: A Top 5 Finish Mirzapur The Movie's second-Tuesday ticket count placed it comfortably inside the Top 5 on the 2025-'26 second-Tuesday chart, trailing behind Dhurandhar, Chhaava, Dhurandhar 2, and Saiyaara — but still ahead of the rest of the field, a strong showing for a film well into its second week. 2nd Tuesday BMS Ticket Sales — 2025-'26 Comparison Dhurandhar: 506K tickets Chhaava: 380K tickets Dhurandhar 2: 331K tickets Saiyaara: 168K tickets* Mirzapur The Movie: 99K tickets* *Saiyaara and Mirzapur The Movie's numbers were boosted by discounted Blockbuster Tuesday pricing, which typically pushes up ticket volume on the day. Milestones Crossed #35 Bollywood 2nd Tuesday Highest Collection Mirzapur The Movie's second-Tuesday ticket count ranks it 35th on the all-time Bollywood 2nd Tuesday chart. #39 Bollywood Day 12 Highest Collection ₹5.50 Cr net on Day 12 places the film at No. 39 on the all-time Bollywood Day 12 chart.

Hanuman Ansh 6th Weekend BMS Sales Sold 1.17M Tickets, Surpassing Dhurandhar By 312% Bollywood
BY Christa Lincy 📰 News

Hanuman Ansh 6th Weekend BMS Sales Sold 1.17M Tickets, Surpassing Dhurandhar By 312%

Six weekends. Still selling like a fresh release. Hanuman Ansh has quietly turned into one of the most remarkable sleeper-hit stories of the year — a devotional drama that, instead of fading after its opening month, has kept climbing ticketing charts well past the point where most films have already wrapped up their theatrical run. Its 6th weekend numbers make the point emphatically: the film isn't just holding on, it's out-selling the newest big releases hitting screens around it. 6th Weekend BookMyShow Tickets: Not Even Close In its 6th weekend, Hanuman Ansh sold over 1.17 million tickets on BookMyShow alone — a number that dwarfs every other film currently running in theatres, including several fresh, big-ticket new releases. The next best performer on the chart, Dhurandhar, managed just over 280K tickets in the same window — meaning Hanuman Ansh outsold Dhurandhar by a margin of over 4 times, a gap of well over 800,000 tickets in a single weekend. That's an almost unheard-of lead for a film in its sixth week of release, especially with titles like Stree 2, Chhaava and Jawan still populating the same chart. 6th Weekend BMS Tickets — Top 5 Films Hanuman Ansh1.17M Dhurandhar284K Stree 2257K Laalo226K Chhaava197K *Note: Stree 2 and Chhaava's numbers were boosted by National Cinema Day (NCD) discounted pricing on the Friday of their respective weekends, which typically inflates ticket volume. Hanuman Ansh's 1.1M+ tally, by contrast, came without any such discount-driven push — making its lead over the field even more striking. (adsbygoogle = window.adsbygoogle || []).push({}) Crossing the 5 Million Ticket Mark The weekend also brought a major milestone. On September 12, Hanuman Ansh sold over 481,000 tickets in a single day, pushing its cumulative BookMyShow ticket count past the 51 lakh mark — officially making it the 22nd film to cross 5 million tickets sold on the platform since August 2023. That's elite company for any film, let alone one this deep into its theatrical run, and the trend didn't stop there — the film continued to add over 364,000 tickets the following day, taking its total past 54 lakh. BookMyShow — Daily Tickets & Total Tickets Sold DATE TICKETS (24HRS) 11 Sep 2026 328K+ 12 Sep 2026 481K+ 13 Sep 2026 364K+ Total Tickets Sold 54 Lakh+ (adsbygoogle = window.adsbygoogle || []).push({}) National Chains Tell the Same Story The film's pull wasn't limited to BookMyShow — national multiplex chains saw a steady climb through the weekend too. On PVR, gross collections rose from over ₹3.1 Cr on Friday to over ₹5.4 Cr by Sunday, with tickets sold climbing from over 94,000 to over 160,000 across the three days. INOX followed a similar upward curve, moving from over ₹2.3 Cr to over ₹4.2 Cr, while Cinepolis nearly doubled its Friday numbers by Saturday before holding steady into Sunday. National Chains — Gross & Tickets, 11–13 Sep (Rounded) CHAIN 11 SEP (FRI) 12 SEP (SAT) 13 SEP (SUN) PVR94K+152K+160K+ INOX78K+126K+140K+ Cinepolis33K+60K+59K+ Note: PVR, INOX and Cinepolis together sold approximately Over 9 lakh+ tickets across 11–13 September 2026. A Sleeper Hit Turned Case Study What makes Hanuman Ansh's 6th weekend genuinely remarkable is the strength of its ticket sales this deep into the theatrical run. The film sold a massive 11.70 lakh tickets on BookMyShow over the weekend, while PVR, INOX and Cinepolis together sold 9.02 lakh+ tickets. That takes the combined ticket sales across BookMyShow and the three national chains to an impressive 20.72 lakh+ tickets in just the 6th weekend. More notably, the film continues to record strong ticketing more than five weeks after release, bucking the usual week-on-week decline and further underlining the strength of its word-of-mouth-driven theatrical run.

Shah Rukh Khan Watched Dhurandhar The Revenge Before Release At Salman Khan's Theatre — Here's What He Said Bollywood
BY Christa Lincy 📰 News

Shah Rukh Khan Watched Dhurandhar The Revenge Before Release At Salman Khan's Theatre — Here's What He Said

Shah Rukh Khan has already watched Dhurandhar The Revenge — and he did so a day before the film's theatrical release, well ahead of the audience. According to a report by Bollywood Hungama, Shah Rukh watched the Ranveer Singh starrer at a preview theatre owned by Salman Khan. The development comes shortly after Shah Rukh's first Ask SRK session in nearly 10 months. During the interaction, a fan asked the superstar if he had watched Dhurandhar, to which Shah Rukh replied, Loved both the parts....fantastic by the whole team!!! (adsbygoogle = window.adsbygoogle || []).push({}) Shah Rukh Khan Requested A Special Screening Shah Rukh reportedly asked director Aditya Dhar to arrange a screening of Dhurandhar The Revenge for him. The director agreed, allowing the superstar to watch the film a day before its theatrical release. The screening took place at a preview theatre owned by Salman Khan. Shah Rukh reportedly attended with his entire family, while filmmaker Karan Johar also joined them. The source could not confirm whether Salman himself was present at the screening. Shah Rukh Khan Shared His Reaction With Aditya Dhar After the screening, Shah Rukh reportedly spoke to Aditya Dhar and told the director how much he enjoyed the film. Dhar was said to be touched by the feedback from one of the country's biggest stars. Shah Rukh's reaction also became public during his Ask SRK session, where he praised both Dhurandhar films and the entire team. (adsbygoogle = window.adsbygoogle || []).push({}) The Same Theatre Has Hosted Salman Khan's Screenings Interestingly, the same preview theatre has previously hosted a private screening by Salman Khan. He reportedly showed a rough cut of his upcoming film Maatrubhumi to several members of the film industry there. The guests included Subhash Ghai, David Dhawan, Sooraj Barjatya, Kabir Khan, Riteish Deshmukh, Rumy Jafry and Siddharth Roy Kapur, among others. Director Apoorva Lakhia and Salman's co-star Chitrangda Singh were also present. With Shah Rukh Khan watching the film before its theatrical release and subsequently praising both parts, his reaction has added another interesting talking point around Dhurandhar The Revenge.

Hanuman Ansh Day 40 Box Office: Shobhinaw Satyaa Starrer Holds ₹8.25 Cr Net As National Chains See 41% Surge In Ticket Sales Bollywood
BY Christa Lincy 📰 News

Hanuman Ansh Day 40 Box Office: Shobhinaw Satyaa Starrer Holds ₹8.25 Cr Net As National Chains See 41% Surge In Ticket Sales

Hanuman Ansh continues to be one of the most talked-about theatrical stories of the year — a devotional drama that, six weeks into its run, is still topping ticket-selling charts across the country and holding its own against fresh big-ticket releases. The buzz around the film hasn't been limited to India either — its overseas theatrical window, which opened only recently in North America, has already picked up serious pace, adding to the wave of goodwill the film has ridden since release. Even as Day 40 brought a discounted-Tuesday effect into the mix, the film's numbers show it remains the single biggest draw in Indian cinemas right now. On Day 40, Hanuman Ansh collected a net of ₹8.25 Cr across 9,175 shows — flat, showing no change from the previous day's net of ₹8.25 Cr. This brings the film's total India net collection to ₹231.13 Cr and its total India gross to ₹272.90 Cr, built across 1,37,549 shows since release. Overseas, the film added ₹2.00 Cr on Day 40, taking its total overseas gross to ₹18.50 Cr so far. Combined with the India numbers, this pushes the worldwide gross collection to ₹291.40 Cr. (adsbygoogle = window.adsbygoogle || []).push({}) Occupancy Through the Day: A Discounted Tuesday Effect Day 40's overall occupancy for the Hindi version stood at 28.65%, marginally higher than Day 39's 26.04% — a soft 14.85% in the morning, dipping slightly from the previous day, before building to 27.31% in the afternoon, 34.38% in the evening, and climbing further to 38.08% for the night shows. It's worth noting that Day 40 fell on a Discounted Tuesday, with cheaper ticket pricing across several circuits — a factor that helped cushion what would otherwise have been a natural weekday dip after the holiday-driven highs of the previous weekend. The discount effect shows up clearly at the regional level. NCR, in particular, saw a dramatic jump — occupancy roughly doubled from 23.8% on Day 39 to 48.5% on Day 40, even as show counts held largely steady. Jaipur followed a similar pattern, climbing from 29.8% to 46.0%. Not every market moved the same way, though — Bengaluru and Hyderabad actually cooled off day-on-day, while Ahmedabad and Surat posted healthy gains, pointing to the discounted-Tuesday pricing pulling in price-sensitive footfall unevenly across circuits. Occupancy — Day 39 vs Day 40 (Discounted Tuesday) REGION SHOWS (D39→D40) OCC. (D39→D40) MOVEMENT NCR1,207 → 1,24223.8% → 48.5%+24.7 pts Jaipur166 → 16929.8% → 46.0%+16.2 pts Ahmedabad419 → 40316.5% → 26.5%+10.0 pts Surat316 → 3329.5% → 18.8%+9.3 pts Lucknow201 → 19728.5% → 32.0%+3.5 pts Kolkata202 → 21112.3% → 17.0%+4.7 pts Mumbai717 → 69720.0% → 19.8%-0.2 pts Pune295 → 28524.8% → 18.5%-6.3 pts Bengaluru273 → 26238.5% → 24.8%-13.7 pts Hyderabad182 → 17724.3% → 11.3%-13.0 pts NCR and Jaipur post the biggest gains on Discounted Tuesday, while Bengaluru and Hyderabad see a pullback. (adsbygoogle = window.adsbygoogle || []).push({}) Still the Top-Selling Movie in India Even six weeks in, Hanuman Ansh continues to lead the pack as the country's top-selling film — a rare feat that extends across both online ticketing and national multiplex chains alike. On BookMyShow, the film sold 1,78,730 tickets in the last 24 hours, taking its cumulative BookMyShow ticket count to 58,34,830. National chains told a similar story, with strong footfalls on the discount day — PVR crossed over ₹2 Cr gross from more than 1,20,000 tickets, INOX added over ₹1.5 Cr from more than 88,000 tickets, and Cinepolis contributed over ₹70 lakh from more than 36,000 tickets — comfortably the busiest chain-wise showing among films currently running in theatres. (adsbygoogle = window.adsbygoogle || []).push({}) Overseas: North America Run Picking Up Pace Hanuman Ansh's overseas story is just getting started in a big way. The film's North America theatrical window only opened on September 11, and in the days since, it has already crossed the $950K gross mark — a rapid pace for a film that's been running domestically for well over a month. At this rate, the film looks well placed to cross the $1 million mark in North America within the next couple of days, a milestone that would add another feather to its already impressive box office run. Milestones Crossed #1 Bollywood Day 40 Highest Collection ₹8.25 Cr net on Day 40 places Hanuman Ansh at No. 1 on the all-time Bollywood Day 40 chart, ahead of Dhurandhar (₹2.60 Cr), Pathaan (₹2.55 Cr), Chhaava (₹1.40 Cr) and URI: The Surgical Strike (₹1.38 Cr).

Shah Rukh Khan Responds To A Question On Dhurandhar In Ask SRK Session Bollywood
BY Sunit Jangir 📰 News

Shah Rukh Khan Responds To A Question On Dhurandhar In Ask SRK Session

Mumbai, September 15 - Superstar Shah Rukh Khan recently addressed a fan question about Ranveer Singh-led Dhurandhar during his latest #AskSRK session on X. The superstar was asked whether he had watched the Aditya Dhar-directed action franchise, which has emerged as one of the biggest box-office successes in Indian cinema. (adsbygoogle = window.adsbygoogle || []).push({}) SRK Says He Loved Both The Parts Responding to the question, Shah Rukh Khan confirmed that he has watched both films in the franchise and had a positive reaction to them. SRK wrote, "Loved both the parts....fantastic by the whole team!!!" The brief yet enthusiastic response saw the superstar praise the entire team behind the two-part action saga. Loved both the parts....fantastic by the whole team!!! https://t.co/srC86fcNTK— Shah Rukh Khan (@iamsrk) September 15, 2026 (adsbygoogle = window.adsbygoogle || []).push({}) Dhurandhar Has Become A Major Box-Office Franchise The comments come at a time when Dhurandhar and Dhurandhar 2 have established themselves as major theatrical successes. The franchise has collectively crossed the 3,000 crore mark worldwide, further cementing its position among the biggest-grossing Indian film franchises. The first part of the movie was released in December 2025 and went on to gross over 1300 crores worldwide, while the second part got released four months later in March 2026. Dhurandhar 2: The Revenge became an even bigger box office phenomenon by grossing over 1800 crores worldwide, which makes it the biggest Indian grosser of all-time with regular markets.

Shah Rukh Khan Reaffirms Release Date of King Bollywood
BY Sunit Jangir 📰 News

Shah Rukh Khan Reaffirms Release Date of King

Mumbai, September 15 - Superstar Shah Rukh Khan has reaffirmed the release date of his highly anticipated film King. The Siddharth Anand directorial is scheduled to arrive in cinemas on December 24, 2026, giving the superstar a major Christmas release window. The confirmation comes amid growing anticipation around the film, which is expected to be one of the biggest Bollywood releases of the year. (adsbygoogle = window.adsbygoogle || []).push({}) King To Arrive In The Christmas 2026 Window During the recent #AskSRK session on X, Shah Rukh Khan confirmed that the movie is arriving as scheduled. The December 24, 2026 release date puts King in the middle of the lucrative Christmas and New Year holiday period. The extended festive window is traditionally considered one of the most important theatrical periods for a big-ticket Hindi release, offering the film an opportunity to benefit from strong audience footfalls over several weeks. For Shah Rukh Khan, the release also marks his next major theatrical outing after Dunki. Following the extraordinary box-office success of Pathaan and Jawan, expectations are naturally high around his next action-driven spectacle. (adsbygoogle = window.adsbygoogle || []).push({}) Siddharth Anand And Shah Rukh Khan Join Forces For A High-Scale Actioner King is directed by Siddharth Anand, who has established himself as one of Hindi cinema's leading filmmakers of large-scale action entertainers. His filmography includes War and Pathaan, making his collaboration with Shah Rukh Khan once again particularly significant. The film is expected to feature elaborate action sequences and a slick international scale, with Shah Rukh Khan stepping into a new action-oriented avatar. The combination of SRK and Anand has already generated considerable curiosity among moviegoers, particularly after their previous collaboration on Pathaan. (adsbygoogle = window.adsbygoogle || []).push({}) Suhana Khan, Abhishek Bachchan And An Ensemble Cast The film also boasts an impressive ensemble cast, with Suhana Khan, Abhishek Bachchan, Deepika Padukone, Anil Kapoor, Jackie Shroff, Arshad Warsi and Rani Mukerji, among others, attached to the project. Suhana Khan's presence is particularly noteworthy as King brings her together with her father Shah Rukh Khan in one of the most anticipated projects of her career. Abhishek Bachchan is also expected to play a key role in the film, adding another major name to the cast. Christmas 2026 Set For Another Shah Rukh Khan Box-Office Event (adsbygoogle = window.adsbygoogle || []).push({}) With King now reaffirming its December 24, 2026 release date, the film has firmly positioned itself as one of the major theatrical events of Christmas 2026. This is the back-to-back second Christmas release for SRK, after Dunki in 2023. The combination of Shah Rukh Khan's star power, Siddharth Anand's action spectacle and the lucrative holiday period makes the film a potential box-office powerhouse. The next major milestone will be the beginning of the promotional campaign, with audiences eagerly awaiting the first glimpse, teaser and trailer. If the promotional material manages to create the expected buzz, King could enter its release period with enormous anticipation and emerge as one of the biggest Hindi film events of 2026.

Mirzapur The Movie Day 11 Box Office: Film Earns ₹5.50 Cr, Eyes ₹200 Cr Hindi Net By Day 14 To Be On Pace With Dunki Bollywood
BY Christa Lincy 📰 News

Mirzapur The Movie Day 11 Box Office: Film Earns ₹5.50 Cr, Eyes ₹200 Cr Hindi Net By Day 14 To Be On Pace With Dunki

Eleven days in, Mirzapur The Movie has moved past its second weekend and settled into its first full working week, with the worldwide tally edging closer to the ₹275 Cr mark on the second Monday of its run. The film added ₹5.50 Cr net on Day 11, taking its India net total to ₹190.20 Cr and its worldwide gross to ₹273.64 Cr — a number built across 104,260 shows since release. The Sunday-to-Monday drop was steep but expected, and the film is now closing in fast on the ₹200 Cr Hindi net landmark. On Day 11, Mirzapur The Movie collected ₹5.50 Cr net across 7,014 shows, down 58.5% from Sunday's ₹13.25 Cr. The film added ₹1.00 Cr on Day 11, taking its overseas total to ₹47.00 Cr, and pushing the worldwide gross to ₹273.64 Cr. (adsbygoogle = window.adsbygoogle || []).push({}) Hindi Carries the Load, Telugu Stays Marginal The Hindi version continues to account for almost all of the business. Across its run so far, the Hindi version has grossed ₹189.15 Cr net from 103,261 shows, while Telugu has added ₹1.05 Cr from 999 shows — a small side-track that has stayed marginal through the run. Occupancy Through the Day Day 11's overall occupancy for the Hindi version stood at 26.82%, following the usual weekday curve — a slow 12.62% in the morning, building to 30.92% in the afternoon and staying near that level at 30.31% in the evening, before easing to 27.85% for the night shows. That's a noticeably softer pattern than Day 10, when the film opened the morning at 19.92% and climbed all the way to 57.15% by evening. The Day 10 to Day 11 drop is the expected second-Sunday-to-second-Monday correction, and unlike some of the film's earlier weekday shifts, this one is a genuine demand pullback rather than just a show-spread effect — show counts actually eased in most markets alongside the fall in occupancy. NCR trimmed its show count (901 to 857) and still saw the steepest fall, down over 23 points. Bengaluru is the more telling number here: even after a sharp drop of its own, it still held the highest occupancy of any major market at 35.5%, pointing to comparatively sturdier ground-level demand than the rest of the circuit. Occupancy — Day 10 vs Day 11 (2nd Monday) REGION SHOWS (D10→D11) OCC. (D10→D11) MOVEMENT NCR901 → 85747.8% → 24.3%-23.5 pts Mumbai546 → 53128.3% → 24.8%-3.5 pts Ahmedabad429 → 41835.5% → 15.8%-19.7 pts Pune302 → 28829.8% → 22.5%-7.3 pts Surat306 → 26920.0% → 8.3%-11.7 pts Kolkata184 → 18736.8% → 14.0%-22.8 pts Bengaluru170 → 16661.5% → 35.5%-26.0 pts Lucknow157 → 14957.0% → 34.5%-22.5 pts Hyderabad112 → 11751.3% → 24.5%-26.8 pts Jaipur98 → 9354.3% → 30.0%-24.3 pts Bengaluru remains the film's strongest market by occupancy despite the drop. (adsbygoogle = window.adsbygoogle || []).push({}) Ticket Sales: BookMyShow vs National Chains On BookMyShow, Mirzapur The Movie sold 100.28K tickets on its second Monday, following a stronger 187.76K on Sunday. National chains held their own on Day 11 too — PVR led with just over ₹1.50 Cr from around 53,000 tickets, while INOX added roughly ₹1 Cr from around 41,000 tickets and Cinepolis contributed just over ₹47 lakh from around 15,000 tickets — together outselling BookMyShow's single-day count on this occasion. Day 11 Tickets Sold — BookMyShow vs PVR + INOX + Cinepolis 100K BookMyShow ~109K PVR + INOX + Cinepolis The three national chains combined edged past BookMyShow's Day 11 ticket count. (adsbygoogle = window.adsbygoogle || []).push({}) Milestones Crossed #4 4th Highest Grossing Bollywood Movie of 2026 With a worldwide gross of ₹273.64 Cr, Mirzapur The Movie holds the No. 4 spot among the highest-grossing Bollywood films globally in 2026. #39 Bollywood 1st Monday Highest Collection The Day 11 net collection places the film 39th on the all-time Bollywood 1st-Monday chart. ₹200Cr Closing In On ₹200 Cr Hindi Net The Hindi version's net stands at ₹189.15 Cr, just over ₹10 Cr short of the ₹200 Cr mark. At the current pace, the film should cross the milestone within its second week — by Day 14 — putting it in the company of films like Kabir Singh (₹206.48 Cr in 13 days), RRR (₹203.59 Cr in 13 days), Dunki (₹200.62 Cr in 13 days), The Kashmir Files (₹206.27 Cr in 14 days), Bharat (₹201.86 Cr in 14 days), Prem Ratan Dhan Payo (₹201.52 Cr in 14 days) and Chennai Express (₹200.55 Cr in 14 days) on the list of fastest Bollywood films to ₹200 Cr.

Hanuman Ansh Day 39 Box Office ₹8.25 Cr Net, Needs Over ₹20 Cr More To Cross ₹300 Cr Worldwide And Become 3rd Bollywood Film Of 2026 Bollywood
BY Christa Lincy 📰 News

Hanuman Ansh Day 39 Box Office ₹8.25 Cr Net, Needs Over ₹20 Cr More To Cross ₹300 Cr Worldwide And Become 3rd Bollywood Film Of 2026

Hanuman Ansh continues to hold theatrical space well past the one-month mark, a rare feat for a devotional drama that has maintained steady audience interest. The film has kept a visible presence across single screens and multiplexes, a sign that its core audience base hasn't fully dried up even five-plus weeks into its run. On Day 39, Hanuman Ansh collected a net of ₹8.25 Cr across 9,198 shows, down 63.3% from the previous day's net of ₹22.50 Cr. This brings the film's total India net collection to ₹222.88 Cr and its total India gross to ₹263.30 Cr, built across 128,374 shows since release. Overseas, the film added ₹2.00 Cr on Day 39, taking its total overseas gross to ₹16.50 Cr so far. Combined with the India numbers, this pushes the worldwide gross collection to ₹279.80 Cr. (adsbygoogle = window.adsbygoogle || []).push({}) Occupancy Through the Day Day 39's overall occupancy for the Hindi version stood at 26.04%, following a fairly even weekday curve — a soft 16.85% in the morning, building to 27.54% in the afternoon and 30.54% in the evening, before easing slightly to 29.23% for the night shows. That marks a sharp step down from Day 38, when occupancy opened the morning at 41.31% and climbed through the day to peak at 74.69% in the evening, closing the night at 55.08%. The Day 38 to Day 39 drop is broad-based rather than concentrated in any one circuit — every major market shed a sizeable chunk of occupancy. NCR actually added shows day-on-day (1,173 to 1,207), and spreading a similar footfall across more screens is enough on its own to pull the headline number down. Lucknow, which had been the film's strongest market by a distance at 81.0% on Day 38, corrected the hardest, falling to 28.5%. Bengaluru is the more telling number here: even after a drop of its own, it still held the highest occupancy of any major market on Day 39 at 38.5%, pointing to comparatively sturdier ground-level demand than the rest of the circuit. Occupancy — Day 38 vs Day 39 REGION SHOWS (D38→D39) OCC. (D38→D39) MOVEMENT NCR1,173 → 1,20768.5% → 23.8%-44.7 pts Mumbai684 → 71743.0% → 20.0%-23.0 pts Ahmedabad407 → 41951.8% → 16.5%-35.3 pts Surat309 → 31631.0% → 9.5%-21.5 pts Pune296 → 29547.8% → 24.8%-23.0 pts Bengaluru271 → 27366.3% → 38.5%-27.8 pts Kolkata200 → 20242.5% → 12.3%-30.2 pts Hyderabad179 → 18255.3% → 24.3%-31.0 pts Lucknow176 → 20181.0% → 28.5%-52.5 pts Jaipur146 → 16675.3% → 29.8%-45.5 pts Bengaluru emerges as the film's strongest market by occupancy on Day 39. (adsbygoogle = window.adsbygoogle || []).push({}) Ticket Sales: BookMyShow vs National Chains On BookMyShow, Hanuman Ansh sold 183.55K tickets in the last 24 hours. National chains, by comparison, ran a shade behind on Day 39 — PVR led with around ₹2 Cr from roughly 83,000 tickets, while INOX added close to ₹1.50 Cr from about 66,000 tickets and Cinepolis contributed just over ₹70 lakh from around 24,000 tickets — together falling short of BookMyShow's single-day count on this occasion. Day 39 Tickets Sold — BookMyShow vs PVR + INOX + Cinepolis ~184K BookMyShow ~173K PVR + INOX + Cinepolis BookMyShow's Day 39 ticket count edged past the three national chains combined. Milestones Crossed #1 Bollywood Day 39 Highest Collection ₹8.25 Cr net on Day 39 places Hanuman Ansh at No. 1 on the all-time Bollywood Day 39 chart, ahead of Stree 2 (₹5.00 Cr), Dhurandhar 2: The Revenge (₹3.25 Cr), Dhurandhar (₹2.35 Cr) and Jawan (₹2.09 Cr).

Hanuman Ansh Heads To Telugu Markets After Crossing ₹250 Cr Worldwide With Trivikram Srinivas Backing Bollywood
BY Christa Lincy 📰 News

Hanuman Ansh Heads To Telugu Markets After Crossing ₹250 Cr Worldwide With Trivikram Srinivas Backing

Hanuman Ansh has already pulled off one of the more unusual runs Bollywood has seen in years — a devotional drama with no big-name cast that's still posting record single-day numbers six weeks after release, and has comfortably crossed the ₹250 Crore mark worldwide. Now the film is taking its next big step: a full Telugu theatrical release, arriving in Andhra Pradesh and Telangana on September 18. The announcement carries an unusually heavyweight endorsement for a film crossing over from Hindi — it's being presented by Trivikram Srinivas, one of Telugu cinema's most respected filmmakers, a detail that's likely to draw eyeballs on its own. A Telugu Release Backed by Trivikram The Telugu version of Hanuman Ansh will be released by Fortune Four Cinemas, with Trivikram Srinivas presenting the film — a rare instance of a mainline Telugu director lending his name to back a Hindi devotional film's regional expansion. The film carries its subtitle, Tales of Neeb Karoli Baba, into this release as well, and will be playing across major chains including Cinepolis, alongside several regional Telugu distribution partners, signalling a genuine wide release rather than a token expansion. (adsbygoogle = window.adsbygoogle || []).push({}) Written and directed by Vishal Chaturvedi, Hanuman Ansh has built its entire run on word of mouth rather than star power or marketing spectacle. What makes the Telugu release notable is exactly who's backing it — Trivikram Srinivas has built his name almost entirely on his own writing and direction, with a filmography that includes some of Telugu cinema's biggest hits: Ala Vaikunthapurramuloo, which grossed over ₹260 Crore and became the highest-grossing Telugu film of 2020, along with Attarintiki Daredi, S/O Satyamurthy and Julayi. A filmmaker of that stature choosing to present someone else's film into the Telugu market is a rare move, and it signals a level of confidence in Hanuman Ansh's story that goes beyond a routine regional expansion. Not Its First Border Crossing — Overseas Already Opened on September 11 This isn't actually the first time Hanuman Ansh has stepped outside its original release footprint. The film only began its overseas run on September 11 — more than a month after its India release — and in the short time since, it has already added well over ₹14 Crore internationally. That overseas expansion followed the exact same pattern now playing out with Telugu: a film that quietly kept building strength in its home markets before making a calculated move into new territory once the demand was undeniable. (adsbygoogle = window.adsbygoogle || []).push({}) What This Means Going Forward With its Hindi run still active, an overseas leg less than a week old, and now a Telugu release backed by one of Tollywood's biggest names, Hanuman Ansh is positioned to keep adding to its numbers from multiple directions at once rather than winding down. If the Telugu audience responds anywhere close to how Hindi-speaking viewers have, September 18 could end up being less a footnote in the film's run and more the start of its next real chapter.

Haiwaan Opening Weekend Box Office: Akshay-Priyadarshan Combo Scores Lowest Opening With Over ₹7.35 Cr Net In India As Shows Drop Nearly 40% Bollywood
BY Christa Lincy 📰 News

Haiwaan Opening Weekend Box Office: Akshay-Priyadarshan Combo Scores Lowest Opening With Over ₹7.35 Cr Net In India As Shows Drop Nearly 40%

Three days in, and the writing is already on the wall: Haiwaan, starring Akshay Kumar and directed by Priyadarshan, has opened to one of the weakest starts of the actor's career despite the star-director combo on paper. The film walked into its release with barely any promotional buzz, a trailer that failed to generate real talkability, and no real word-of-mouth push heading into the weekend — and the numbers over its opening three days confirm that the lack of pre-release excitement has translated directly into empty seats. Across Day 1 to Day 3 — its opening Friday, Saturday and Sunday — Haiwaan has managed a net of just ₹7.35 Cr in India across 17,357 shows, pushing its total India gross to ₹8.80 Cr and worldwide gross collection to ₹11.55 Cr (Overseas: ₹2.75 Cr). Here's the full day-by-day, occupancy and chain-wise breakdown. (adsbygoogle = window.adsbygoogle || []).push({}) An Opening Weekend That Kept Sliding Day 1 opened at a soft ₹3.00 Cr across 7,224 shows. Instead of the usual Saturday jump that most theatrical releases see, Day 2 actually dropped 16.7% to ₹2.50 Cr, and Day 3 fell further still, down 26.0% to ₹1.85 Cr. A film sliding on its own opening weekend — rather than growing into Saturday and Sunday — is a clear sign that there was simply no word-of-mouth pull to bring audiences back after Day 1. Day-Wise Collection, India (Opening Weekend — Day 1–3) DAY NET (INDIA) SHOWS OCCUPANCY GROWTH Day 1 (Fri)₹3.00 Cr7,22411.0%— Day 2 (Sat)₹2.50 Cr5,75914.0%-16.7% Day 3 (Sun)₹1.85 Cr4,37414.0%-26.0% Weekend Total (India)₹7.35 Cr17,357—— Worldwide Gross₹11.55 Cr17,357—— What stands out most is the steep cut in show count — from 7,224 shows on Day 1 to just 4,374 by Day 3, a drop of nearly 40% within the opening weekend itself. Exhibitors pulling shows this fast, this early, is usually a sign that theatres saw the writing on the wall almost immediately. In sharp contrast, several hold-over films like Hanuman Ansh and Mirzapur the movie already running in cinemas have retained their show counts far better and are outperforming Haiwaan despite being well into their theatrical run — underlining just how muted the response to this big-ticket Akshay Kumar-Priyadarshan release has been. (adsbygoogle = window.adsbygoogle || []).push({}) Occupancy: Red Flags From Day 1 Itself The occupancy trend tells its own story. Day 1 overall occupancy came in at just 12.42% — with Morning (5.92%), Afternoon (12.15%) and Evening (12.00%) shows all flagged in red, signalling severely under-filled theatres from the very first show of the very first day. Even the traditionally stronger Night slot managed only 18.15%. This is a rare case where the red zone shows up before the film has even completed its opening day, a clear indicator of zero opening-day buzz. Overall Occupancy By Time Slot — Day 1 to Day 3 DAY OVERALL MORNING AFTERNOON EVENING NIGHT Day 1 12.42% 5.92% 12.15% 12.00% 18.15% Day 2 16.02% 6.85% 15.46% 16.00% 25.77% Day 3 17.13% 6.15% 19.77% 22.92% 19.69% (adsbygoogle = window.adsbygoogle || []).push({}) Regional Occupancy: Largely Stuck in the Red The city-wise breakdown confirms that this isn't a one-market problem. Key markets like Mumbai, Ahmedabad, Pune, Surat, Kolkata, Bengaluru and Hyderabad stayed in the red zone on Day 1, with only NCR, Lucknow and Jaipur showing marginally better (yellow-zone) numbers. While Day 2 and Day 3 saw some green shoots in NCR, Pune and Lucknow, most major metros continued to register weak, red-zone occupancy through the opening weekend. Overall Occupancy — Major Regions, Day 1 vs Day 3 REGION SHOWS D1 → D3 OCC. D1 OCC. D3 NCR 759 → 428 15.5% 23.5% Mumbai 519 → 291 12.3% 13.0% Ahmedabad 380 → 240 8.8% 11.5% Pune 249 → 119 10.8% 23.5% Surat 234 → 134 4.3% 7.3% Kolkata 211 → 129 8.3% 11.3% Bengaluru 209 → 110 11.8% 17.3% Hyderabad 182 → 118 11.3% 18.5% Jaipur 102 → 54 15.5% 14.5% Lucknow 104 → 48 16.0% 28.5% (adsbygoogle = window.adsbygoogle || []).push({}) BookMyShow: Ticket Sales Struggling Too Ticket sales on BookMyShow paint the same underwhelming picture. Pre-sales stood at just over 10,000 tickets, with Friday adding over 31,000, Saturday over 25,000 and Sunday over 17,000 — taking the film's cumulative BMS sell-through to just over 84,000 tickets for the entire opening weekend. For a wide, pan-India release fronted by a star of Akshay Kumar's stature, this is a strikingly weak number and reflects the near-total absence of advance buzz or urgency among ticket buyers. National Chains: A Muted Showing at the Multiplexes Too Across PVR, INOX and Cinepolis, Haiwaan pulled in just over ₹3.9 Cr combined gross from over 1,12,000 tickets through Day 1 to Day 3 — a modest number for a wide release with this level of star power. PVR led the pack with over ₹2 Cr from over 54,000 tickets, INOX added over ₹1.3 Cr from over 41,000 tickets, and Cinepolis contributed over ₹58 lakh from over 17,000 tickets. Ticket sales stayed weak across all three national chains through the weekend, further underlining the lack of pull the film has managed both on the big screens and via online booking platforms.

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